1,313 research outputs found
Choreographic and Somatic Approaches for the Development of Expressive Robotic Systems
As robotic systems are moved out of factory work cells into human-facing
environments questions of choreography become central to their design,
placement, and application. With a human viewer or counterpart present, a
system will automatically be interpreted within context, style of movement, and
form factor by human beings as animate elements of their environment. The
interpretation by this human counterpart is critical to the success of the
system's integration: knobs on the system need to make sense to a human
counterpart; an artificial agent should have a way of notifying a human
counterpart of a change in system state, possibly through motion profiles; and
the motion of a human counterpart may have important contextual clues for task
completion. Thus, professional choreographers, dance practitioners, and
movement analysts are critical to research in robotics. They have design
methods for movement that align with human audience perception, can identify
simplified features of movement for human-robot interaction goals, and have
detailed knowledge of the capacity of human movement. This article provides
approaches employed by one research lab, specific impacts on technical and
artistic projects within, and principles that may guide future such work. The
background section reports on choreography, somatic perspectives,
improvisation, the Laban/Bartenieff Movement System, and robotics. From this
context methods including embodied exercises, writing prompts, and community
building activities have been developed to facilitate interdisciplinary
research. The results of this work is presented as an overview of a smattering
of projects in areas like high-level motion planning, software development for
rapid prototyping of movement, artistic output, and user studies that help
understand how people interpret movement. Finally, guiding principles for other
groups to adopt are posited.Comment: Under review at MDPI Arts Special Issue "The Machine as Artist (for
the 21st Century)"
http://www.mdpi.com/journal/arts/special_issues/Machine_Artis
Creating a Computable Cognitive Model of Visual Aesthetics for Automatic Aesthetics Evaluation of Robotic Dance Poses
Inspired by human dancers who can evaluate the aesthetics of their own dance poses through mirror observation, this paper presents a corresponding mechanism for robots to improve their cognitive and autonomous abilities. Essentially, the proposed mechanism is a brain-like intelligent system that is symmetrical to the visual cognitive nervous system of the human brain. Specifically, a computable cognitive model of visual aesthetics is developed using the two important aesthetic cognitive neural models of the human brain, which is then applied in the automatic aesthetics evaluation of robotic dance poses. Three kinds of features (color, shape and orientation) are extracted in a manner similar to the visual feature elements extracted by human brains. After applying machine learning methods in different feature combinations, machine aesthetics models are built for automatic evaluation of robotic dance poses. The simulation results show that our approach can process visual information effectively by cognitive computation, and achieved a very good evaluation performance of automatic aesthetics
Automatic Aesthetics Evaluation of Robotic Dance Poses Based on Hierarchical Processing Network.
Vision plays an important role in the aesthetic cognition of human beings. When creating dance choreography, human dancers, who always observe their own dance poses in a mirror, understand the aesthetics of those poses and aim to improve their dancing performance. In order to develop artificial intelligence, a robot should establish a similar mechanism to imitate the above human dance behaviour. Inspired by this, this paper designs a way for a robot to visually perceive its own dance poses and constructs a novel dataset of dance poses based on real NAO robots. On this basis, this paper proposes a hierarchical processing network-based approach to automatic aesthetics evaluation of robotic dance poses. The hierarchical processing network first extracts the primary visual features by using three parallel CNNs, then uses a synthesis CNN to achieve high-level association and comprehensive processing on the basis of multi-modal feature fusion, and finally makes an automatic aesthetics decision. Notably, the design of this hierarchical processing network is inspired by the research findings in neuroaesthetics. Experimental results show that our approach can achieve a high correct ratio of aesthetic evaluation at 82.3%, which is superior to the existing methods
Multiple Visual Feature Integration Based Automatic Aesthetics Evaluation of Robotic Dance Motions
Imitation of human behaviors is one of the effective ways to develop artificial intelligence. Human dancers, standing in front of a mirror, always achieve autonomous aesthetics evaluation on their own dance motions, which are observed from the mirror. Meanwhile, in the visual aesthetics cognition of human brains, space and shape are two important visual elements perceived from motions. Inspired by the above facts, this paper proposes a novel mechanism of automatic aesthetics evaluation of robotic dance motions based on multiple visual feature integration. In the mechanism, a video of robotic dance motion is firstly converted into several kinds of motion history images, and then a spatial feature (ripple space coding) and shape features (Zernike moment and curvature-based Fourier descriptors) are extracted from the optimized motion history images. Based on feature integration, a homogeneous ensemble classifier, which uses three different random forests, is deployed to build a machine aesthetics model, aiming to make the machine possess human aesthetic ability. The feasibility of the proposed mechanism has been verified by simulation experiments, and the experimental results show that our ensemble classifier can achieve a high correct ratio of aesthetics evaluation of 75%. The performance of our mechanism is superior to those of the existing approaches
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