A Theory of Formal Choreographic Languages

We introduce a meta-model based on formal languages, dubbed formal choreographic languages, to study message-passing systems. Our framework allows us to generalise standard constructions from the literature and to compare them. In particular, we consider notions such as global view, local view, and projections from the former to the latter. The correctness of local views projected from global views is characterised in terms of a closure property. We consider a number of communication properties -- such as (dead)lock-freedom -- and give conditions on formal choreographic languages to guarantee them. Finally, we show how formal choreographic languages can capture existing formalisms; specifically we consider communicating finite-state machines, choreography automata, and multiparty session types. Notably, formal choreographic languages, differently from most approaches in the literature, can naturally model systems exhibiting non-regular behaviour

A THEORY OF FORMAL CHOREOGRAPHIC LANGUAGES

We introduce a meta-model based on formal languages, dubbed formal choreographic languages, to study message-passing systems. Our framework allows us to generalise standard constructions from the literature and to compare them. In particular, we consider notions such as global view, local view, and projections from the former to the latter. The correctness of local views projected from global views is characterised in terms of a closure property. We consider a number of communication properties –such as (dead)lock-freedom– and give conditions on formal choreographic languages to guarantee them. Finally, we show how formal choreographic languages can capture existing formalisms; specifically we consider communicating finite-state machines, choreography automata, and multiparty session types. Notably, formal choreographic languages, differently from most approaches in the literature, can naturally model systems exhibiting non-regular behaviour

Formal Choreographic Languages

International audienceWe introduce formal choreography languages as a meta-model to study message-passing systems. This allows us to compare and generalise standard constructions and properties from the literature. In particular, we consider notions such as global view, local view, and projections from the former to the latter. The correctness of local views projected from global views is characterised in terms of a closure property. A condition is also devised to guarantee relevant communication properties such as (dead)lock-freedom. Formal choreography languages capture existing formalisms for message-passing systems; we detail the cases of multiparty session types and choreography automata

A Theory of Formal Choreographic Languages

We introduce a meta-model based on formal languages, dubbed formal choreographic languages, to study message-passing systems. Our framework allows us to generalise standard constructions from the literature and to compare them. In particular, we consider notions such as global view, local view, and projections from the former to the latter. The correctness of local views projected from global views is characterised in terms of a closure property. We consider a number of communication properties -- such as (dead)lock-freedom -- and give conditions on formal choreographic languages to guarantee them. Finally, we show how formal choreographic languages can capture existing formalisms; specifically we consider communicating finite-state machines, choreography automata, and multiparty session types. Notably, formal choreographic languages, differently from most approaches in the literature, can naturally model systems exhibiting non-regular behaviour