Correlating neural and symbolic representations of language

Analysis methods which enable us to better understand the representations and functioning of neural models of language are increasingly needed as deep learning becomes the dominant approach in NLP. Here we present two methods based on Representational Similarity Analysis (RSA) and Tree Kernels (TK) which allow us to directly quantify how strongly the information encoded in neural activation patterns corresponds to information represented by symbolic structures such as syntax trees. We first validate our methods on the case of a simple synthetic language for arithmetic expressions with clearly defined syntax and semantics, and show that they exhibit the expected pattern of results. We then apply our methods to correlate neural representations of English sentences with their constituency parse trees.Comment: ACL 201

Tensor Product Generation Networks for Deep NLP Modeling

We present a new approach to the design of deep networks for natural language processing (NLP), based on the general technique of Tensor Product Representations (TPRs) for encoding and processing symbol structures in distributed neural networks. A network architecture --- the Tensor Product Generation Network (TPGN) --- is proposed which is capable in principle of carrying out TPR computation, but which uses unconstrained deep learning to design its internal representations. Instantiated in a model for image-caption generation, TPGN outperforms LSTM baselines when evaluated on the COCO dataset. The TPR-capable structure enables interpretation of internal representations and operations, which prove to contain considerable grammatical content. Our caption-generation model can be interpreted as generating sequences of grammatical categories and retrieving words by their categories from a plan encoded as a distributed representation

Analyzing analytical methods: The case of phonology in neural models of spoken language

Given the fast development of analysis techniques for NLP and speech processing systems, few systematic studies have been conducted to compare the strengths and weaknesses of each method. As a step in this direction we study the case of representations of phonology in neural network models of spoken language. We use two commonly applied analytical techniques, diagnostic classifiers and representational similarity analysis, to quantify to what extent neural activation patterns encode phonemes and phoneme sequences. We manipulate two factors that can affect the outcome of analysis. First, we investigate the role of learning by comparing neural activations extracted from trained versus randomly-initialized models. Second, we examine the temporal scope of the activations by probing both local activations corresponding to a few milliseconds of the speech signal, and global activations pooled over the whole utterance. We conclude that reporting analysis results with randomly initialized models is crucial, and that global-scope methods tend to yield more consistent results and we recommend their use as a complement to local-scope diagnostic methods.Comment: ACL 202

Deep Learning Techniques for Music Generation -- A Survey

This paper is a survey and an analysis of different ways of using deep learning (deep artificial neural networks) to generate musical content. We propose a methodology based on five dimensions for our analysis: Objective - What musical content is to be generated? Examples are: melody, polyphony, accompaniment or counterpoint. - For what destination and for what use? To be performed by a human(s) (in the case of a musical score), or by a machine (in the case of an audio file). Representation - What are the concepts to be manipulated? Examples are: waveform, spectrogram, note, chord, meter and beat. - What format is to be used? Examples are: MIDI, piano roll or text. - How will the representation be encoded? Examples are: scalar, one-hot or many-hot. Architecture - What type(s) of deep neural network is (are) to be used? Examples are: feedforward network, recurrent network, autoencoder or generative adversarial networks. Challenge - What are the limitations and open challenges? Examples are: variability, interactivity and creativity. Strategy - How do we model and control the process of generation? Examples are: single-step feedforward, iterative feedforward, sampling or input manipulation. For each dimension, we conduct a comparative analysis of various models and techniques and we propose some tentative multidimensional typology. This typology is bottom-up, based on the analysis of many existing deep-learning based systems for music generation selected from the relevant literature. These systems are described and are used to exemplify the various choices of objective, representation, architecture, challenge and strategy. The last section includes some discussion and some prospects.Comment: 209 pages. This paper is a simplified version of the book: J.-P. Briot, G. Hadjeres and F.-D. Pachet, Deep Learning Techniques for Music Generation, Computational Synthesis and Creative Systems, Springer, 201