Perception and classification of emotions in nonsense speech: humans versus machines

This article contributes to a more adequate modelling of emotions encoded in speech, by addressing four fallacies prevalent in traditional affective computing: First, studies concentrate on few emotions and disregard all other ones (‘closed world’). Second, studies use clean (lab) data or real-life ones but do not compare clean and noisy data in a comparable setting (‘clean world’). Third, machine learning approaches need large amounts of data; however, their performance has not yet been assessed by systematically comparing different approaches and different sizes of databases (‘small world’). Fourth, although human annotations of emotion constitute the basis for automatic classification, human perception and machine classification have not yet been compared on a strict basis (‘one world’). Finally, we deal with the intrinsic ambiguities of emotions by interpreting the confusions between categories (‘fuzzy world’). We use acted nonsense speech from the GEMEP corpus, emotional ‘distractors’ as categories not entailed in the test set, real-life noises that mask the clear recordings, and different sizes of the training set for machine learning. We show that machine learning based on state-of-the-art feature representations (wav2vec2) is able to mirror the main emotional categories (‘pillars’) present in perceptual emotional constellations even in degradated acoustic conditions

Identifying emotions in opera singing: implications of adverse acoustic conditions

The expression of emotion is an inherent aspect in singing, especially in operatic voice. Yet, adverse acoustic conditions, as, e. g., a performance in open-air, or a noisy analog recording, may affect its perception. State-of-the art methods for emotional speech evaluation have been applied to operatic voice, such as perception experiments, acoustic analyses, and machine learning techniques. Still, the extent to which adverse acoustic conditions may impair listeners’ and machines’ identification of emotion in vocal cues has only been investigated in the realm of speech. For our study, 132 listeners evaluated 390 nonsense operatic sung instances of five basic emotions, affected by three noises (brown, pink, and white), each at four Signal-to-Noise Ratios (-1 dB, -0.5 dB, +1 dB, and +3 dB); the performance of state-of-the-art automatic recognition methods was evaluated as well. Our findings show that the three noises affect similarly female and male singers and that listeners’ gender did not play a role. Human perception and automatic classification display similar confusion and recognition patterns: sadness is identified best, fear worst; low aroused emotions display higher confusion

Best Practices for Noise-Based Augmentation to Improve the Performance of Deployable Speech-Based Emotion Recognition Systems

Speech emotion recognition is an important component of any human centered system. But speech characteristics produced and perceived by a person can be influenced by a multitude of reasons, both desirable such as emotion, and undesirable such as noise. To train robust emotion recognition models, we need a large, yet realistic data distribution, but emotion datasets are often small and hence are augmented with noise. Often noise augmentation makes one important assumption, that the prediction label should remain the same in presence or absence of noise, which is true for automatic speech recognition but not necessarily true for perception based tasks. In this paper we make three novel contributions. We validate through crowdsourcing that the presence of noise does change the annotation label and hence may alter the original ground truth label. We then show how disregarding this knowledge and assuming consistency in ground truth labels propagates to downstream evaluation of ML models, both for performance evaluation and robustness testing. We end the paper with a set of recommendations for noise augmentations in speech emotion recognition datasets

Computer audition for emotional wellbeing

This thesis is focused on the application of computer audition (i. e., machine listening) methodologies for monitoring states of emotional wellbeing. Computer audition is a growing field and has been successfully applied to an array of use cases in recent years. There are several advantages to audio-based computational analysis; for example, audio can be recorded non-invasively, stored economically, and can capture rich information on happenings in a given environment, e. g., human behaviour. With this in mind, maintaining emotional wellbeing is a challenge for humans and emotion-altering conditions, including stress and anxiety, have become increasingly common in recent years. Such conditions manifest in the body, inherently changing how we express ourselves. Research shows these alterations are perceivable within vocalisation, suggesting that speech-based audio monitoring may be valuable for developing artificially intelligent systems that target improved wellbeing. Furthermore, computer audition applies machine learning and other computational techniques to audio understanding, and so by combining computer audition with applications in the domain of computational paralinguistics and emotional wellbeing, this research concerns the broader field of empathy for Artificial Intelligence (AI). To this end, speech-based audio modelling that incorporates and understands paralinguistic wellbeing-related states may be a vital cornerstone for improving the degree of empathy that an artificial intelligence has. To summarise, this thesis investigates the extent to which speech-based computer audition methodologies can be utilised to understand human emotional wellbeing. A fundamental background on the fields in question as they pertain to emotional wellbeing is first presented, followed by an outline of the applied audio-based methodologies. Next, detail is provided for several machine learning experiments focused on emotional wellbeing applications, including analysis and recognition of under-researched phenomena in speech, e. g., anxiety, and markers of stress. Core contributions from this thesis include the collection of several related datasets, hybrid fusion strategies for an emotional gold standard, novel machine learning strategies for data interpretation, and an in-depth acoustic-based computational evaluation of several human states. All of these contributions focus on ascertaining the advantage of audio in the context of modelling emotional wellbeing. Given the sensitive nature of human wellbeing, the ethical implications involved with developing and applying such systems are discussed throughout