Comparison for Improvements of Singing Voice Detection System Based on Vocal Separation

Singing voice detection is the task to identify the frames which contain the singer vocal or not. It has been one of the main components in music information retrieval (MIR), which can be applicable to melody extraction, artist recognition, and music discovery in popular music. Although there are several methods which have been proposed, a more robust and more complete system is desired to improve the detection performance. In this paper, our motivation is to provide an extensive comparison in different stages of singing voice detection. Based on the analysis a novel method was proposed to build a more efficiently singing voice detection system. In the proposed system, there are main three parts. The first is a pre-process of singing voice separation to extract the vocal without the music. The improvements of several singing voice separation methods were compared to decide the best one which is integrated to singing voice detection system. And the second is a deep neural network based classifier to identify the given frames. Different deep models for classification were also compared. The last one is a post-process to filter out the anomaly frame on the prediction result of the classifier. The median filter and Hidden Markov Model (HMM) based filter as the post process were compared. Through the step by step module extension, the different methods were compared and analyzed. Finally, classification performance on two public datasets indicates that the proposed approach which based on the Long-term Recurrent Convolutional Networks (LRCN) model is a promising alternative.Comment: 15 page

PROJET - Spatial Audio Separation Using Projections

International audienceWe propose a projection-based method for the unmixing of multi-channel audio signals into their different constituent spatial objects. Here, spatial objects are modelled using a unified framework which handles both point sources and diffuse sources. We then propose a novel methodology to estimate and take advantage of the spatial dependencies of an object. Where previous research has processed the original multichannel mixtures directly and has been principally focused on the use of inter-channel covariance structures, here we instead process projections of the multichannel signal on many different spatial directions. These linear combinations consist of observations where some spatial objects are cancelled or enhanced. We then propose an algorithm which takes these projections as the observations, discarding dependencies between them. Since each one contains global information regarding all channels of the original multichannel mixture, this provides an effective means of learning the parameters of the original audio, while avoiding the need for joint-processing of all the channels. We further show how to recover the separated spatial objects and demonstrate the use of the technique on stereophonic music signals

Generalized Wiener filtering with fractional power spectrograms

International audienceIn the recent years, many studies have focused on the single-sensor separation of independent waveforms using so-called soft-masking strategies, where the short term Fourier transform of the mixture is multiplied element-wise by a ratio of spectrogram models. When the signals are wide-sense stationary, this strategy is theoretically justified as an optimal Wiener filtering: the power spectrograms of the sources are supposed to add up to yield the power spectrogram of the mixture. However, experience shows that using fractional spectrograms instead, such as the amplitude, yields good performance in practice, because they experimentally better fit the additivity assumption. To the best of our knowledge, no probabilistic interpretation of this filtering procedure was available to date. In this paper, we show that assuming the additivity of fractional spectrograms for the purpose of building soft-masks can be understood as separating locally stationary alpha-stable harmonizable processes, alpha-harmonizable in short, thus justifying the procedure theoretically

Kernel Spectrogram models for source separation

International audienceIn this study, we introduce a new framework called Kernel Additive Modelling for audio spectrograms that can be used for multichannel source separation. It assumes that the spectrogram of a source at any time-frequency bin is close to its value in a neighbourhood indicated by a source-specific proximity kernel. The rationale for this model is to easily account for features like periodicity, stability over time or frequency, self-similarity, etc. In many cases, such local dynamics are indeed much more natural to assess than any global model such as a tensor factorization. This framework permits one to use different proximity kernels for different sources and to estimate them blindly using their mixtures only. Estimation is performed using a variant of the kernel backfitting algorithm that allows for multichannel mixtures and permits parallelization. Experimental results on the separation of vocals from musical backgrounds demonstrate the efficiency of the approach