Houses in a Landscape: Memory and Everyday Life in Mesoamerica

In Houses in a Landscape, Julia A. Hendon examines the connections between social identity and social memory using archaeological research on indigenous societies that existed more than one thousand years ago in what is now Honduras. While these societies left behind monumental buildings, the remains of their dead, remnants of their daily life, intricate works of art, and fine examples of craftsmanship such as pottery and stone tools, they left only a small body of written records. Despite this paucity of written information, Hendon contends that an archaeological study of memory in such societies is possible and worthwhile. It is possible because memory is not just a faculty of the individual mind operating in isolation, but a social process embedded in the materiality of human existence. Intimately bound up in the relations people develop with one another and with the world around them through what they do, where and how they do it, and with whom or what, memory leaves material traces. Hendon conducted research on three contemporaneous Native American civilizations that flourished from the seventh century through the eleventh CE: the Maya kingdom of Copan, the hilltop center of Cerro Palenque, and the dispersed settlement of the Cuyumapa valley. She analyzes domestic life in these societies, from cooking to crafting, as well as public and private ritual events including the ballgame. Combining her findings with a rich body of theory from anthropology, history, and geography, she explores how objects—the things people build, make, use, exchange, and discard—help people remember. In so doing, she demonstrates how everyday life becomes part of the social processes of remembering and forgetting, and how “memory communities” assert connections between the past and the present.https://cupola.gettysburg.edu/books/1050/thumbnail.jp

The Physics of Timelessness

The nature of time is yet to be fully grasped and finally agreed upon among physicists, philosophers, psychologists and scholars from various disciplines. Present paper takes clue from the known assumptions of time as - movement, change, becoming - and the nature of time will be thoroughly discussed. The real and unreal existences of time will be pointed out and presented. The complex number notation of nature of time will be put forward. Natural scientific systems and various cosmic processes will be identified as constructing physical form of time and the physical existence of time will be designed. The finite and infinite forms of physical time and classical, quantum and cosmic times will be delineated and their mathematical constructions and loci will be narrated. Thus the physics behind time-construction, time creation and time-measurement will be given. Based on these developments the physics of Timelessness will be developed and presented

Anchoring historical sequences using a new source of astro-chronological tie-points

The discovery of past spikes in atmospheric radiocarbon activity, caused by major solar energetic particle events, has opened up new possibilities for high-precision chronometry. The two spikes, or Miyake Events, have now been widely identified in tree-rings that grew in the years 775 and 994 CE. Furthermore, all other plant material that grew in these years would also have incorporated the anomalously high concentrations of radiocarbon. Crucially, some plant-based artefacts, such as papyrus documents, timber beams and linen garments, can also be allocated to specific positions within long, currently unfixed, historical sequences. Thus, Miyake Events represent a new source of tie-points that could provide the means for anchoring early chronologies to the absolute timescale. Here, we explore this possibility, outlining the most expeditious approaches, the current challenges and obstacles, and how they might best be overcome.Comment: 11 pages, accepted to Royal Society Proc

Exile, return, record : exploring historical narratives and community resistance through participatory filmmaking in 'post-conflict’ Guatemala

Following previous experiences of violence and forced displacement, ‘the returnees’ from the Guatemalan campesino community ‘Copal AA la Esperanza’ are now defending their territory against the construction of a hydroelectric dam. The returnees unexpectedly mobilized me as a Belgian historian to ‘make’ their ‘shared history’ and produce a documentary about their past and present struggle. The aim of this article is to reflect on how and why I developed a participatory, filmmaking-based methodology to tackle this challenge. I focus on filmmaking, participation and knowledge production to demonstrate the epistemological and ethical benefits of a dialogue between disciplines and methodologies as much as between academic and community practices and concepts. As such, I exemplify my visual participatory approach through its engagement with post-colonial histories and the co-creation of shared knowledge at the intersection of community and research interests. Moreover, I demonstrate how filmmaking can be developed as a grounded, visual, and narrative approach connecting media activism with ‘performative ethnography’. Combining insights from participatory action research (PAR) with Johannes Fabian’s notion of ‘performance’, I argue for ‘nonextractivist methodologies’; ‘knowing with’ instead of ‘knowing-about’. From being a side project and a matter of research ethics, participatory filmmaking turned for me into an investigative tool to explore the collective production and mobilization of historical narratives. I argue that participatory research should not be limited to communities participating in research projects; researchers can equally participate in community projects without this obstructing scientific research. In sum, participatory visual methods challenge us to reconsider the role of academics in (post-conflict) settings

Unlocking the Secrets of Ancient Writing. The Parallel Lives of Michael Ventris and Linda Schele and the Decipherment of Mycenaean and Mayan Writing

Catalogue of an exhibition conducted in conjunction with the Eleventh International Mycenological Colloquium held at the University of Texas at Austin in 2000. This program features brief histories of the CIPEM Mycenological conferences and PASP, followed by comparative retrospectives on both Michael Ventris, who deciphered Linear B, and Linda Schele, who performed a similar feat for Mayan glyphs.Classic

Cosmotic, Aquatic. Exploring the potential of computational design in the preservation of aquatic ecotones

This paper looks at the possible role of computational design ecologically in the fight against the loss of the aquatic Ecotone. As climate change keeps altering all the natural aspects of our planet, and as our kind continues to sabotage its ecologies, coral reefs come in focus. Aquatically, coral reefs count as a fertile zone for biodiversity. Usually being the Ecotone between land and sea, these barriers host many species and riches. However, due to the excessive abuse caused by human activity be it world-wide pollution or direct human contact, these reefs are constantly bleaching and breaking. In 2016, the Architecture Association gathered a group of international architecture students and professionals in a visiting school in Jordan titled “Hyperbolic Reefs” looking at the possibility of recruiting new computational methods to preserve and possibly regenerate the Ecotone. It was considered that new simulation techniques along with parametric design could contribute into the assessment and prevention of the catastrophic results. The two-week event was divided into chapters and was initiated by a series of lectures and discussions conducted by worldwide leading architects and experts who presented an important material to build upon. Then, the participants underwent a site visit to the coral reef of Al-Aqaba, collecting data, samples and media and recording insights and local testimonies. The third step of the experience was to assimilate the material and data and discuss openly the ways that computation could lead to a better coral life. Several software and tools were assigned to produce a design that would help attenuate the compromise of the coral reef through computation. An archive of data was produced and exhibited to the public. The results of this brief exercise was a number of suggestions and future aspirations triggered solely towards revitalizing the Ecotone. Issues such as the abundance of irresponsible snorkeling and diving, many governments’ indifferent policies towards the coral reefs, global warming, climate change, coral bleaching and aquatic architecture were confronted through parametric projects ranging from purely architectural to abstract human capsules. Computational tools allowed the reproduction of the whole system digitally, the precise tracing of the corals’ patterns, dimensions and colors, simulation software predicted the role of light and heat in certain zones, and parametric programs provided an incomparable flexibility in the designing process, going completely in sync with the fragile and intricate aspect of a coral unit. 3D printing was also an integral factor in the presentation and study of the presented models. This study’s scope was to expand the use of computation in a theoretical way to reach new and creative prospects, and to raise awareness to the situation of the coral reef and the risks facing its degradation

An improved methodology for the recovery of Zea mays and other large crop pollen, with implications for environmental archaeology in the Neotropics

We present a simple sieving methodology to aid the recovery of large cultigen pollen grains, such as maize (Zea mays L.), manioc (Manihot esculenta Crantz), and sweet potato (Ipomoea batatas L.), among others, for the detection of food production using fossil pollen analysis of lake sediments in the tropical Americas. The new methodology was tested on three large study lakes located next to known and/or excavated pre-Columbian archaeological sites in South and Central America. Five paired samples, one treated by sieving, the other prepared using standard methodology, were compared for each of the three sites. Using the new methodology, chemically digested sediment samples were passed through a 53 µm sieve, and the residue was retained, mounted in silicone oil, and counted for large cultigen pollen grains. The filtrate was mounted and analysed for pollen according to standard palynological procedures. Zea mays (L.) was recovered from the sediments of all three study lakes using the sieving technique, where no cultigen pollen had been previously recorded using the standard methodology. Confidence intervals demonstrate there is no significant difference in pollen assemblages between the sieved versus unsieved samples. Equal numbers of exotic Lycopodium spores added to both the filtrate and residue of the sieved samples allow for direct comparison of cultigen pollen abundance with the standard terrestrial pollen count. Our technique enables the isolation and rapid scanning for maize and other cultigen pollen in lake sediments, which, in conjunction with charcoal and pollen records, is key to determining land-use patterns and the environmental impact of pre-Columbian societies

World Literatures in Temporal Perspective

In his article World Literatures in Temporal Perspective David Damrosch discusses the vexed problem of how to shape a literary history into definable and meaningful periods without simply projecting old Western patterns onto new ages and distant areas of the world. This problem becomes acute when one seeks to create a genuinely global literary history. Damrosch surveys some early periodizations according to patterns of infancy, growth, maturity, and decline, and discusses the often unrealized persistence of biblical and classical models in modern accounts of the literary histories of Egypt, Mesoamerica, and India

Maya Lithic Studies: Papers From the 1976 Belize Filed Symposium

As a result of intensified archaeological activity in northern Belize, and specifically the work of the joint British Museum-Cambridge University research project (directed by Norman Hammond), a variety of new data have been obtained on the prehistory of this region. Of the many sites that have been mapped, tested, or otherwise investigated in the past few years, one stands out as a major center of ancient Maya lithic technology. This is the site of Colha, located south of Orange Walk Town, along the highway between that town and Belize City. Personnel of the British Museum-Cambridge University Corozal Project began limited research at the site in 1973. As a result of efforts then and since, parts of this extensive site have been mapped, some stratigraphic tests have been made, and controlled surface sampling and lithic analysis have been initiated (the latter through the hard work of Richard Wilk). These investigations, although preliminary in nature, were sufficient to indicate that Colha had indeed been a significant center of stone tool production for the Maya, from Middle Preclassic through Postclassic times