161,790 research outputs found

    The sense in humour : a personal exploration of humour in the teaching of adults : some questions and tentative answers : a thesis presented in partial fulfilment of the requirements for the degree of Master of Education in Adult Education at Massey University

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    This thesis is a personal exploration of the potential applications of humour in the teaching of adults. I have provided some questions and tentative answers about the use of humour in the facilitation of adult learning. Having recognised the value of humour in my own teaching practice, I have examined the ways in which humour, when applied appropriately, can promote creative thinking by enhancing the processes of knowing, perceiving and discovering. Adult learning has been said to be a means of gaining knowledge and skills, a way to satisfy learner needs and a process of critical self-reflection that may lead to transformation. Adult education can involve challenging periods of transformation and students may require assistance to overcome inhibitions, behaviours and beliefs about themselves their culture and learning. In this thesis I have sought to explore how humour, manifesting itself in verbal, written and visual formats, may be a valuable pedagogical tool to address such issues. One of the purposes of this thesis is to contribute to knowledge in teaching practice by demonstrating that the systematic and informed introduction of humour into individual teaching strategics may provide a more people-centred climate which addresses individual and group learning needs from the perspective of teacher and student

    Humour and incongruity

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    Article postprint deposited with the permission of the Philosophy Documentation CenterThe first in a series of articles on the philosophy of humour and laughter looks at attempts made to explain humour in terms of incongruity.Peer reviewe

    Humour and superiority

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    Postprint deposited with permission of the Philosophy Documentation Center.This is the second in a series of articles on the philosophy of humour and laughter. This article looks at the attempts which are made to explain humour in terms of superiority.Peer reviewe

    Perception, cognitive development and humour in the child

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    Like beauty, humour is in the eye of the beholder, having no objective existence, being purely a product of the act of perception) In other words, humour results not from the concrete object which impinges physically upon the organism, but from the complex process which organizes and places the sensory-data within a frame of reference, thus bestowing meaning on it. A "humour stimulus" (e.g. a "joke") - like any other stimulus - is intrinsically meaningless, and only acquires meaning after the perceptual process has successfully managed to decipher a pattern in the stimulus which can be matched with pre-existing schemata in the mind.peer-reviewe

    Humour and release

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    Article postprint deposited with the permission of the Philosophy Documentation Center.The third article in this series looks at Freud's attempt to explain humour and laughter in terms of the release of 'psychic energy'.Peer reviewe

    Prescribing humour in healthcare : part 2

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    Title on article is Prescribing humour in healthcare - part IPart 1 of this article can be found in this link : https://www.um.edu.mt/library/oar//handle/123456789/12758Part 2 of the article. With regards to the effects of humour and laughter on immunity, research is not so conclusive. while some studies have reported that IgA, T-cells and Natural Killer Cells increase with laughter, methodical problems question these conclusionpeer-reviewe

    Men's Words in Women's Mouths: Why Misogynous Stereotypes are Humorous in the Old French Fabliaux

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    While many scholars have examined the subject of misogyny in Old French fabliaux in a number of contexts, no consensus has yet been reached on how the fabliaux can be considered humorous in the light of the stereotypes found therein. By conducting a close contextualised study of three fabliaux, this paper asserts that the humour of the fabliaux is created out of misogynous stereotypes by investing female characters with the ability to appropriate and subvert masculinist rhetoric and discourse styles. This subversive portrayal of women enjoys a circular relationship with humour; the creation of a clearly defined 'joke-world' within the fabliaux licenses socially outrageous portrayals of female protagonists, which in turn create humour through their incongruity with the realities faced by medieval women of all social classes
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