A Review of Audio Features and Statistical Models Exploited for Voice Pattern Design

Audio fingerprinting, also named as audio hashing, has been well-known as a powerful technique to perform audio identification and synchronization. It basically involves two major steps: fingerprint (voice pattern) design and matching search. While the first step concerns the derivation of a robust and compact audio signature, the second step usually requires knowledge about database and quick-search algorithms. Though this technique offers a wide range of real-world applications, to the best of the authors' knowledge, a comprehensive survey of existing algorithms appeared more than eight years ago. Thus, in this paper, we present a more up-to-date review and, for emphasizing on the audio signal processing aspect, we focus our state-of-the-art survey on the fingerprint design step for which various audio features and their tractable statistical models are discussed.Comment: http://www.iaria.org/conferences2015/PATTERNS15.html ; Seventh International Conferences on Pervasive Patterns and Applications (PATTERNS 2015), Mar 2015, Nice, Franc

Streaming Audio-Visual Speech Recognition with Alignment Regularization

Recognizing a word shortly after it is spoken is an important requirement for automatic speech recognition (ASR) systems in real-world scenarios. As a result, a large body of work on streaming audio-only ASR models has been presented in the literature. However, streaming audio-visual automatic speech recognition (AV-ASR) has received little attention in earlier works. In this work, we propose a streaming AV-ASR system based on a hybrid connectionist temporal classification (CTC)/attention neural network architecture. The audio and the visual encoder neural networks are both based on the conformer architecture, which is made streamable using chunk-wise self-attention (CSA) and causal convolution. Streaming recognition with a decoder neural network is realized by using the triggered attention technique, which performs time-synchronous decoding with joint CTC/attention scoring. For frame-level ASR criteria, such as CTC, a synchronized response from the audio and visual encoders is critical for a joint AV decision making process. In this work, we propose a novel alignment regularization technique that promotes synchronization of the audio and visual encoder, which in turn results in better word error rates (WERs) at all SNR levels for streaming and offline AV-ASR models. The proposed AV-ASR model achieves WERs of 2.0% and 2.6% on the Lip Reading Sentences 3 (LRS3) dataset in an offline and online setup, respectively, which both present state-of-the-art results when no external training data are used.Comment: Submitted to ICASSP202

Automatic Synchronization of Multi-User Photo Galleries

In this paper we address the issue of photo galleries synchronization, where pictures related to the same event are collected by different users. Existing solutions to address the problem are usually based on unrealistic assumptions, like time consistency across photo galleries, and often heavily rely on heuristics, limiting therefore the applicability to real-world scenarios. We propose a solution that achieves better generalization performance for the synchronization task compared to the available literature. The method is characterized by three stages: at first, deep convolutional neural network features are used to assess the visual similarity among the photos; then, pairs of similar photos are detected across different galleries and used to construct a graph; eventually, a probabilistic graphical model is used to estimate the temporal offset of each pair of galleries, by traversing the minimum spanning tree extracted from this graph. The experimental evaluation is conducted on four publicly available datasets covering different types of events, demonstrating the strength of our proposed method. A thorough discussion of the obtained results is provided for a critical assessment of the quality in synchronization.Comment: ACCEPTED to IEEE Transactions on Multimedi

Visual to Sound: Generating Natural Sound for Videos in the Wild

As two of the five traditional human senses (sight, hearing, taste, smell, and touch), vision and sound are basic sources through which humans understand the world. Often correlated during natural events, these two modalities combine to jointly affect human perception. In this paper, we pose the task of generating sound given visual input. Such capabilities could help enable applications in virtual reality (generating sound for virtual scenes automatically) or provide additional accessibility to images or videos for people with visual impairments. As a first step in this direction, we apply learning-based methods to generate raw waveform samples given input video frames. We evaluate our models on a dataset of videos containing a variety of sounds (such as ambient sounds and sounds from people/animals). Our experiments show that the generated sounds are fairly realistic and have good temporal synchronization with the visual inputs.Comment: Project page: http://bvision11.cs.unc.edu/bigpen/yipin/visual2sound_webpage/visual2sound.htm