Color diversity index : the effect of chromatic adaptation

Common descriptors of light quality fail to predict the chromatic diversity produced by the same illuminant in different contexts. The aim of this paper was to study the influence of the chromatic adaptation in the context of the development of the color diversity index, a new index capable of predicting illuminant-induced variations in several types of images. The spectral reflectance obtained from hyperspectral images of natural, indoor and artistic paintings, and the spectral reflectance of 1264 Munsell surfaces were converted into the CIELAB color space for each of the 55 CIE illuminants and 5 light sources tested. The influence of the CAT02 chromatic adaptation was estimated for each illuminant and for each scene. The CIELAB volume was estimated by the convex hull method and the number of discernible colors was estimated by segmenting the CIELAB color volume into unitary cubes and by counting the number of non-empty cubes. High correlation was found between the CIELAB volume occupied by the Munsell surfaces and the number of discernible colors and the CILEAB color volume of the colors in all images analyzed. The effects of the chromatic adaptation were marginal and did not change the overall result. These results indicate that the efficiency of the new illuminant chromatic diversity index is not influenced by chromatic adaptation

The number of colors perceived by dichromats when appreciating art paintings under standard illuminants

The chromatic content and diversity experienced by normal observers when observing art paintings vary with the spectral composition of the illumination and can be estimated by quantities such as color rendering indices and the number of discernible colors. Can these estimates be extended to color deficient observers? The aim of this work was to investigate how the number of discernible colors perceived by dichromats in art paintings varies when the paintings are rendered under C1E standard illuminants. Hyperspectral images of eleven oil paintings were collected at the museum and the number of discernible colors perceived by trichromats and dichromats under 55 C1E illuminants was estimated for each painting. It was found that the number of discernible colors varies considerably across illuminants for all classes of observers analyzed. When comparing with C1E standard illuminant A, substantial enhancement of about 14%, 30%, 20% and 10%, could be obtained with specific illuminants for trichromats, protanopes, deuteranopes and tritanopes, respectively. These results suggest that color deficient observers may require personalized lighting conditions.Centro de Física of Minho University, Braga, Portugal, by the Fundação para a Ciência e a Tecnologia (grants POSC/EEA-SRI/57554/2004 and POCTI/EAT/55416/2004). João M.M. Linhares was partially supported by grant SFRH / BD / 35874 / 2007info:eu-repo/semantics/publishedVersio

The number of colors perceived by dichromats when appreciating art paintings under standard illuminants

The chromatic content and diversity experienced by normal observers when observing art paintings vary with the spectral composition of the illumination and can be estimated by quantities such as color rendering indices and the number of discernible colors. Can these estimates be extended to color deficient observers? The aim of this work was to investigate how the number of discernible colors perceived by dichromats in art paintings varies when the paintings are rendered under C1E standard illuminants. Hyperspectral images of eleven oil paintings were collected at the museum and the number of discernible colors perceived by trichromats and dichromats under 55 C1E illuminants was estimated for each painting. It was found that the number of discernible colors varies considerably across illuminants for all classes of observers analyzed. When comparing with C1E standard illuminant A, substantial enhancement of about 14%, 30%, 20% and 10%, could be obtained with specific illuminants for trichromats, protanopes, deuteranopes and tritanopes, respectively. These results suggest that color deficient observers may require personalized lighting conditions.Centro de Física of Minho University, Braga, Portugal, by the Fundação para a Ciência e a Tecnologia (grants POSC/EEA-SRI/57554/2004 and POCTI/EAT/55416/2004). João M.M. Linhares was partially supported by grant SFRH / BD / 35874 / 2007info:eu-repo/semantics/publishedVersio