Modelling Discourse-related terminology in OntoLingAnnot’s ontologies

Recently, computational linguists have shown great interest in discourse annotation in an attempt to capture the internal relations in texts. With this aim, we have formalized the linguistic knowledge associated to discourse into different linguistic ontologies. In this paper, we present the most prominent discourse-related terms and concepts included in the ontologies of the OntoLingAnnot annotation model. They show the different units, values, attributes, relations, layers and strata included in the discourse annotation level of the OntoLingAnnot model, within which these ontologies are included, used and evaluated

A Formal Framework for Linguistic Annotation

`Linguistic annotation' covers any descriptive or analytic notations applied to raw language data. The basic data may be in the form of time functions -- audio, video and/or physiological recordings -- or it may be textual. The added notations may include transcriptions of all sorts (from phonetic features to discourse structures), part-of-speech and sense tagging, syntactic analysis, `named entity' identification, co-reference annotation, and so on. While there are several ongoing efforts to provide formats and tools for such annotations and to publish annotated linguistic databases, the lack of widely accepted standards is becoming a critical problem. Proposed standards, to the extent they exist, have focussed on file formats. This paper focuses instead on the logical structure of linguistic annotations. We survey a wide variety of existing annotation formats and demonstrate a common conceptual core, the annotation graph. This provides a formal framework for constructing, maintaining and searching linguistic annotations, while remaining consistent with many alternative data structures and file formats.Comment: 49 page

Methodological considerations concerning manual annotation of musical audio in function of algorithm development

In research on musical audio-mining, annotated music databases are needed which allow the development of computational tools that extract from the musical audiostream the kind of high-level content that users can deal with in Music Information Retrieval (MIR) contexts. The notion of musical content, and therefore the notion of annotation, is ill-defined, however, both in the syntactic and semantic sense. As a consequence, annotation has been approached from a variety of perspectives (but mainly linguistic-symbolic oriented), and a general methodology is lacking. This paper is a step towards the definition of a general framework for manual annotation of musical audio in function of a computational approach to musical audio-mining that is based on algorithms that learn from annotated data. 1

Refining Implicit Argument Annotation for UCCA

Predicate-argument structure analysis is a central component in meaning representations of text. The fact that some arguments are not explicitly mentioned in a sentence gives rise to ambiguity in language understanding, and renders it difficult for machines to interpret text correctly. However, only few resources represent implicit roles for NLU, and existing studies in NLP only make coarse distinctions between categories of arguments omitted from linguistic form. This paper proposes a typology for fine-grained implicit argument annotation on top of Universal Conceptual Cognitive Annotation's foundational layer. The proposed implicit argument categorisation is driven by theories of implicit role interpretation and consists of six types: Deictic, Generic, Genre-based, Type-identifiable, Non-specific, and Iterated-set. We exemplify our design by revisiting part of the UCCA EWT corpus, providing a new dataset annotated with the refinement layer, and making a comparative analysis with other schemes.Comment: DMR 202