TET-GAN: Text Effects Transfer via Stylization and Destylization

Text effects transfer technology automatically makes the text dramatically more impressive. However, previous style transfer methods either study the model for general style, which cannot handle the highly-structured text effects along the glyph, or require manual design of subtle matching criteria for text effects. In this paper, we focus on the use of the powerful representation abilities of deep neural features for text effects transfer. For this purpose, we propose a novel Texture Effects Transfer GAN (TET-GAN), which consists of a stylization subnetwork and a destylization subnetwork. The key idea is to train our network to accomplish both the objective of style transfer and style removal, so that it can learn to disentangle and recombine the content and style features of text effects images. To support the training of our network, we propose a new text effects dataset with as much as 64 professionally designed styles on 837 characters. We show that the disentangled feature representations enable us to transfer or remove all these styles on arbitrary glyphs using one network. Furthermore, the flexible network design empowers TET-GAN to efficiently extend to a new text style via one-shot learning where only one example is required. We demonstrate the superiority of the proposed method in generating high-quality stylized text over the state-of-the-art methods.Comment: Accepted by AAAI 2019. Code and dataset will be available at http://www.icst.pku.edu.cn/struct/Projects/TETGAN.htm

Generating Handwritten Chinese Characters using CycleGAN

Handwriting of Chinese has long been an important skill in East Asia. However, automatic generation of handwritten Chinese characters poses a great challenge due to the large number of characters. Various machine learning techniques have been used to recognize Chinese characters, but few works have studied the handwritten Chinese character generation problem, especially with unpaired training data. In this work, we formulate the Chinese handwritten character generation as a problem that learns a mapping from an existing printed font to a personalized handwritten style. We further propose DenseNet CycleGAN to generate Chinese handwritten characters. Our method is applied not only to commonly used Chinese characters but also to calligraphy work with aesthetic values. Furthermore, we propose content accuracy and style discrepancy as the evaluation metrics to assess the quality of the handwritten characters generated. We then use our proposed metrics to evaluate the generated characters from CASIA dataset as well as our newly introduced Lanting calligraphy dataset.Comment: Accepted at WACV 201

Few-shot Font Generation with Localized Style Representations and Factorization

Automatic few-shot font generation is a practical and widely studied problem because manual designs are expensive and sensitive to the expertise of designers. Existing few-shot font generation methods aim to learn to disentangle the style and content element from a few reference glyphs, and mainly focus on a universal style representation for each font style. However, such approach limits the model in representing diverse local styles, and thus makes it unsuitable to the most complicated letter system, e.g., Chinese, whose characters consist of a varying number of components (often called "radical") with a highly complex structure. In this paper, we propose a novel font generation method by learning localized styles, namely component-wise style representations, instead of universal styles. The proposed style representations enable us to synthesize complex local details in text designs. However, learning component-wise styles solely from reference glyphs is infeasible in the few-shot font generation scenario, when a target script has a large number of components, e.g., over 200 for Chinese. To reduce the number of reference glyphs, we simplify component-wise styles by a product of component factor and style factor, inspired by low-rank matrix factorization. Thanks to the combination of strong representation and a compact factorization strategy, our method shows remarkably better few-shot font generation results (with only 8 reference glyph images) than other state-of-the-arts, without utilizing strong locality supervision, e.g., location of each component, skeleton, or strokes. The source code is available at https://github.com/clovaai/lffont.Comment: Accepted at AAAI 2021, 12 pages, 11 figures, the first two authors contributed equall