3 research outputs found
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Intelligent Side Information Generation in Distributed Video Coding
Distributed video coding (DVC) reverses the traditional coding paradigm of complex encoders allied with basic decoding to one where the computational cost is largely incurred by the decoder. This is attractive as the proven theoretical work of Wyner-Ziv (WZ) and Slepian-Wolf (SW) shows that the performance by such a system should be exactly the same as a conventional coder. Despite the solid theoretical foundations, current DVC qualitative and quantitative performance falls short of existing conventional coders and there remain crucial limitations. A key constraint governing DVC performance is the quality of side information (SI), a coarse representation of original video frames which are not available at the decoder. Techniques to generate SI have usually been based on linear motion compensated temporal interpolation (LMCTI), though these do not always produce satisfactory SI quality, especially in sequences exhibiting non-linear motion.
This thesis presents an intelligent higher order piecewise trajectory temporal interpolation (HOPTTI) framework for SI generation with original contributions that afford better SI quality in comparison to existing LMCTI-based approaches. The major elements in this framework are: (i) a cubic trajectory interpolation algorithm model that significantly improves the accuracy of motion vector estimations; (ii) an adaptive overlapped block motion compensation (AOBMC) model which reduces both blocking and overlapping artefacts in the SI emanating from the block matching algorithm; (iii) the development of an empirical mode switching algorithm; and (iv) an intelligent switching mechanism to construct SI by automatically selecting the best macroblock from the intermediate SI generated by HOPTTI and AOBMC algorithms. Rigorous analysis and evaluation confirms that significant quantitative and perceptual improvements in SI quality are achieved with the new framework
Multi-modal surrogates for retrieving and making sense of videos: is synchronization between the multiple modalities optimal?
Video surrogates can help people quickly make sense of the content of a video before downloading or seeking more detailed information. Visual and audio features of a video are primary information carriers and might become important components of video retrieval and video sense-making. In the past decades, most research and development efforts on video surrogates have focused on visual features of the video, and comparatively little work has been done on audio surrogates and examining their pros and cons in aiding users' retrieval and sense-making of digital videos. Even less work has been done on multi-modal surrogates, where more than one modality are employed for consuming the surrogates, for example, the audio and visual modalities. This research examined the effectiveness of a number of multi-modal surrogates, and investigated whether synchronization between the audio and visual channels is optimal. A user study was conducted to evaluate six different surrogates on a set of six recognition and inference tasks to answer two main research questions: (1) How do automatically-generated multi-modal surrogates compare to manually-generated ones in video retrieval and video sense-making? and (2) Does synchronization between multiple surrogate channels enhance or inhibit video retrieval and video sense-making? Forty-eight participants participated in the study, in which the surrogates were measured on the the time participants spent on experiencing the surrogates, the time participants spent on doing the tasks, participants' performance accuracy on the tasks, participants' confidence in their task responses, and participants' subjective ratings on the surrogates. On average, the uncoordinated surrogates were more helpful than the coordinated ones, but the manually-generated surrogates were only more helpful than the automatically-generated ones in terms of task completion time. Participants' subjective ratings were more favorable for the coordinated surrogate C2 (Magic A + V) and the uncoordinated surrogate U1 (Magic A + Storyboard V) with respect to usefulness, usability, enjoyment, and engagement. The post-session questionnaire comments demonstrated participants' preference for the coordinated surrogates, but the comments also revealed the value of having uncoordinated sensory channels