4 research outputs found

    Robust Covert Communication over a Public Audio Channel Using Spread Spectrum

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    We present a set of watermarking techniques for effective covert communication over an audio signal carrier. Watermark robustness is enabled using: (i) redundant spread-spectrum for prevention against desynchronization attacks and (ii) psycho-acoustic frequency masking (PAFM). We show that PAFM impacts the balance of "ones" and "zeros" in the part of the spread-spectrum sequence used for watermark detection and propose a modified covariance test to compensate for that anomaly. The covert message is combined with the spread-spectrum sequence and additionally permuted in time to improve correlation convergence as well as the security of individual message bits. We have incorporated these techniques into a system capable of reliably detecting watermarks in audio that has been modified using a composition of attacks that degrade the original audio characteristics well beyond the limit of acceptable quality. Such attacks include: fluctuating scaling in time and frequency, editing, recompression, noise addition, resampling, normalization, and filtering

    Digital video watermarking techniques for secure multimedia creation and delivery.

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    Chan Pik-Wah.Thesis (M.Phil.)--Chinese University of Hong Kong, 2004.Includes bibliographical references (leaves 111-130).Abstracts in English and Chinese.Abstract --- p.iAcknowledgement --- p.ivChapter 1 --- Introduction --- p.1Chapter 1.1 --- Background --- p.1Chapter 1.2 --- Research Objective --- p.3Chapter 1.3 --- Contributions --- p.4Chapter 1.4 --- The Structure of this Thesis --- p.6Chapter 2 --- Literature Review --- p.7Chapter 2.1 --- Security in Multimedia Communications --- p.8Chapter 2.2 --- Cryptography --- p.11Chapter 2.3 --- Digital Watermarking --- p.14Chapter 2.4 --- Essential Ingredients for Video Watermarking --- p.16Chapter 2.4.1 --- Fidelity --- p.16Chapter 2.4.2 --- Robustness --- p.17Chapter 2.4.3 --- Use of Keys --- p.19Chapter 2.4.4 --- Blind Detection --- p.20Chapter 2.4.5 --- Capacity and Speed --- p.20Chapter 2.4.6 --- Statistical Imperceptibility --- p.21Chapter 2.4.7 --- Low Error Probability --- p.21Chapter 2.4.8 --- Real-time Detector Complexity --- p.21Chapter 2.5 --- Review on Video Watermarking Techniques --- p.22Chapter 2.5.1 --- Video Watermarking --- p.25Chapter 2.5.2 --- Spatial Domain Watermarks --- p.26Chapter 2.5.3 --- Frequency Domain Watermarks --- p.30Chapter 2.5.4 --- Watermarks Based on MPEG Coding Struc- tures --- p.35Chapter 2.6 --- Comparison between Different Watermarking Schemes --- p.38Chapter 3 --- Novel Watermarking Schemes --- p.42Chapter 3.1 --- A Scene-based Video Watermarking Scheme --- p.42Chapter 3.1.1 --- Watermark Preprocess --- p.44Chapter 3.1.2 --- Video Preprocess --- p.46Chapter 3.1.3 --- Watermark Embedding --- p.48Chapter 3.1.4 --- Watermark Detection --- p.50Chapter 3.2 --- Theoretical Analysis --- p.52Chapter 3.2.1 --- Performance --- p.52Chapter 3.2.2 --- Capacity --- p.56Chapter 3.3 --- A Hybrid Watermarking Scheme --- p.60Chapter 3.3.1 --- Visual-audio Hybrid Watermarking --- p.61Chapter 3.3.2 --- Hybrid Approach with Different Water- marking Schemes --- p.69Chapter 3.4 --- A Genetic Algorithm-based Video Watermarking Scheme --- p.73Chapter 3.4.1 --- Watermarking Scheme --- p.75Chapter 3.4.2 --- Problem Modelling --- p.76Chapter 3.4.3 --- Chromosome Encoding --- p.79Chapter 3.4.4 --- Genetic Operators --- p.80Chapter 4 --- Experimental Results --- p.85Chapter 4.1 --- Test on Robustness --- p.85Chapter 4.1.1 --- Experiment with Frame Dropping --- p.87Chapter 4.1.2 --- Experiment with Frame Averaging and Sta- tistical Analysis --- p.89Chapter 4.1.3 --- Experiment with Lossy Compression --- p.90Chapter 4.1.4 --- Test of Robustness with StirMark 4.0 --- p.92Chapter 4.1.5 --- Overall Comparison --- p.98Chapter 4.2 --- Test on Fidelity --- p.100Chapter 4.2.1 --- Parameter(s) Setting --- p.101Chapter 4.2.2 --- Evaluate with PSNR --- p.101Chapter 4.2.3 --- Evaluate with MAD --- p.102Chapter 4.3 --- Other Features of the Scheme --- p.105Chapter 4.4 --- Conclusion --- p.106Chapter 5 --- Conclusion --- p.108Bibliography --- p.11

    Digital audio watermarking for broadcast monitoring and content identification

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    Copyright legislation was prompted exactly 300 years ago by a desire to protect authors against exploitation of their work by others. With regard to modern content owners, Digital Rights Management (DRM) issues have become very important since the advent of the Internet. Piracy, or illegal copying, costs content owners billions of dollars every year. DRM is just one tool that can assist content owners in exercising their rights. Two categories of DRM technologies have evolved in digital signal processing recently, namely digital fingerprinting and digital watermarking. One area of Copyright that is consistently overlooked in DRM developments is 'Public Performance'. The research described in this thesis analysed the administration of public performance rights within the music industry in general, with specific focus on the collective rights and broadcasting sectors in Ireland. Limitations in the administration of artists' rights were identified. The impact of these limitations on the careers of developing artists was evaluated. A digital audio watermarking scheme is proposed that would meet the requirements of both the broadcast and collective rights sectors. The goal of the scheme is to embed a standard identifier within an audio signal via modification of its spectral properties in such a way that it would be robust and perceptually transparent. Modification of the audio signal spectrum was attempted in a variety of ways. A method based on a super-resolution frequency identification technique was found to be most effective. The watermarking scheme was evaluated for robustness and found to be extremely effective in recovering embedded watermarks in music signals using a semi-blind decoding process. The final digital audio watermarking algorithm proposed facilitates the development of other applications in the domain of broadcast monitoring for the purposes of equitable royalty distribution along with additional applications and extension to other domains
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