Critical Connections: Communication for the Future

The U.S. communication infrastructure is changing rapidly as a result of technological advances, deregulation, and an economic climate that is increasingly competitive. This change is affecting the way in which information is created, processed, transmitted, and provided to individuals and institutions. The report analyzes the implications of new communication technologies for business, politics, culture, and individuals, and suggests possible strategies and options for congressional consideration

AERO|ASTRO Architecture: the hybridizing frontier of emergent industries

Architectural designers often need to strike an uneasy balance between idealism and reality. Under most circumstances, architects are restricted by clients, budgets, and available technologies. However, divorced from traditional constraints, visionary concepts of new dwellings, new cities, and new “worlds” will spark greater forms of innovation and drive creativity for future generations. The exploration of new spatial boundaries and conceptual environments for design will irrevocably alter the human experience while adapting new challenging roles for future architects. Architecture can be understood in part as the art of organizing spaces through the manipulation of materials and forms. Designed spaces are arranged to provide unique sensory reactions for their occupants while emotionally and physically orientating them on Earth. As a catalyst towards the awareness of one’s surroundings, architecture has always had to contend with the many limiting factors imposed by the forces on Earth. These include, but are not limited to, gravity and climate. On Earth, structurally sound construction is limited by the forces of gravity as it influences design capabilities by standardizing forms, functions, and structural elements of architectural spaces. New design challenges and opportunities arrive when we look to create structures outside of Earth’s boundaries. This thesis proposes a futuristic model of an efficient and unique passenger transport system that connects Earth-based hybrid air/space ports with an outer space orbital infrastructural hub. This modern intervention will allow for new outer space industries, such as transit, tourism, and hospitality, which will provide unique opportunities for the future of humanity. Additionally, the thesis studies the positive architectural and experiential potentials for the future living occupancy of outer space. In recognizing the financial and logistical limitations of current space constructions, such as the International Space Station, the thesis looks beyond the limitations of current technologies and towards designs that are driven by the fulfillment of human experiences in space. Life in space, the thesis envisions, will spark new human experiences and rituals while necessitating new forms and designs in architecture. Weightlessness and its related spatial disorientations, in addition to the many other unique conditions in this unfamiliar territory, will inspire a new conceptual language for architecture and human cultures. The thesis will demonstrate that spaces designed for extraterrestrial experiences can be innovatively dynamic as they respond to new cultures and activities that evolve as a reaction to extreme conditions. Introducing humans to the environs of orbital space will be the initial stage in a long-term phasing tactic to colonize and commercialize beyond the expanse of Earth, eventually extending humanity to the remote neighbouring planets of the universe

Beyond the Ebook: Digital Ecologies and the Future of the Author-Publisher Relationship, and Bibliotek: A Novel

This thesis examines changes in book publishing arising from digital distribution and textual ecology, and how these affect the traditional publisher-author relationship. It considers how the inclusion of fan writers into the industry may help publishing develop in positive ways. The critical exegesis develops a model for a transformative, sharing readership to work with the industry, helping to revitalise the form; while the creative component, science fiction novel, Bibliotek, extrapolates how this model could function

Animating Film Theory

Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahash

Planting Trees with Digital Media: Reimagining Ecological Care

In the last decade, planting trees through the internet, social media, and web and mobile applications has become popularised as a means to express care and consideration for the earth and distant others. The advent of digital tree planting coincides with the rise of environmental marketing and agendas for sustainable development that stress the good of trees for addressing environmental change, alongside swelling interest in everyday digital technologies and consumption as mediums for environmental action. Against this backdrop, the thesis critiques how digital tree planting campaigns are promoting ecological care at a distance. It explores how such campaigns represent trees as valuable and situate them in relations of care for others and the environment. This critical exploration develops through an investigation of how particular uses of digital media technologies are framed as facilitating planting and care. Three empirical cases are chosen, which shed light on the three overarching digital strategies that companies and organisations are employing for this purpose: (i) online shopping; (ii) apps, games, and crowdfunding sites; and (iii) cryptocurrencies, credit cards, e-cards, and e-donations. A set of corresponding campaigns is analysed for each case using multimodal ecocritical discourse analysis, which attends to trees as subjects of environmental discourse and practice. The resulting case discussions illustrate how the promotion of various kinds of digital consumption affects the kinds of relations with, and regard for, trees that can be imagined. In so doing, it is argued, the campaigns also draw selective lines of ecological connection between contributing individuals and distant others and environments, provoking productive questions about the terms of caring that are being forged. Intellectually, the critique unfolds through a conversation between ecological ethics and media and cultural studies, and is variously inflected by environmental anthropology, critical studies in marketing and consumption, and geography

Animating Film Theory

Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahash

Novel Perspectives of the Iraq War

Novel Perspectives of the Iraq Wa