6,232 research outputs found

    Examples of works to practice staccato technique in clarinet instrument

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    Klarnetin staccato tekniğini güçlendirme aşamaları eser çalışmalarıyla uygulanmıştır. Staccato geçişlerini hızlandıracak ritim ve nüans çalışmalarına yer verilmiştir. Çalışmanın en önemli amacı sadece staccato çalışması değil parmak-dilin eş zamanlı uyumunun hassasiyeti üzerinde de durulmasıdır. Staccato çalışmalarını daha verimli hale getirmek için eser çalışmasının içinde etüt çalışmasına da yer verilmiştir. Çalışmaların üzerinde titizlikle durulması staccato çalışmasının ilham verici etkisi ile müzikal kimliğe yeni bir boyut kazandırmıştır. Sekiz özgün eser çalışmasının her aşaması anlatılmıştır. Her aşamanın bir sonraki performans ve tekniği güçlendirmesi esas alınmıştır. Bu çalışmada staccato tekniğinin hangi alanlarda kullanıldığı, nasıl sonuçlar elde edildiği bilgisine yer verilmiştir. Notaların parmak ve dil uyumu ile nasıl şekilleneceği ve nasıl bir çalışma disiplini içinde gerçekleşeceği planlanmıştır. Kamış-nota-diyafram-parmak-dil-nüans ve disiplin kavramlarının staccato tekniğinde ayrılmaz bir bütün olduğu saptanmıştır. Araştırmada literatür taraması yapılarak staccato ile ilgili çalışmalar taranmıştır. Tarama sonucunda klarnet tekniğin de kullanılan staccato eser çalışmasının az olduğu tespit edilmiştir. Metot taramasında da etüt çalışmasının daha çok olduğu saptanmıştır. Böylelikle klarnetin staccato tekniğini hızlandırma ve güçlendirme çalışmaları sunulmuştur. Staccato etüt çalışmaları yapılırken, araya eser çalışmasının girmesi beyni rahatlattığı ve istekliliği daha arttırdığı gözlemlenmiştir. Staccato çalışmasını yaparken doğru bir kamış seçimi üzerinde de durulmuştur. Staccato tekniğini doğru çalışmak için doğru bir kamışın dil hızını arttırdığı saptanmıştır. Doğru bir kamış seçimi kamıştan rahat ses çıkmasına bağlıdır. Kamış, dil atma gücünü vermiyorsa daha doğru bir kamış seçiminin yapılması gerekliliği vurgulanmıştır. Staccato çalışmalarında baştan sona bir eseri yorumlamak zor olabilir. Bu açıdan çalışma, verilen müzikal nüanslara uymanın, dil atış performansını rahatlattığını ortaya koymuştur. Gelecek nesillere edinilen bilgi ve birikimlerin aktarılması ve geliştirici olması teşvik edilmiştir. Çıkacak eserlerin nasıl çözüleceği, staccato tekniğinin nasıl üstesinden gelinebileceği anlatılmıştır. Staccato tekniğinin daha kısa sürede çözüme kavuşturulması amaç edinilmiştir. Parmakların yerlerini öğrettiğimiz kadar belleğimize de çalışmaların kaydedilmesi önemlidir. Gösterilen azmin ve sabrın sonucu olarak ortaya çıkan yapıt başarıyı daha da yukarı seviyelere çıkaracaktır

    Interference mitigation in LiFi networks

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    Due to the increasing demand for wireless data, the radio frequency (RF) spectrum has become a very limited resource. Alternative approaches are under investigation to support the future growth in data traffic and next-generation high-speed wireless communication systems. Techniques such as massive multiple-input multiple-output (MIMO), millimeter wave (mmWave) communications and light-fidelity (LiFi) are being explored. Among these technologies, LiFi is a novel bi-directional, high-speed and fully networked wireless communication technology. However, inter-cell interference (ICI) can significantly restrict the system performance of LiFi attocell networks. This thesis focuses on interference mitigation in LiFi attocell networks. The angle diversity receiver (ADR) is one solution to address the issue of ICI as well as frequency reuse in LiFi attocell networks. With the property of high concentration gain and narrow field of view (FOV), the ADR is very beneficial for interference mitigation. However, the optimum structure of the ADR has not been investigated. This motivates us to propose the optimum structures for the ADRs in order to fully exploit the performance gain. The impact of random device orientation and diffuse link signal propagation are taken into consideration. The performance comparison between the select best combining (SBC) and maximum ratio combining (MRC) is carried out under different noise levels. In addition, the double source (DS) system, where each LiFi access point (AP) consists of two sources transmitting the same information signals but with opposite polarity, is proven to outperform the single source (SS) system under certain conditions. Then, to overcome issues around ICI, random device orientation and link blockage, hybrid LiFi/WiFi networks (HLWNs) are considered. In this thesis, dynamic load balancing (LB) considering handover in HLWNs is studied. The orientation-based random waypoint (ORWP) mobility model is considered to provide a more realistic framework to evaluate the performance of HLWNs. Based on the low-pass filtering effect of the LiFi channel, we firstly propose an orthogonal frequency division multiple access (OFDMA)-based resource allocation (RA) method in LiFi systems. Also, an enhanced evolutionary game theory (EGT)-based LB scheme with handover in HLWNs is proposed. Finally, due to the characteristic of high directivity and narrow beams, a vertical-cavity surface-emitting laser (VCSEL) array transmission system has been proposed to mitigate ICI. In order to support mobile users, two beam activation methods are proposed. The beam activation based on the corner-cube retroreflector (CCR) can achieve low power consumption and almost-zero delay, allowing real-time beam activation for high-speed users. The mechanism based on the omnidirectional transmitter (ODTx) is suitable for low-speed users and very robust to random orientation

    Hunting Wildlife in the Tropics and Subtropics

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    The hunting of wild animals for their meat has been a crucial activity in the evolution of humans. It continues to be an essential source of food and a generator of income for millions of Indigenous and rural communities worldwide. Conservationists rightly fear that excessive hunting of many animal species will cause their demise, as has already happened throughout the Anthropocene. Many species of large mammals and birds have been decimated or annihilated due to overhunting by humans. If such pressures continue, many other species will meet the same fate. Equally, if the use of wildlife resources is to continue by those who depend on it, sustainable practices must be implemented. These communities need to remain or become custodians of the wildlife resources within their lands, for their own well-being as well as for biodiversity in general. This title is also available via Open Access on Cambridge Core

    Managing global virtual teams in the London FinTech industry

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    Today, the number of organisations that are adopting virtual working arrangements has exploded, and the London FinTech industry is no exception. During recent years, FinTech companies have increasingly developed virtual teams as a means of connecting and engaging geographically dispersed workers, lowering costs, and enabling greater speed and adaptability. As the first study in the United Kingdom regarding global virtual team management in the FinTech industry, this DBA research seeks answers to the question, “What makes for the successful management of a global virtual team in the London FinTech industry?”. Straussian grounded-theory method was chosen as this qualitative approach lets participants have their own voice and offers some flexibility. It also allows the researcher to have preconceived ideas about the research undertaking. The research work makes the case for appreciating the voice of people with lived experiences. Ten London-based FinTech Managers with considerable experience running virtual teams agreed to take part in this study. These Managers had spent time working at large, household-name firms with significant global reach, and one had recently become founder and CEO of his own firm, taking on clients and hiring contract staff from around the world. At least eight of the other participants were senior ‘Heads’ of various technology teams and one was a Managing Director working at a ‘Big Four’ consultancy. They had all (and many still did) spent years running geographically distributed teams with members as far away as Pacific Asia and they were all keen to discuss that breadth of experience and the challenges they faced. Results from these in-depth interviews suggested that there are myriad reasons for a global virtual team, from providing 24 hour, follow-the-sun service to locating the most cost-effective resources with the highest skills. It also confirmed that there are unique challenges to virtual management and new techniques are required to help navigate virtual managers through them. Managing a global virtual team requires much more than the traditional management competencies. Based on discussion with the respondents, a set of practical recommendations for global virtual team management was developed and covered a wide range of issues related to recruitment and selection, team building, developing standard operating procedures, communication, motivation, performance management, and building trust

    The Angel of Art Sees the Future Even as She Flies Backwards: Enabling Deep Relational Encounter Through Participatory Practice-Based Research

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    The reading of this textual exegesis is deepened in conjunction with viewing the practice-based artefacts referenced within the text. These are contained within an accompanying Multi-Media resource (MMR). Elements from the MMR can also be accessed (or requested) from my website at www.alicecharlottebell.com and on Vimeo at Dr Alice Charlotte Bell https://vimeo.com/user161523908 and on You Tube at Alice Charlotte Bell https://youtube.com/playlist?list=PLnqD-anWUT3U5gIBP2KIR7tkDdrXUAhIBThis research addresses the current lack of opportunity within interdisciplinary arts practices for deep one-to-one relational encounters between creative practitioners operating in applied arts, performance, and workshop contexts with participant-subjects. This artistic problem is situated within the wider culture of pervasive social media, which continues to shape our interactions into forms that are characteristically faster, shorter, and more fragmented than ever before. Such dispersal of our attention is also accelerating our inability to deeply focus or relate for any real length of time. These modes of engaging within our technologically permeated, cosmopolitan and global society is escalating relational problems. Coupled with a constant bombardment of unrealistic visual images, mental health difficulties are also consequently rising, cultivating further issues such as identity ‘splitting’, (Lopez-Fernandez, 2019). In the context of the arts, this thesis proposes that such relational lack cannot be solved by one singular art form, one media modality, one existing engagement approach, or within a short participatory timeframe. Key to the originality of my thesis is the deliberate embodiment of a maternal experience. Feminist Lise Haller-Ross’ proposes that there is a ‘mother shaped hole in the art world’ and that, ‘as with the essence of the doughnut – we don’t need another hole for the doughnut, we need a whole new recipe’ (conference address, 2015). Indeed, her assertion encapsulates a need for different types of artistic and relational ingredients to be found. I propose these can be discovered within particular forms of maternal love; nurture; caring, and through conceptual relational states of courtship; intercourse; gestation, and birth. Furthermore, my maternal emphasis builds on: feminist, artist, and psychotherapist Bracha Ettinger’s (2006; 2015) notions of maternal, cohabitation and carrying; architect and phenomenologist Juhani Pallasmaa’s (2012) views on sensing and feeling; child psychoanalyst Donald Winnicott’s (1971) thoughts on transitional phenomena and perceptions of holding. Such psychotherapeutic and phenomenological theories are imbricated in-action within my multimodal arts processes. Additionally, by deliberately not privileging the ocular, I engage all my project participants senses and distil their multimodal data through an extended form of somatic and artistic Interpretive Phenomenological Analysis (IPA), (Smith, Flowers, and Larkin, 2009). IPA usefully focuses on the importance of the thematic and idiographic in terms of new knowledge generation, with an analytical focus on lived experience. Indeed, whilst the specifics of the participants in my minor and major projects are unique, my research activates and makes valid, findings that are collectively beneficial to the disciplines of applied and interdisciplinary arts; the field of practice-based research, and beyond. My original contribution to new knowledge as argued by this thesis, comprises both this text exposition and my practice. This sees the final generation of a new multimodal arts Participatory Practice-Based Framework (PartPb). Through this framework, the researcher-practitioner is seen to adopt a maternal role to gently guide project participants through four phases of co-created multimodal artwork generation. The four participatory ‘Phases’ are: Phase 1: Courtship – Digital Dialogues; Phase 2: Intercourse – Performative Encounters; Phase 3: Gestation – Screen Narratives; Phase 4: Birth – Relational Artworks. The framework also contains six researcher-only ‘Stages’: Stage 1: Participant Selection; Stage 2: Checking Distilled Themes; Stage 3: Location and Object Planning; Stage 4: Noticing, Logging, Sourcing; Stage 5: Collaboration and Construction; Stage 6: Releasing, Gifting, Recruiting. This new PartPb framework, is realised within a series of five practice-based (Pb) artworks called, ‘Minor Projects 1-5’, (2015-16) and Final Major Project, ‘Transformational Encounters: Touch, Traction, Transform’ (TETTT), (2018). These projects are likewise shaped through action-research processes of iterative testing, as developed from Candy and Edmonds (2010) Practice-based Research (PbR) trajectory. In my new PartPb framework, Candy, and Edmonds’ PbR processes are originally combined with a form of Fritz and Laura Perl’s Gestalt Experience Cycle (1947). This innovative fusion I come to term as a form of ‘Feeling Architecture,’ which is procedurally proven to hold and carry both researcher and participants alike, safely, ethically, and creatively through all Phases and Stages of artefact generation. Specifically, my new multimodal PartPb framework offers new knowledge to the field of Practice-Based Research (PbR) and practitioners working in multimodal arts and applied performance contexts. Due to its participatory focus, I develop on the term Practice-Based Research, (Candy and Edmonds, 2010) to coin the term Participatory Practice-Based Research, (PartPbR). The unique combination of multimodal arts and social-psychological methodologies underpinning my framework also has the potential to contribute to broader Arts, Well-Being, and Creative Health agendas, such as the UK government’s Social Prescribing and Arts and Health initiatives. My original framework offers future researchers’ opportunities to further develop, enhance and enrich individual and community well-being through its application to their own projects, and, in doing so, also starts to challenge unhelpful art binaries that still position community arts practices as somehow lesser to higher art disciplines.Fully funded scholarship in Contemporary Performance from De Montfort University. Final PbR output in the form of the exhibition ‘Transformational Encounters: Touch, Traction, Transform’ (TETTT), sponsored by Design Alliance Ltd. www.designalliance.c

    The Angel of Art Sees the Future Even as She Flies Backwards: Enabling Deep Relational Encounter Through Participatory Practice-Based Research.

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    This research addresses the current lack of opportunity within interdisciplinary arts practices for deep one-to-one relational encounters between creative practitioners operating in applied arts, performance, and workshop contexts with participant-subjects. This artistic problem is situated within the wider culture of pervasive social media, which continues to shape our interactions into forms that are characteristically faster, shorter, and more fragmented than ever before. Such dispersal of our attention is also accelerating our inability to deeply focus or relate for any real length of time. These modes of engaging within our technologically permeated, cosmopolitan and global society is escalating relational problems. Coupled with a constant bombardment of unrealistic visual images, mental health difficulties are also consequently rising, cultivating further issues such as identity ‘splitting’, (Lopez-Fernandez, 2019). In the context of the arts, this thesis proposes that such relational lack cannot be solved by one singular art form, one media modality, one existing engagement approach, or within a short participatory timeframe. Key to the originality of my thesis is the deliberate embodiment of a maternal experience. Feminist Lise Haller-Ross’ proposes that there is a ‘mother shaped hole in the art world’ and that, ‘as with the essence of the doughnut – we don’t need another hole for the doughnut, we need a whole new recipe’ (conference address, 2015). Indeed, her assertion encapsulates a need for different types of artistic and relational ingredients to be found. I propose these can be discovered within particular forms of maternal love; nurture; caring, and through conceptual relational states of courtship; intercourse; gestation, and birth. Furthermore, my maternal emphasis builds on: feminist, artist, and psychotherapist Bracha Ettinger’s (2006; 2015) notions of maternal, cohabitation and carrying; architect and phenomenologist Juhani Pallasmaa’s (2012) views on sensing and feeling; child psychoanalyst Donald Winnicott’s (1971) thoughts on transitional phenomena and perceptions of holding. Such psychotherapeutic and phenomenological theories are imbricated in-action within my multimodal arts processes. Additionally, by deliberately not privileging the ocular, I engage all my project participants senses and distil their multimodal data through an extended form of somatic and artistic Interpretive Phenomenological Analysis (IPA), (Smith, Flowers, and Larkin, 2009). IPA usefully focuses on the importance of the thematic and idiographic in terms of new knowledge generation, with an analytical focus on lived experience. Indeed, whilst the specifics of the participants in my minor and major projects are unique, my research activates and makes valid, findings that are collectively beneficial to the disciplines of applied and interdisciplinary arts; the field of practice-based research, and beyond. My original contribution to new knowledge as argued by this thesis, comprises both this text exposition and my practice. This sees the final generation of a new multimodal arts Participatory Practice-Based Framework (PartPb). Through this framework, the researcher-practitioner is seen to adopt a maternal role to gently guide project participants through four phases of co-created multimodal artwork generation. The four participatory ‘Phases’ are: Phase 1: Courtship – Digital Dialogues; Phase 2: Intercourse – Performative Encounters; Phase 3: Gestation – Screen Narratives; Phase 4: Birth – Relational Artworks. The framework also contains six researcher-only ‘Stages’: Stage 1: Participant Selection; Stage 2: Checking Distilled Themes; Stage 3: Location and Object Planning; Stage 4: Noticing, Logging, Sourcing; Stage 5: Collaboration and Construction; Stage 6: Releasing, Gifting, Recruiting. This new PartPb framework, is realised within a series of five practice-based (Pb) artworks called, ‘Minor Projects 1-5’, (2015-16) and Final Major Project, ‘Transformational Encounters: Touch, Traction, Transform’ (TETTT), (2018). These projects are likewise shaped through action-research processes of iterative testing, as developed from Candy and Edmonds (2010) Practice-based Research (PbR) trajectory. In my new PartPb framework, Candy, and Edmonds’ PbR processes are originally combined with a form of Fritz and Laura Perl’s Gestalt Experience Cycle (1947). This innovative fusion I come to term as a form of ‘Feeling Architecture,’ which is procedurally proven to hold and carry both researcher and participants alike, safely, ethically, and creatively through all Phases and Stages of artefact generation. Specifically, my new multimodal PartPb framework offers new knowledge to the field of Practice-Based Research (PbR) and practitioners working in multimodal arts and applied performance contexts. Due to its participatory focus, I develop on the term Practice-Based Research, (Candy and Edmonds, 2010) to coin the term Participatory Practice-Based Research, (PartPbR). The unique combination of multimodal arts and social-psychological methodologies underpinning my framework also has the potential to contribute to broader Arts, Well-Being, and Creative Health agendas, such as the UK government’s Social Prescribing and Arts and Health initiatives. My original framework offers future researchers’ opportunities to further develop, enhance and enrich individual and community well-being through its application to their own projects, and, in doing so, also starts to challenge unhelpful art binaries that still position community arts practices as somehow lesser to higher art disciplines

    THE DREAM OF A ZERO WASTE SOCIETY: EXPLORING THE PRACTICES AND BEHAVIOURS OF WASTE GENERATION IN GREATER MEXICO CITY

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    This research aims to re-conceptualise consumption and waste generation through a broader set of theoretical questions and analytical methodologies to establish a more holistic theoretical framework for comprehending the global South's "waste crisis." This thesis is primarily based on the following question: "why do we dispose of things?". By focusing on practices and behaviours of consumption and disposal by citizens of GMC, this thesis seeks to unpack the networks, symbols, skills, and meanings of these practices. This moves the conceptualisation of waste generation away from being conceived as an irremediable consequence of population growth or as primary responsibility on the consumers' shoulders. Therefore, this thesis proposes that consumers are embedded in a "throwaway environment" that pushes them toward unsustainable practices. However, this does not mean that the consumers have a "throwaway culture"; consumers might be "carriers" of practices, but they are still active participants. By unravelling the multiple layers of framing that aggregate into the consumption and disposal of citizens in GMC, we shall see how GMC society's historical, social, and political framework serves as dispositions that guide an individual to act. This study focuses on modifying the narrative of considering consumers as careless, lazy, or consumption-driven. It also sheds light on how ignoring these behaviours and practices will only bring temporary and reactionary solutions when dealing with waste. This dissertation also offers an analytical framework that explores how consumers' elements interrelate and are synergetic. By re-conceptualising consumption and waste generation, I propose not focusing on the insidious moral narrative of whether consumption and disposal are acceptable and to what degree. Instead, we should concentrate on a policy strategy that will help reduce the flow of materials. As a result, we might be able to curve a waste crisis by accepting shared responsibility (mostly borne by governments and businesses

    A Post-Colonial Era? Bridging Ml'kmaq and Irish Experiences of Colonialism

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    This dissertation explores the links between the past and present impacts of colonization in Ireland and colonization in Mikmaki (the unceded territories of the Mi'kmaq Confederacy known to Canadians as the Maritimes provinces). It asks how might deepening our understandings of these potential links inform accountable and decolonial relationships between the Irish and the Mikmaq? In doing so, it argues that comparatively examining Irish and Mikmaq experiences of colonialism can offer concrete insights not only into the way that the Irish and the Mikmaq have an interwoven past, but also the way that the legacies of colonialism are permeating everyday life in the present in both regions. Refusing colonial representations of Mi'kma'ki and recentering Mi'kmaq worldviews throughout this comparison, this dissertation presents Mi'kma'ki as a discrete and sovereign (occupied) territory. The dissertation begins by providing an overview of the geographical and sociopolitical context of Ireland and Mi'kma'ki while introducing some of the links that have caused community members in both nations to call for this type of comparative research to be completed. The second chapter explores key historical moments in Irish and Mi'kmaq history which serve not just as a foundation for understanding the historical context of current experiences of colonialism in both regions, but also highlights the way that Ireland and Mi'kma'ki have had their pasts interwoven by British colonialism and the Irish diaspora. Drawing on oral life histories gathered in the bordertowns between County Donegal and Derry/Londonderry in Ireland, as well as Eskasoni First Nation in Unama'ki (Cape Breton) in Mi'kma'ki, the third and fourth chapters respectively explore the way that Irish and Mi'kmaq community members are currently experiencing the impacts of the legacies of British colonialism in everyday life. Finally, the dissertation concludes by reiterating the main insights shared by community members around the current state of colonialism, postcolonialism, and decolonization in both regions, before briefly discussing the postdoctoral research (and other areas of inquiry) that are expanding the inquiry of this project further while highlighting how the Irish and Lnuk might use the insights from the project to increase their collaborations and support one another

    VoLTE: Fundamentals and Investment under Uncertainty by analogy with the Real Options Theory – A real case application in Greek Telecommunications market

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    Με την εμφάνιση των Τηλεπικοινωνιών, η φωνή έσπασε όλα τα φυσικά όρια και έγινε πραγματικότητα η μετάδοσή της παγκοσμίως σε πραγματικό χρόνο. Σύντομα, οι υπηρεσίες φωνής μετατράπηκαν σε βασική δραστηριότητα για τους παρόχους και το έναυσμα για την ανάπτυξη των Σταθερών και Κινητών Τηλεπικοινωνιών. Η τελευταία λέξη της τεχνολογίας για την Κινητή μετάδοση φωνής είναι το Voice over LTE (VoLTE), το οποίο αποτελεί μια σημαντική δυνατότητα του δικτύου για τη ουσιαστική βελτίωση της απόδοσης της φωνής και της χωρητικότητας του ραδιοδικτύου με ταυτόχρονη μείωση στα λειτουργικά κόστη. Στην παρούσα διπλωματική εργασία παρουσιάζονται οι βασικές αρχές της αρχιτεκτονικής VoLTE και παρέχεται μία ανάλυση της τεχνολογίας VoLTE ως επενδυτική ευκαιρία. Στο πρώτο μέρος παρατίθεται μια ιστορική αναδρομή σχετικά με την εξέλιξη των συστημάτων φωνής των Κινητής Τηλεπικοινωνιών από την πρώτη γενιά έως σήμερα. Περιλαμβάνεται μια επισκόπηση της αρχιτεκτονικής VoLTE με ανάλυση των κύριων υποσυστημάτων και των βασικών τους στοιχείων με βάση τις τεχνικές προδιαγραφές. Επιπλέον, παρουσιάζονται οι βασικές λειτουργίες μετάδοσης φωνής μέσω της τεχνολογίας VoLTE. Στο επόμενο μέρος περιγράφονται τα οφέλη και οι προκλήσεις που γεννιούνται από την ανάπτυξη της λύσης VoLTE, από τεχνικής άποψης αλλά και από πλευράς αγοράς. Για τον μετριασμό των κινδύνων, προτείνεται από τις χρηματοπιστωτικές αγορές η θεωρία των για την αξιολόγηση της επένδυσης, με βάση τη σύγχρονη βιβλιογραφία. Η ζήτηση της υπηρεσίας VoLTE μοντελοποιείται χρησιμοποιώντας τη γεωμετρική κίνηση Brown και αναπτύσσεται μια μεθοδολογία βασισμένη στα πραγματικά δικαιώματα προαίρεσης μέσω του δυναμικού προγραμματισμού, για τον υπολογισμό των βέλτιστων επενδυτικών κανόνων και του κόστους ευκαιρίας. Στο έκτο κεφάλαιο, παρουσιάζεται ένα παράδειγμα πραγματικής περίπτωσης επένδυσης VoLTE στην ελληνική αγορά Κινητών Τηλεπικοινωνιών, χρησιμοποιώντας την προτεινόμενη μεθοδολογία των πραγματικών δικαιωμάτων προαίρεσης. Τα αποτελέσματα συγκρίνονται με την παραδοσιακή προσέγγιση και αναλύονται με την χρήση προσομοιώσεων Monte Carlo. Συμπεράσματα και ενδιαφέροντα ευρήματα παρέχονται στο τελευταίο κεφάλαιο.With the emergence of Telecommunications, the voice broke all physical borders and could be transferred worldwide in real-time. Soon, voice services became a core business for the providers and the trigger for the development of Fixed and Mobile Telecommunications. The state of the art for mobile voice delivery is Voice over LTE (VoLTE), which is an important network capability to significantly improve the service performance and radio capacity while reducing operating costs. This study thesis presents the fundamental principles of VoLTE architecture and provides an analysis of the VoLTE solution as an investment opportunity. In the first part, a historical review is given regarding the evolution of the Cellular Mobile Telecommunication systems since their first generation. An overview of the VoLTE architecture is included with an analysis of the main subsystems and the core components based on the technical specifications. Moreover, the basic functionalities of the VoLTE technology are presented. The next part describes the benefits and challenges of deploying the VoLTE solution from technical and market perspectives. In order to mitigate the risks, the Real Options theory from the financial market is introduced for evaluating the VoLTE investment according to modern literature. The VoLTE demand is modelled using the Geometric Brownian Motion process and the dynamic programming is used to structure a Real Options-based framework for calculating optimal investment rules and opportunity cost. In the sixth chapter, a real case application of the proposed framework in the Greek Mobile Telecommunications market is presented. The results are compared with the traditional tools and analyzed by performing Monte Carlo simulations. Conclusions and interesting insights are provided in the last chapter
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