Museums of Łódź as an Element of Tourism Space and the Connection between Museums and the City’s Tourism Image

This article deals with the museum potential of Łódź. The first sections describe the kinds and significance of museums, their location in the city and the attractiveness of their collections, premises and organized events. The following sections describe the significance of museums in regard to attendance and the city’s tourism image

Branded city living: Taipei becoming-Paris in Yi ye Taibei/Au Revoir Taipei (2010)

This article analyses Yi ye Taibei/Au Revoir Taipei (Chen, 2010). Due to its status as a co-production (with talent drawn from across borders, its various international funding sources and its deliberate appeal to global audiences through the festival circuit), the film is seen to provide a transnational perspective on Taipei. In this the film’s relationship with a film tourism agenda, a branding process pursued by the Taipei authorities, is stressed. Au Revoir Taipei’s consideration of life in Taipei, as a ‘branded city’, is analysed in terms of its three becomings (becoming-Paris, becoming-imperceptible, becoming-dance), in relation to Gilles Deleuze’s idea of the time-image (a striking example of which concludes the film) and it’s intertextual referencing of several ‘world’ or ‘art’ cinema classics, including Jean-Luc Godard’s Bande à Part (1964). The film’s transnational view of life in the branded city is thus understood to emerge at the conjunction of global production and distribution realities for film-making, and contemporary work and lifestyle opportunities in Taipei, the convergence of which create a cinematic construction of Taipei city that can be deciphered using Deleuze’s concepts

Boston University Symphony Orchestra, February 1, 1995

This is the concert program of the Boston University Symphony Orchestra performance on Thursday, February 1, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Piano Concerto No. 3 in C minor, Op. 37 by Ludwig van Beethoven, and Symphony No. 7 Sinfonia antartica by Ralph Vaughan Williams. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

A music index of periodicals for the last six months of 1948.

Thesis (M.M.)--Boston Universit

Spartan Daily, March 10, 1960

Volume 47, Issue 89https://scholarworks.sjsu.edu/spartandaily/4005/thumbnail.jp

Fall Arts Festival 2012

This is the concert program of the Fall Arts Festival performance on Friday, October 19, 2012 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Stimmt an die Saiten from Die Schöpfung by Franz Josef Haydn, En Ego Campana by Jacob Handl, Mon couer se recommande à vous by Orlande de Lassus, Dirait-on from Chansons des Roses by Morten Lauridsen, Zion's Walls, Long Time Ago, An Immorality and Stomp Your Foot from The Tender Land by Aaron Copland, RIDE by Samuel R. Hazo, Sòlas Ané, Celebration! by Adolphus Hailstork, Resting in the Peace of His Hands by John Gibson, Apollo Unleashed from Symphony No. 2 by Frank Ticheli, Slavonic Dances No. 7, op. 72 and Slavonic Dances No. 2, op. 72 by Antonín Dvořák, and Swan Lake Suite, op. 20a by Pyotr Ilyich Tchaikovsky. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Spartan Daily, May 12, 2005

Volume 124, Issue 68https://scholarworks.sjsu.edu/spartandaily/10140/thumbnail.jp

Spartan Daily, November 2, 2006

Volume 127, Issue 39https://scholarworks.sjsu.edu/spartandaily/10297/thumbnail.jp

Spartan Daily, February 7, 2006

Volume 126, Issue 7https://scholarworks.sjsu.edu/spartandaily/10207/thumbnail.jp