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‘Mountain top experiences’ and the Psalms of Ascents (Ps 120-134)
Abstract: Mountains are not only appreciated for their natural beauty but notably also for their inspirational and elevating effect on the mind, ‘mountain top experiences.’ To illuminate the last-mentioned, insights from Attention Restoration Theory (ART; developed by environmental psychologists Stephen and Rachel Kaplan) have been utilised, as well as insights from Dark Green Religion (DGR; Bron Taylor). It is especially the ART human:nature relational properties of ‘fascination’ (awe) and ‘extent’ (order, mystery), complemented by the DGR notions of ‘interconnectedness’ and ‘sacredness’ (intrinsic worth), that explained the cultural constructs of mountains as the centre(s) of the world, sources of life, sites of identity, symbols of power, seats for deities and places of inspiration/transformation/renewal. The Psalms of Ascents collection (šîrê hamma‘ălôt; Ps 120-134) provided an exemplary (ancient) expression of a ‘mountain top experience’ for a group of post-exilic Israelites in search of their identity. Apart from a few explicit references to mountains in the collection, the overall focus is on an ‘ascent’ to Jerusalem, to Mount Zion and the temple where Yahweh chose to reside. This was the centre of the (then Israelite) world, where earth and heaven meet. The rather insipid Mount Zion became larger than life, where pilgrims experienced security, solace, blessing, unity and a transcendence to ‘a greater reality’ in the presence of their deity
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Index to Ascending Cadence Gestures in Essays Published on the Texas ScholarWorks Platform: Update 2020
This file updates the Index published in January 2019. There are two sections. The first is a progress report on the project Ascending Cadence Gestures, A New Historical Survey. The second is an updated list of all compositions with ascending or upper-register cadence gestures, as mentioned in my article The Ascending Urlinie (1987), in essays published on the TexasScholarworks platform, and in work files prepared for remaining numbers in the new historical survey.Musi
Credit in the Body of Christ (Northern France, 1300-1600)
This paper examines a practice that is nearly imperceptible to historians because the bulk of evidence for it is to be found in the interstices of the beaten paths of legal and social history and because it mixes economic and religious matters in a strikingly unfamiliar manner. From the thirteenth to the sixteenth century, excommunication for debt offered ordinary people an economical, efficacious enforcement mechanism for small-scale, daily, unwritten credit. At the same time, the practice offered holders of ecclesiastical jurisdiction an important opportunity to round out their incomes, particularly in the difficult fifteenth century. This transitional practice reveals a level of credit below that of the letters of change, annuities secured on real property, or written obligations beloved of economic historians and historians of banking. Studying the practice casts light on the transition from the face-to-face, local economies of the high Middle Ages to the regional economies of the early modern period, on how the Reformation shaped early modern regimes of credit, and on how the disappearance of ecclesiastical civil justice facilitated the emergence of early modern juridically sovereign territories
Orations on the victory of the Order of St John over the Turks in 1565 and on the occasion of the laying of the foundation stone of Valletta in 1566
The first Chapter General meeting of the Order of St John held after the victory over the Turks in the Great Siege of 1565, took place on 10 February of the following year. Before dealing with the agenda of the day, orations were delivered. One of these was presented by Augustinian Fr Spiritus Pelo Anguisciola who would yet deliver another oration, a month later, on the occasion of the laying of the foundation stone of Valletta, in March 1566. The text of the latter had been published by Gian Francesco Abela in 1647. The texts of both orations -taken from original manuscripts discovered by the present author -are being reproduced in this paper. The text of the former is being published herein for the first time.peer-reviewe
The Crescent Student Newspaper, March 9, 1979
Student newspaper of Pacific College (later George Fox University). 4 pages, black and white.https://digitalcommons.georgefox.edu/the_crescent/1961/thumbnail.jp
Tonar und differentia: Geschichte, Funktion, Deutungen
The paper explains the medieval notions of tonary and differentia in theory and practice. Both notions played a prominent role in defining the book type tonary as well as the function of melodic cadences called differentiae. The tonary is important for the examination of early plainchant repertory and for the interpretation of medieval mode theory (Octoéchos). The differentia has already been discussed by Peter Wagner as the most exciting element of antiphonal psalmody. Recent comparative studies of theoretical as well as practical sources of tonaries are highly promising
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