Basic Filters for Convolutional Neural Networks Applied to Music: Training or Design?

When convolutional neural networks are used to tackle learning problems based on music or, more generally, time series data, raw one-dimensional data are commonly pre-processed to obtain spectrogram or mel-spectrogram coefficients, which are then used as input to the actual neural network. In this contribution, we investigate, both theoretically and experimentally, the influence of this pre-processing step on the network's performance and pose the question, whether replacing it by applying adaptive or learned filters directly to the raw data, can improve learning success. The theoretical results show that approximately reproducing mel-spectrogram coefficients by applying adaptive filters and subsequent time-averaging is in principle possible. We also conducted extensive experimental work on the task of singing voice detection in music. The results of these experiments show that for classification based on Convolutional Neural Networks the features obtained from adaptive filter banks followed by time-averaging perform better than the canonical Fourier-transform-based mel-spectrogram coefficients. Alternative adaptive approaches with center frequencies or time-averaging lengths learned from training data perform equally well.Comment: Completely revised version; 21 pages, 4 figure

Weakly Supervised Audio Source Separation via Spectrum Energy Preserved Wasserstein Learning

Separating audio mixtures into individual instrument tracks has been a long standing challenging task. We introduce a novel weakly supervised audio source separation approach based on deep adversarial learning. Specifically, our loss function adopts the Wasserstein distance which directly measures the distribution distance between the separated sources and the real sources for each individual source. Moreover, a global regularization term is added to fulfill the spectrum energy preservation property regardless separation. Unlike state-of-the-art weakly supervised models which often involve deliberately devised constraints or careful model selection, our approach need little prior model specification on the data, and can be straightforwardly learned in an end-to-end fashion. We show that the proposed method performs competitively on public benchmark against state-of-the-art weakly supervised methods

Deep Learning for Audio Signal Processing

Given the recent surge in developments of deep learning, this article provides a review of the state-of-the-art deep learning techniques for audio signal processing. Speech, music, and environmental sound processing are considered side-by-side, in order to point out similarities and differences between the domains, highlighting general methods, problems, key references, and potential for cross-fertilization between areas. The dominant feature representations (in particular, log-mel spectra and raw waveform) and deep learning models are reviewed, including convolutional neural networks, variants of the long short-term memory architecture, as well as more audio-specific neural network models. Subsequently, prominent deep learning application areas are covered, i.e. audio recognition (automatic speech recognition, music information retrieval, environmental sound detection, localization and tracking) and synthesis and transformation (source separation, audio enhancement, generative models for speech, sound, and music synthesis). Finally, key issues and future questions regarding deep learning applied to audio signal processing are identified.Comment: 15 pages, 2 pdf figure