A Platonic Model of the Soul-Body Relationship

Editor\u27s note: After blind peer review, this paper was selected for reading at the University of Dayton\u27s 10th annual Philosophy Colloquium, held Feb. 27-28, 1981. In presenting a unified overview of Plato\u27s conception of soul I do not intend to suggest that Plato\u27s undogmatic and unsystematic approach to philosophy can be reduced in a systematic dogma. The model I develop is meant to be taken not dogmatically but instrumentally, as a basis for relating to one another the various things that Plato says about the soul. It is furthermore based upon a conviction that the progressive development of Plato\u27s conception of soul, in the course of the dialogues, was a matter of extension and refinement rather than recantation, so that the conception of soul does not change in principle, at least after the Phaedo. I shall argue later that this is true even of the considerable difference between the way that the soul is spoken of in the Phaedo and the Republic

Aristotle on verbal communication: The first chapters of De Interpretatione

ABSTRACT This article deals with the communicational aspects of Aristotle’s theory of signification as laid out in the initial chapters of the De Interpretatione (Int.).1 We begin by outlining the reception and main interpretations of the chapters under discussion, rather siding with the linguistic strand. We then argue that the first four chapters present an account of verbal communication, in which words signify things via thoughts. We show how Aristotle determines voice as a conventional and hence accidental medium of signification: words as ‘spoken sounds’ are tokens of thoughts, which in turn are signs or natural likenesses of things. We argue that, in this way, linguistic expressions may both signify thoughts and refer to things. This double account of signification also explains the variety of ontological, logical and psychological interpretations of the initial chapters of Int

Writing Knowledge in the Soul: Orality, Literacy, and Plato’s Critique of Poetry

In this essay I take up Plato’s critique of poetry, which has little to do with epistemology and representational imitation, but rather the powerful effects that poeticperformances can have on audiences, enthralling them with vivid image-worlds and blocking the powers of critical reflection. By focusing on the perceived psychological dangers of poetry in performance and reception, I want to suggest that Plato’s critique was caught up in the larger story of momentous shifts in the Greek world, turning on the rise of literacy and its far-reaching effects in modifying the original and persisting oral character of Greek culture. The story of Plato’s Republic in certain ways suggests something essential for comprehending the development of philosophy in Greece : that philosophy, as we understand it, would not have been possible apart from the skills and mental transformations stemming from education in reading and writing; and that primary features of oral language and practice were a significant barrier to the development of philosophical rationality. Accordingly, I go on to argue that the critique of writing in the Phaedrus is neither a defense or orality per se, nor a dismissal of writing, but rather a defense of a literate soul over against orality and the indiscriminate exposure of written texts to unworthy readers

Dangerous Voices: On Written and Spoken Discourse in Plato’s Protagoras

Plato’s Protagoras contains, among other things, three short but puzzling remarks on the media of philosophy. First, at 328e5–329b1, Plato makes Socrates worry that long speeches, just like books, are deceptive, because they operate in a discursive mode void of questions and answers. Second, at 347c3–348a2, Socrates argues that discussion of poetry is a presumptuous affair, because, the poems’ message, just like the message of any written text, cannot be properly examined if the author is not present. Third, at 360e6–361d6, it becomes clear that even if the conversation between Socrates and Protagoras was conducted by means of short questions and answers, this spoken mode of discourse is problematic too, because it ended up distracting the inquiry from its proper course. As this paper 2 sets out to argue, Plato does not only make Socrates articulate these worries to exhibit the hazards of discursive commodifi cation. In line with Socrates’ warning to the young Hippocrates of the dangers of sophistic rhetoric, and the sophists’ practice of trading in teachings, they are also meant to problematize the thin line between philosophical and sophistical practice. By examining these worries in the light of how the three relevant modes of discourse are exemplifi ed in the dialogue, this paper aims to isolate and clarify the reasons behind them in terms of deceit, presumptuousness and distraction; and to argue that these reasons cast doubts on the common assumption that the dialogue’s primary aim is to show how sophistical rhetoric must succumb to Socratic dialectic

On Reading the Laws as a Whole: Horizon, Vision, and Structure

A reflection intended to orient a reading of the Laws as a whole, with special attention to the range of philosophical issues included and excluded from the Athenian's reach, as this is indicated by the dramatic context, to the vision of the god as the measure of the laws that provides the centering goal of the Athenian's labors, and to the dialectical structure of the Athenian's address to the Magnesians

A Brook Runs through It: Fresh Water from the Bach for Today\u27s Thirsty Church

(Excerpt) Not Bach [brook], but Meer [sea] should be his name, Beethoven once said of Johann Sebastian Bach. 1 In this anniversary year marking the two-hundred and fiftieth year of his death on July 28, Bach is receiving extraordinary attention, which includes a significant biography by Christoph Wolff,2 yet another series of recordings of all the cantatas (that makes five3), and soul-searching among various scholars in an attempt to grasp the essence of this person\u27s life and work

Non-Standard Spelling in Wattpad Comments

Non-standard spelling on social media refers to the use of unconventional spelling and grammar. This article explores the non-standars spelling used by Wattpad readers in their comments. The study employs descriptive approach. The data are comments posted by Wattpad reader in reaction to a story by Shin_an Yuki's story Haf Soul Part 17: Takdir Yang Aneh. The finding shows that Wattad readers employ spoken-like spelling, repetition of letters and punctuations, shortening, and letters deletion in their comments

The Dirty Third: Contributions of Southern Hip Hop to the Study of Regional Variation Within African American English

While there is well documented evidence of certain supra-regional features in African American English (AAE) phonology and morphosyntax (for example, see Labov 1972; Rickford 1999; Baugh 2000; Green 2002), recent trends in the study of linguistic variation suggest that the homogeneity of the variety has been largely overstated (Mallinson & Wolfram 2002; Friedland 2003; Wolfram 2003). For the most part, contemporary AAE influences on mainstream language have originated from varieties spoken in the northeast and on the west coast which have evolved independently of one another over the past forty years, and which vary in significant ways from southern AAE; however, the most popular linguistic styles of rap music and hip hop culture have shifted over the years as artists from various regions (the West Coast, the Midwest, and the South) have put their particular speech communities on the map in the Black Public Sphere. We argue here that as southern American rappers have become more dominant in the popular music scene, like East and West coast rappers before them, they have had a significant impact on the AAE spoken by hip hop’s insiders, and they have also influenced the language of mainstream speakers as well. This paper builds on Smitherman’s insights on Hip Hop Linguistics (2006) even as it explores a more recent sociolinguistic phenomenon: the imminent emergence of southern AAE forms in the music and lyrics of the most popular rap artists of this decade and the attendant influence that these forms might have on AAE in general. Preliminary findings suggest that the linguistic effects of southern rap on AAE (and to a lesser extent, mainstream varieties) are not only evident in the lexicon (which could be dismissed simply as fleeting slang), but also in the phonology of the variety, providing us with a more complete understanding of contemporary AAE and the ways in which the variety continues to develop