A tree grammar-based visual password scheme

A thesis submitted to the Faculty of Science, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Doctor of Philosophy. Johannesburg, August 31, 2015.Visual password schemes can be considered as an alternative to alphanumeric passwords. Studies have shown that alphanumeric passwords can, amongst others, be eavesdropped, shoulder surfed, or guessed, and are susceptible to brute force automated attacks. Visual password schemes use images, in place of alphanumeric characters, for authentication. For example, users of visual password schemes either select images (Cognometric) or points on an image (Locimetric) or attempt to redraw their password image (Drawmetric), in order to gain authentication. Visual passwords are limited by the so-called password space, i.e., by the size of the alphabet from which users can draw to create a password and by susceptibility to stealing of passimages by someone looking over your shoulders, referred to as shoulder surfing in the literature. The use of automatically generated highly similar abstract images defeats shoulder surfing and means that an almost unlimited pool of images is available for use in a visual password scheme, thus also overcoming the issue of limited potential password space. This research investigated visual password schemes. In particular, this study looked at the possibility of using tree picture grammars to generate abstract graphics for use in a visual password scheme. In this work, we also took a look at how humans determine similarity of abstract computer generated images, referred to as perceptual similarity in the literature. We drew on the psychological idea of similarity and matched that as closely as possible with a mathematical measure of image similarity, using Content Based Image Retrieval (CBIR) and tree edit distance measures. To this end, an online similarity survey was conducted with respondents ordering answer images in order of similarity to question images, involving 661 respondents and 50 images. The survey images were also compared with eight, state of the art, computer based similarity measures to determine how closely they model perceptual similarity. Since all the images were generated with tree grammars, the most popular measure of tree similarity, the tree edit distance, was also used to compare the images. Eight different types of tree edit distance measures were used in order to cover the broad range of tree edit distance and tree edit distance approximation methods. All the computer based similarity methods were then correlated with the online similarity survey results, to determine which ones more closely model perceptual similarity. The results were then analysed in the light of some modern psychological theories of perceptual similarity. This work represents a novel approach to the Passfaces type of visual password schemes using dynamically generated pass-images and their highly similar distractors, instead of static pictures stored in an online database. The results of the online survey were then accurately modelled using the most suitable tree edit distance measure, in order to automate the determination of similarity of our generated distractor images. The information gathered from our various experiments was then used in the design of a prototype visual password scheme. The generated images were similar, but not identical, in order to defeat shoulder surfing. This approach overcomes the following problems with this category of visual password schemes: shoulder surfing, bias in image selection, selection of easy to guess pictures and infrastructural limitations like large picture databases, network speed and database security issues. The resulting prototype developed is highly secure, resilient to shoulder surfing and easy for humans to use, and overcomes the aforementioned limitations in this category of visual password schemes

CSGNet: Neural Shape Parser for Constructive Solid Geometry

We present a neural architecture that takes as input a 2D or 3D shape and outputs a program that generates the shape. The instructions in our program are based on constructive solid geometry principles, i.e., a set of boolean operations on shape primitives defined recursively. Bottom-up techniques for this shape parsing task rely on primitive detection and are inherently slow since the search space over possible primitive combinations is large. In contrast, our model uses a recurrent neural network that parses the input shape in a top-down manner, which is significantly faster and yields a compact and easy-to-interpret sequence of modeling instructions. Our model is also more effective as a shape detector compared to existing state-of-the-art detection techniques. We finally demonstrate that our network can be trained on novel datasets without ground-truth program annotations through policy gradient techniques.Comment: Accepted at CVPR-201

Psychological challenges for the analysis of style.

This article remains the copyright of Cambridge University Press. The definitive version of this article can be found at: http://dx.doi.org/10.1017/S089006040606015XAnalyses of styles in design have paid little attention to how people see style, and how designers use perceptions of style to guide designing. While formal and computational methods for analysing styles and generating designs provide impressively parsimonious accounts of what some styles are, they do not address many of the factors that influence how humans understand styles. The subtlety of human style judgements raises challenges for computational approaches to style. This paper differentiates between a range of distinct meanings of 'style', and explores how designers and ordinary people learn and apply perceptual similarity classes and style concepts in different situations to interpret and create designed artefacts. A range of psychological evidence indicates that style perception is dependent on knowledge, and involves the interaction of perceptual recognition of style features and explanatory inference processes that create a coherent understanding of an object as an exemplar of a style. This paper concludes by outlining how formal style analyses can be used in combination with psychological research to develop a fuller understanding of style perception and creative design

Analyzing and Interpreting Neural Networks for NLP: A Report on the First BlackboxNLP Workshop

The EMNLP 2018 workshop BlackboxNLP was dedicated to resources and techniques specifically developed for analyzing and understanding the inner-workings and representations acquired by neural models of language. Approaches included: systematic manipulation of input to neural networks and investigating the impact on their performance, testing whether interpretable knowledge can be decoded from intermediate representations acquired by neural networks, proposing modifications to neural network architectures to make their knowledge state or generated output more explainable, and examining the performance of networks on simplified or formal languages. Here we review a number of representative studies in each category