A QUALITY ASSESSMENT PROTOCOL FOR FREE-VIEWPOINT VIDEO SEQUENCES SYNTHESIZED FROM DECOMPRESSED DEPTH DATA

International audienceIn this paper, the analysis of a subjective quality experiment consisting in assessing the quality of free-viewpoint video sequences generated from decompressed depth data is pre- sented. In the absence of a dedicated subjective assessment protocol for the evaluation of such 3D systems, a subjective quality assessment methodology is proposed for the context of MVD compression. The proposed methodology includes the assessment of free-viewpoint video sequences generated from decompressed depth data and from view synthesis pro- cesses. The proposed methodology is meant to assess the per- formances of depth map compression and view synthesis al- gorithms

Image Completion for View Synthesis Using Markov Random Fields and Efficient Belief Propagation

View synthesis is a process for generating novel views from a scene which has been recorded with a 3-D camera setup. It has important applications in 3-D post-production and 2-D to 3-D conversion. However, a central problem in the generation of novel views lies in the handling of disocclusions. Background content, which was occluded in the original view, may become unveiled in the synthesized view. This leads to missing information in the generated view which has to be filled in a visually plausible manner. We present an inpainting algorithm for disocclusion filling in synthesized views based on Markov random fields and efficient belief propagation. We compare the result to two state-of-the-art algorithms and demonstrate a significant improvement in image quality.Comment: Published version: http://ieeexplore.ieee.org/xpl/articleDetails.jsp?tp=&arnumber=673843

3D video coding and transmission

The capture, transmission, and display of 3D content has gained a lot of attention in the last few years. 3D multimedia content is no longer con fined to cinema theatres but is being transmitted using stereoscopic video over satellite, shared on Blu-RayTMdisks, or sent over Internet technologies. Stereoscopic displays are needed at the receiving end and the viewer needs to wear special glasses to present the two versions of the video to the human vision system that then generates the 3D illusion. To be more e ffective and improve the immersive experience, more views are acquired from a larger number of cameras and presented on di fferent displays, such as autostereoscopic and light field displays. These multiple views, combined with depth data, also allow enhanced user experiences and new forms of interaction with the 3D content from virtual viewpoints. This type of audiovisual information is represented by a huge amount of data that needs to be compressed and transmitted over bandwidth-limited channels. Part of the COST Action IC1105 \3D Content Creation, Coding and Transmission over Future Media Networks" (3DConTourNet) focuses on this research challenge.peer-reviewe

Video Quality Assessment: From 2D to 3D - Challenges and Future Trends

International audienceThree-dimensional (3D) video is gaining a strong momentum both in the cinema and broadcasting industries as it is seen as a technology that will extensively enhance the user's visual experience. One of the major concerns for the wide adoption of such technology is the ability to provide sufficient visual quality, especially if 3D video is to be transmitted over a limited bandwidth for home viewing (i.e. 3DTV). Means to measure perceptual video quality in an accurate and practical way is therefore of highest importance for content providers, service providers, and display manufacturers. This paper discusses recent advances in video quality assessment and the challenges foreseen for 3D video. Both subjective and objective aspects are examined. An outline of ongoing efforts in standards-related bodies is also provided