37,683 research outputs found

    Rough Sets Applied to Mood of Music Recognition

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    Neurophysiological Assessment of Affective Experience

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    In the field of Affective Computing the affective experience (AX) of the user during the interaction with computers is of great interest. The automatic recognition of the affective state, or emotion, of the user is one of the big challenges. In this proposal I focus on the affect recognition via physiological and neurophysiological signals. Long‐standing evidence from psychophysiological research and more recently from research in affective neuroscience suggests that both, body and brain physiology, are able to indicate the current affective state of a subject. However, regarding the classification of AX several questions are still unanswered. The principal possibility of AX classification was repeatedly shown, but its generalisation over different task contexts, elicitating stimuli modalities, subjects or time is seldom addressed. In this proposal I will discuss a possible agenda for the further exploration of physiological and neurophysiological correlates of AX over different elicitation modalities and task contexts

    Feature selection for content-based, time-varying musical emotion regression

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    Affective Man-Machine Interface: Unveiling human emotions through biosignals

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    As is known for centuries, humans exhibit an electrical profile. This profile is altered through various psychological and physiological processes, which can be measured through biosignals; e.g., electromyography (EMG) and electrodermal activity (EDA). These biosignals can reveal our emotions and, as such, can serve as an advanced man-machine interface (MMI) for empathic consumer products. However, such a MMI requires the correct classification of biosignals to emotion classes. This chapter starts with an introduction on biosignals for emotion detection. Next, a state-of-the-art review is presented on automatic emotion classification. Moreover, guidelines are presented for affective MMI. Subsequently, a research is presented that explores the use of EDA and three facial EMG signals to determine neutral, positive, negative, and mixed emotions, using recordings of 21 people. A range of techniques is tested, which resulted in a generic framework for automated emotion classification with up to 61.31% correct classification of the four emotion classes, without the need of personal profiles. Among various other directives for future research, the results emphasize the need for parallel processing of multiple biosignals

    Two models in the world of MĂ©tis fiddling : John Arcand and Andy DeJarlis

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    Emotional classification of music using neural networks with the MediaEval dataset

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    The proven ability of music to transmit emotions provokes the increasing interest in the development of new algorithms for music emotion recognition (MER). In this work, we present an automatic system of emotional classification of music by implementing a neural network. This work is based on a previous implementation of a dimensional emotional prediction system in which a multilayer perceptron (MLP) was trained with the freely available MediaEval database. Although these previous results are good in terms of the metrics of the prediction values, they are not good enough to obtain a classification by quadrant based on the valence and arousal values predicted by the neural network, mainly due to the imbalance between classes in the dataset. To achieve better classification values, a pre-processing phase was implemented to stratify and balance the dataset. Three different classifiers have been compared: linear support vector machine (SVM), random forest, and MLP. The best results are obtained with the MLP. An averaged F-measure of 50% is obtained in a four-quadrant classification schema. Two binary classification approaches are also presented: one vs. rest (OvR) approach in four-quadrants and binary classifier in valence and arousal. The OvR approach has an average F-measure of 69%, and the second one obtained F-measure of 73% and 69% in valence and arousal respectively. Finally, a dynamic classification analysis with different time windows was performed using the temporal annotation data of the MediaEval database. The results obtained show that the classification F-measures in four quadrants are practically constant, regardless of the duration of the time window. Also, this work reflects some limitations related to the characteristics of the dataset, including size, class balance, quality of the annotations, and the sound features available
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