Mainstreaming Digital Curation: An overview of activity in the UK archives and records management profession

This paper seeks to describe recent moves to address the need for digital curation training from within the UK archives and records management profession. It outlines how such training has been included within established archival education programmes, at Aberystwyth University and University College London, as well as discussing moves by the recognised professional body, the Archives and Records Association, to address the issue of providing digital curation training to existing professionals, as part of their continuing professional development (CPD).preprin

Assessment, Usability, and Sociocultural Impacts of DataONE

DataONE, funded from 2009-2019 by the U.S. National Science Foundation, is an early example of a large-scale project that built both a cyberinfrastructure and culture of data discovery, sharing, and reuse. DataONE used a Working Group model, where a diverse group of participants collaborated on targeted research and development activities to achieve broader project goals. This article summarizes the work carried out by two of DataONE’s working groups: Usability & Assessment (2009-2019) and Sociocultural Issues (2009-2014). The activities of these working groups provide a unique longitudinal look at how scientists, librarians, and other key stakeholders engaged in convergence research to identify and analyze practices around research data management through the development of boundary objects, an iterative assessment program, and reflection. Members of the working groups disseminated their findings widely in papers, presentations, and datasets, reaching international audiences through publications in 25 different journals and presentations to over 5,000 people at interdisciplinary venues. The working groups helped inform the DataONE cyberinfrastructure and influenced the evolving data management landscape. By studying working groups over time, the paper also presents lessons learned about the working group model for global large-scale projects that bring together participants from multiple disciplines and communities in convergence research

Forging Our Cultural Commonwealth: The Importance of Digital Curation in the Digital Humanities

New forms of digital data and tools or methods, for instance those that cross academic disciplines and domains, those that feature teams of scholars instead of single scholars, and those that involve individuals from outside the academy, can enable new forms of scholarship and teaching in the digital humanities. Such scholarship can promote reuse of digital data, provoke new research questions, and cultivate new audiences. Digital curation, the process of managing a trusted body of information for current and future use, can help maximize the value of research in the digital humanities. This exploratory qualitative study centered on the salience of digital curation to the digital humanities. A case study predicated upon semi-structured interviews, it explored the creation, use, storage, and planned reuse of data by 45 interviewees involved with nineteen Office of Digital Humanities Start-Up Grant (SUG) projects. Similarly, the study sought to determine what digital curation skills had been employed in these projects and what digital curation skills project personnel felt were most important in doing such work. Interviewees grappled with challenges surrounding data, collaboration and communication, planning and project management, awareness and outreach, resources, and technology. This study sought to understand the existing practices and needs of those engaged in digital humanities work and how closely these practices and needs align with the digital curation literature. It established a baseline for future research in this area and suggested key skills for digital curation work in the digital humanities. Finally, it provided a learning model for guiding such education.Doctor of Philosoph

Digital 3D Technologies for Humanities Research and Education: An Overview

Digital 3D modelling and visualization technologies have been widely applied to support research in the humanities since the 1980s. Since technological backgrounds, project opportunities, and methodological considerations for application are widely discussed in the literature, one of the next tasks is to validate these techniques within a wider scientific community and establish them in the culture of academic disciplines. This article resulted from a postdoctoral thesis and is intended to provide a comprehensive overview on the use of digital 3D technologies in the humanities with regards to (1) scenarios, user communities, and epistemic challenges; (2) technologies, UX design, and workflows; and (3) framework conditions as legislation, infrastructures, and teaching programs. Although the results are of relevance for 3D modelling in all humanities disciplines, the focus of our studies is on modelling of past architectural and cultural landscape objects via interpretative 3D reconstruction methods

Research Data MANTRA: A Labour of Love

Research Data MANTRA (or Management Training) is a labour of love. It has been an integral part of the University of Edinburgh\u27s Research Data Management (RDM) programme since 2012. The staff at EDINA and Data Library at the University of Edinburgh has been curating this resource, based on internal and external feedback and has just published its fourth release since 2011. MANTRA is an open, web-based training course intended for self-paced learning by PhD students and early career researchers or others who manage digital data as part of a research project. It informs about good practice in research data management with real life stories. MANTRA’s approach is to be fun, relevant, useful, interactive and timely (FRUIT!). Librarians’ training needs are catered for through a companion resource, the DIY RDM Training Kit for Librarians

The European Reference Genome Atlas: piloting a decentralised approach to equitable biodiversity genomics.

ABSTRACT: A global genome database of all of Earth’s species diversity could be a treasure trove of scientific discoveries. However, regardless of the major advances in genome sequencing technologies, only a tiny fraction of species have genomic information available. To contribute to a more complete planetary genomic database, scientists and institutions across the world have united under the Earth BioGenome Project (EBP), which plans to sequence and assemble high-quality reference genomes for all ∼1.5 million recognized eukaryotic species through a stepwise phased approach. As the initiative transitions into Phase II, where 150,000 species are to be sequenced in just four years, worldwide participation in the project will be fundamental to success. As the European node of the EBP, the European Reference Genome Atlas (ERGA) seeks to implement a new decentralised, accessible, equitable and inclusive model for producing high-quality reference genomes, which will inform EBP as it scales. To embark on this mission, ERGA launched a Pilot Project to establish a network across Europe to develop and test the first infrastructure of its kind for the coordinated and distributed reference genome production on 98 European eukaryotic species from sample providers across 33 European countries. Here we outline the process and challenges faced during the development of a pilot infrastructure for the production of reference genome resources, and explore the effectiveness of this approach in terms of high-quality reference genome production, considering also equity and inclusion. The outcomes and lessons learned during this pilot provide a solid foundation for ERGA while offering key learnings to other transnational and national genomic resource projects.info:eu-repo/semantics/publishedVersio