Feature Extraction Methods for Character Recognition

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Template Based Recognition of On-Line Handwriting

Software for recognition of handwriting has been available for several decades now and research on the subject have produced several different strategies for producing competitive recognition accuracies, especially in the case of isolated single characters. The problem of recognizing samples of handwriting with arbitrary connections between constituent characters (emph{unconstrained handwriting}) adds considerable complexity in form of the segmentation problem. In other words a recognition system, not constrained to the isolated single character case, needs to be able to recognize where in the sample one letter ends and another begins. In the research community and probably also in commercial systems the most common technique for recognizing unconstrained handwriting compromise Neural Networks for partial character matching along with Hidden Markov Modeling for combining partial results to string hypothesis. Neural Networks are often favored by the research community since the recognition functions are more or less automatically inferred from a training set of handwritten samples. From a commercial perspective a downside to this property is the lack of control, since there is no explicit information on the types of samples that can be correctly recognized by the system. In a template based system, each style of writing a particular character is explicitly modeled, and thus provides some intuition regarding the types of errors (confusions) that the system is prone to make. Most template based recognition methods today only work for the isolated single character recognition problem and extensions to unconstrained recognition is usually not straightforward. This thesis presents a step-by-step recipe for producing a template based recognition system which extends naturally to unconstrained handwriting recognition through simple graph techniques. A system based on this construction has been implemented and tested for the difficult case of unconstrained online Arabic handwriting recognition with good results

Advances in Character Recognition

This book presents advances in character recognition, and it consists of 12 chapters that cover wide range of topics on different aspects of character recognition. Hopefully, this book will serve as a reference source for academic research, for professionals working in the character recognition field and for all interested in the subject

Off-line Arabic Handwriting Recognition System Using Fast Wavelet Transform

In this research, off-line handwriting recognition system for Arabic alphabet is introduced. The system contains three main stages: preprocessing, segmentation and recognition stage. In the preprocessing stage, Radon transform was used in the design of algorithms for page, line and word skew correction as well as for word slant correction. In the segmentation stage, Hough transform approach was used for line extraction. For line to words and word to characters segmentation, a statistical method using mathematic representation of the lines and words binary image was used. Unlike most of current handwriting recognition system, our system simulates the human mechanism for image recognition, where images are encoded and saved in memory as groups according to their similarity to each other. Characters are decomposed into a coefficient vectors, using fast wavelet transform, then, vectors, that represent a character in different possible shapes, are saved as groups with one representative for each group. The recognition is achieved by comparing a vector of the character to be recognized with group representatives. Experiments showed that the proposed system is able to achieve the recognition task with 90.26% of accuracy. The system needs only 3.41 seconds a most to recognize a single character in a text of 15 lines where each line has 10 words on average

Document preprocessing and fuzzy unsupervised character classification

This dissertation presents document preprocessing and fuzzy unsupervised character classification for automatically reading daily-received office documents that have complex layout structures, such as multiple columns and mixed-mode contents of texts, graphics and half-tone pictures. First, the block segmentation algorithm is performed based on a simple two-step run-length smoothing to decompose a document into single-mode blocks. Next, the block classification is performed based on the clustering rules to classify each block into one of the types such as text, horizontal or vertical lines, graphics, and pictures. The mean white-to-black transition is shown as an invariance for textual blocks, and is useful for block discrimination. A fuzzy model for unsupervised character classification is designed to improve the robustness, correctness, and speed of the character recognition system. The classification procedures are divided into two stages. The first stage separates the characters into seven typographical categories based on word structures of a text line. The second stage uses pattern matching to classify the characters in each category into a set of fuzzy prototypes based on a nonlinear weighted similarity function. A fuzzy model of unsupervised character classification, which is more natural in the representation of prototypes for character matching, is defined and the weighted fuzzy similarity measure is explored. The characteristics of the fuzzy model are discussed and used in speeding up the classification process. After classification, the character recognition procedure is simply applied on the limited versions of the fuzzy prototypes. To avoid information loss and extra distortion, an topography-based approach is proposed to apply directly on the fuzzy prototypes to extract the skeletons. First, a convolution by a bell-shaped function is performed to obtain a smooth surface. Second, the ridge points are extracted by rule-based topographic analysis of the structure. Third, a membership function is assigned to ridge points with values indicating the degrees of membership with respect to the skeleton of an object. Finally, the significant ridge points are linked to form strokes of skeleton, and the clues of eigenvalue variation are used to deal with degradation and preserve connectivity. Experimental results show that our algorithm can reduce the deformation of junction points and correctly extract the whole skeleton although a character is broken into pieces. For some characters merged together, the breaking candidates can be easily located by searching for the saddle points. A pruning algorithm is then applied on each breaking position. At last, a multiple context confirmation can be applied to increase the reliability of breaking hypotheses

Brushed in Light

Drawing on a millennia of calligraphy theory and history, Brushed in Light examines how the brushed word appears in films and in film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC cinemas. This includes silent era intertitles, subtitles, title frames, letters, graffiti, end titles, and props. Markus Nornes also looks at the role of calligraphy in film culture at large, from gifts to correspondence to advertising. The book begins with a historical dimension, tracking how calligraphy is initially used in early cinema and how it is continually rearticulated by transforming conventions and the integration of new technologies. These chapters ask how calligraphy creates new meaning in cinema and demonstrate how calligraphy, cinematography, and acting work together in a single film. The last part of the book moves to other regions of theory. Nornes explores the cinematization of the handwritten word and explores how calligraphers understand their own work