Real-world automatic makeup via identity preservation makeup net

This paper focuses on the real-world automatic makeup problem. Given one non-makeup target image and one reference image, the automatic makeup is to generate one face image, which maintains the original identity with the makeup style in the reference image. In the real-world scenario, face makeup task demands a robust system against the environmental variants. The two main challenges in real-world face makeup could be summarized as follow: first, the background in real-world images is complicated. The previous methods are prone to change the style of background as well; second, the foreground faces are also easy to be affected. For instance, the “heavy” makeup may lose the discriminative information of the original identity. To address these two challenges, we introduce a new makeup model, called Identity Preservation Makeup Net (IPM-Net), which preserves not only the background but the critical patterns of the original identity. Specifically, we disentangle the face images to two different information codes, i.e., identity content code and makeup style code. When inference, we only need to change the makeup style code to generate various makeup images of the target person. In the experiment, we show the proposed method achieves not only better accuracy in both realism (FID) and diversity (LPIPS) in the test set, but also works well on the real-world images collected from the Internet

3D Human Face Reconstruction and 2D Appearance Synthesis

3D human face reconstruction has been an extensive research for decades due to its wide applications, such as animation, recognition and 3D-driven appearance synthesis. Although commodity depth sensors are widely available in recent years, image based face reconstruction are significantly valuable as images are much easier to access and store. In this dissertation, we first propose three image-based face reconstruction approaches according to different assumption of inputs. In the first approach, face geometry is extracted from multiple key frames of a video sequence with different head poses. The camera should be calibrated under this assumption. As the first approach is limited to videos, we propose the second approach then focus on single image. This approach also improves the geometry by adding fine grains using shading cue. We proposed a novel albedo estimation and linear optimization algorithm in this approach. In the third approach, we further loose the constraint of the input image to arbitrary in the wild images. Our proposed approach can robustly reconstruct high quality model even with extreme expressions and large poses. We then explore the applicability of our face reconstructions on four interesting applications: video face beautification, generating personalized facial blendshape from image sequences, face video stylizing and video face replacement. We demonstrate great potentials of our reconstruction approaches on these real-world applications. In particular, with the recent surge of interests in VR/AR, it is increasingly common to see people wearing head-mounted displays. However, the large occlusion on face is a big obstacle for people to communicate in a face-to-face manner. Our another application is that we explore hardware/software solutions for synthesizing the face image with presence of HMDs. We design two setups (experimental and mobile) which integrate two near IR cameras and one color camera to solve this problem. With our algorithm and prototype, we can achieve photo-realistic results. We further propose a deep neutral network to solve the HMD removal problem considering it as a face inpainting problem. This approach doesn\u27t need special hardware and run in real-time with satisfying results

Makeup Style Transfer on Low-quality Images with Weighted Multi-scale Attention

Facial makeup style transfer is an extremely challenging sub-field of image-to-image-translation. Due to this difficulty, state-of-the-art results are mostly reliant on the Face Parsing Algorithm, which segments a face into parts in order to easily extract makeup features. However, this algorithm can only work well on high-definition images where facial features can be accurately extracted. Faces in many real-world photos, such as those including a large background or multiple people, are typically of low-resolution, which considerably hinders state-of-the-art algorithms. In this paper, we propose an end-to-end holistic approach to effectively transfer makeup styles between two low-resolution images. The idea is built upon a novel weighted multi-scale spatial attention module, which identifies salient pixel regions on low-resolution images in multiple scales, and uses channel attention to determine the most effective attention map. This design provides two benefits: low-resolution images are usually blurry to different extents, so a multi-scale architecture can select the most effective convolution kernel size to implement spatial attention; makeup is applied on both a macro-level (foundation, fake tan) and a micro-level (eyeliner, lipstick) so different scales can excel in extracting different makeup features. We develop an Augmented CycleGAN network that embeds our attention modules at selected layers to most effectively transfer makeup. Our system is tested with the FBD data set, which consists of many low-resolution facial images, and demonstrate that it outperforms state-of-the-art methods, particularly in transferring makeup for blurry images and partially occluded images