Boston University Symphony Orchestra, December 8, 2009

This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, December 8, 2009 at 7:30 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Overture to I Vespri Siciliani by Giuseppe Verdi, Concerto for Bass Viol and Orchestra by John Harbison, and Symphony No. 2 in C, op. 61 by Robert Schumannn. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Spartan Daily, February 16, 1942

Volume 30, Issue 86https://scholarworks.sjsu.edu/spartandaily/3406/thumbnail.jp

ALEA III: 19th International Composition Competition for Young Composers

This is the concert program of the 19th International Composition Competition for Young Composers performance on Saturday, September 29, 2001 at 7:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Croatoan III by Moritz Eggert, Triptique by Athanasia Tzanou, Portrait of George Dyer Riding a Bicyle by Tonino Tesei, Reflection by Sabang Cho, and Three Episodes by Lior Navok. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Philosophy at Cambridge, Newsletter of the Faculty of Philosophy

Philosophy Newsletter. Articles by: Edward Craig - From the Chairman. Simon Blackburn - Writing about sin. Alex Oliver and Dominic Scott - The Forum for Philosophy in Business. Hallvard Lillehammer - Cambridge Centenary Conferences. Richard Gregory - A Student's View to Cambridge Philosophy Post-Wittgenstein, 1947-49. Recollections by Sir Michael Scholar, Richard Fres, Ian Hacking and Lord Cobbold. Timothy Smiley - Popper and the Poker. Faculty New

The Spirit of Verdi, Arie da camera, March 24, 2013

This is the concert program of the The Spirit of Verdi, Arie da camera performance on Sunday, March 24, 2013 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Notturno: "Guarda che bianca luna", Lo spazzaamino, Brindisi (based on the Autograph), Il mistero, Stornello, L'esule, La preghiera del poeta, Perduta ho la pace, In solitaria stanza, Brindisi (based on the First Edition), Nell'orror di notte oscura, La zingara, Sgombra, o gentil, Deh pietoso, oh Addolorata, More, Elisa, lo stanco poeta, La seduzione, Il brigidino, Pietà, Signor, Il poveretto, Il tramonto, Ad una stella, Non t'accostare all'urna, and É ;a vita un mar d'affanni by Giuseppe Verdi. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Symphony Orchestra Concerto Concert, March 31, 2009

This is the concert program of the Boston University Symphony Orchestra Concerto Concert performance on Tuesday, March 31, 2009 at 7:30 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Horizon by Graham Dixon, Violin Concerto No. 1 in D minor by Karol Szymanowski, Poème by Ernest Chausson, and Cello Concerto No. 1 in E-flat by Dmitri Shostakovich. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Lie Detection: The Supreme Court\u27s Polygraph Decision

In United States v. Scheffer, decided this past Term, the Supreme Court considered for the first time the admissibility of polygraph evidence. The Court held that exclusion of such evidence on behalf of a criminal defendant was supported by valid justifications and offended no constitutional right to present a defense

The Presence and Image of the Translator in Narrative Discourse: towards a Definition of the Translator's Ethos

This paper aims at exploring the configuration of the discursive image or ethos attached to the enunciative subject assuming the responsibility for the enunciation of translated narrative (Ducrot 1984; Amossy 1999, 2009, 2012). Our concern will be the study of the modeling of ethos affecting the Translator, understood here not as an empirical subject but as a discursive one. Accordingly, the purpose of this paper is two-fold. On a theoretical and methodological level, this paper intends to elaborate the category of Translator's ethos by articulating contributions from two distinct but related areas, translation studies (Schiavi 1996; Hermans 2010 [1996]) and discourse studies (Ducrot 1984; Amossy 1999, 2009, 2012), in an attempt to further explore an already posed question in the field of translation studies: "Exactly whose voice comes to us when we read translated discourse?" (Hermans 2010 [1996]: 197). On the analytical level, this interdisciplinary approach will be exemplified by the analysis of Chicana novel Caramelo or Puro Cuento by Sandra Cisneros (2002a) and its corresponding translation into Spanish carried out by Liliana Valenzuela (Cisneros 2002b). In examining the construction of ethos, our approach will combine textual, contextual and paratextual analyses of the texts.Fil: Spoturno, Maria Laura. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; Argentin