1,160 research outputs found
Exploiting temporal information for 3D pose estimation
In this work, we address the problem of 3D human pose estimation from a
sequence of 2D human poses. Although the recent success of deep networks has
led many state-of-the-art methods for 3D pose estimation to train deep networks
end-to-end to predict from images directly, the top-performing approaches have
shown the effectiveness of dividing the task of 3D pose estimation into two
steps: using a state-of-the-art 2D pose estimator to estimate the 2D pose from
images and then mapping them into 3D space. They also showed that a
low-dimensional representation like 2D locations of a set of joints can be
discriminative enough to estimate 3D pose with high accuracy. However,
estimation of 3D pose for individual frames leads to temporally incoherent
estimates due to independent error in each frame causing jitter. Therefore, in
this work we utilize the temporal information across a sequence of 2D joint
locations to estimate a sequence of 3D poses. We designed a
sequence-to-sequence network composed of layer-normalized LSTM units with
shortcut connections connecting the input to the output on the decoder side and
imposed temporal smoothness constraint during training. We found that the
knowledge of temporal consistency improves the best reported result on
Human3.6M dataset by approximately and helps our network to recover
temporally consistent 3D poses over a sequence of images even when the 2D pose
detector fails
VNect: Real-time 3D Human Pose Estimation with a Single RGB Camera
We present the first real-time method to capture the full global 3D skeletal
pose of a human in a stable, temporally consistent manner using a single RGB
camera. Our method combines a new convolutional neural network (CNN) based pose
regressor with kinematic skeleton fitting. Our novel fully-convolutional pose
formulation regresses 2D and 3D joint positions jointly in real time and does
not require tightly cropped input frames. A real-time kinematic skeleton
fitting method uses the CNN output to yield temporally stable 3D global pose
reconstructions on the basis of a coherent kinematic skeleton. This makes our
approach the first monocular RGB method usable in real-time applications such
as 3D character control---thus far, the only monocular methods for such
applications employed specialized RGB-D cameras. Our method's accuracy is
quantitatively on par with the best offline 3D monocular RGB pose estimation
methods. Our results are qualitatively comparable to, and sometimes better
than, results from monocular RGB-D approaches, such as the Kinect. However, we
show that our approach is more broadly applicable than RGB-D solutions, i.e. it
works for outdoor scenes, community videos, and low quality commodity RGB
cameras.Comment: Accepted to SIGGRAPH 201
Single-Shot Multi-Person 3D Pose Estimation From Monocular RGB
We propose a new single-shot method for multi-person 3D pose estimation in
general scenes from a monocular RGB camera. Our approach uses novel
occlusion-robust pose-maps (ORPM) which enable full body pose inference even
under strong partial occlusions by other people and objects in the scene. ORPM
outputs a fixed number of maps which encode the 3D joint locations of all
people in the scene. Body part associations allow us to infer 3D pose for an
arbitrary number of people without explicit bounding box prediction. To train
our approach we introduce MuCo-3DHP, the first large scale training data set
showing real images of sophisticated multi-person interactions and occlusions.
We synthesize a large corpus of multi-person images by compositing images of
individual people (with ground truth from mutli-view performance capture). We
evaluate our method on our new challenging 3D annotated multi-person test set
MuPoTs-3D where we achieve state-of-the-art performance. To further stimulate
research in multi-person 3D pose estimation, we will make our new datasets, and
associated code publicly available for research purposes.Comment: International Conference on 3D Vision (3DV), 201
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