Water Being Water

IQ. DNA. MRI. FYI. In an ever-changing world, we find ourselves conversing with abbreviated acronyms and phrases. They drive today\u27s economy, political agenda, and water cooler chitchat. They define our use of resources and the attention given to matters. Who we are, or think we are, are wrapped around their brevity. In our hurried attempt to sort through the complexities of life we use them to only answer the obvious-How? Unfortunately, an equally important question, Why? is often ignored. The solving of the how of things has generally been left to the scientists and the reasons as to the why for artists to decipher. This publication and exhibition takes a new approach by making the two questions inseparable. Using the simplest of elements, H20, a scientist turned artist, and two writers, one from the sciences and the other from the arts, have begun a new conversation. It is a discussion that deserves our attention and participation.https://corescholar.libraries.wright.edu/restein_catalogs/1051/thumbnail.jp

MOVING IMAGE - STILL LIFE

PIET ZWART INSTITUTE / WILLEM DE KOONING ACADEM

Faculty recital series: James Demler and Shiela Kibbe with Penelope Bitzas, October 23, 2006

This is the concert program of the faculty recital of James Demler, Shiela Kibbe, and Penelope Bitzas on Monday, October 23, 2006 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were "Rivolgete a lui lo sguardo" by Wolfgang Amadé Mozart, Vier Duetes, Op. 28 by Johannes Brahms, Tit for Tat by Benjamin Britten, Four Songs by Henri Duparc, and War Scenes (to poetry of Walt Whitman) by Ned Rorem. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Testimony, May/June 1951

https://digitalcommons.cedarville.edu/testimony/1010/thumbnail.jp

The Essence of Reality

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