Introducing SPAIN (SParse Audio INpainter)

A novel sparsity-based algorithm for audio inpainting is proposed. It is an adaptation of the SPADE algorithm by Kiti\'c et al., originally developed for audio declipping, to the task of audio inpainting. The new SPAIN (SParse Audio INpainter) comes in synthesis and analysis variants. Experiments show that both A-SPAIN and S-SPAIN outperform other sparsity-based inpainting algorithms. Moreover, A-SPAIN performs on a par with the state-of-the-art method based on linear prediction in terms of the SNR, and, for larger gaps, SPAIN is even slightly better in terms of the PEMO-Q psychoacoustic criterion

Inpainting of long audio segments with similarity graphs

We present a novel method for the compensation of long duration data loss in audio signals, in particular music. The concealment of such signal defects is based on a graph that encodes signal structure in terms of time-persistent spectral similarity. A suitable candidate segment for the substitution of the lost content is proposed by an intuitive optimization scheme and smoothly inserted into the gap, i.e. the lost or distorted signal region. Extensive listening tests show that the proposed algorithm provides highly promising results when applied to a variety of real-world music signals

Multiple Hankel matrix rank minimization for audio inpainting

Sasaki et al. (2018) presented an efficient audio declipping algorithm, based on the properties of Hankel-structured matrices constructed from time-domain signal blocks. We adapt their approach to solve the audio inpainting problem, where samples are missing in the signal. We analyze the algorithm and provide modifications, some of them leading to an improved performance. Overall, it turns out that the new algorithms perform reasonably well for speech signals but they are not competitive in the case of music signals

Diffusion-Based Audio Inpainting

Audio inpainting aims to reconstruct missing segments in corrupted recordings. Previous methods produce plausible reconstructions when the gap length is shorter than about 100\;ms, but the quality decreases for longer gaps. This paper explores recent advancements in deep learning and, particularly, diffusion models, for the task of audio inpainting. The proposed method uses an unconditionally trained generative model, which can be conditioned in a zero-shot fashion for audio inpainting, offering high flexibility to regenerate gaps of arbitrary length. An improved deep neural network architecture based on the constant-Q transform, which allows the model to exploit pitch-equivariant symmetries in audio, is also presented. The performance of the proposed algorithm is evaluated through objective and subjective metrics for the task of reconstructing short to mid-sized gaps. The results of a formal listening test show that the proposed method delivers a comparable performance against state-of-the-art for short gaps, while retaining a good audio quality and outperforming the baselines for the longest gap lengths tested, 150\;ms and 200\;ms. This work helps improve the restoration of sound recordings having fairly long local disturbances or dropouts, which must be reconstructed.Comment: Submitted for publication to the Journal of Audio Engineering Society on January 30th, 202

Sparse Modeling for Image and Vision Processing

In recent years, a large amount of multi-disciplinary research has been conducted on sparse models and their applications. In statistics and machine learning, the sparsity principle is used to perform model selection---that is, automatically selecting a simple model among a large collection of them. In signal processing, sparse coding consists of representing data with linear combinations of a few dictionary elements. Subsequently, the corresponding tools have been widely adopted by several scientific communities such as neuroscience, bioinformatics, or computer vision. The goal of this monograph is to offer a self-contained view of sparse modeling for visual recognition and image processing. More specifically, we focus on applications where the dictionary is learned and adapted to data, yielding a compact representation that has been successful in various contexts.Comment: 205 pages, to appear in Foundations and Trends in Computer Graphics and Visio