A novel method for subjective picture quality assessment and further studies of HDTV formats

This is the author's accepted manuscript. The final published article is available from the link below. Copyright @ IEEE 2008.This paper proposes a novel method for the assessment of picture quality, called triple stimulus continuous evaluation scale (TSCES), to allow the direct comparison of different HDTV formats. The method uses an upper picture quality anchor and a lower picture quality anchor with defined impairments. The HDTV format under test is evaluated in a subjective comparison with the upper and lower anchors. The method utilizes three displays in a particular vertical arrangement. In an initial series of tests with the novel method, the HDTV formats 1080p/50,1080i/25, and 720p/50 were compared at various bit-rates and with seven different content types on three identical 1920 times 1080 pixel displays. It was found that the new method provided stable and consistent results. The method was tested with 1080p/50,1080i/25, and 720p/50 HDTV images that had been coded with H.264/AVC High profile. The result of the assessment was that the progressive HDTV formats found higher appreciation by the assessors than the interlaced HDTV format. A system chain proposal is given for future media production and delivery to take advantage of this outcome. Recommendations for future research conclude the paper

High performance hardware architecture for half-pixel accurate H.264 motion estimation

In this paper, we present a high performance and low cost hardware architecture for real-time implementation of half-pel accurate variable block size motion estimation for H.264 / MPEG4 Part 10 video coding. The proposed architecture includes a novel half-pel interpolation hardware that is shared by novel half-pel search hardwares designed for each block size. This half-pel accurate motion estimation hardware is designed to be used as part of a complete H.264 video coding system for portable applications. The proposed architecture is implemented in Verilog HDL. The Verilog RTL code is verified to work at 85 MHz in a Xilinx Virtex II FPGA. The FPGA implementation can process 30 HDTV frames (1280x720) per second

A survey of digital television broadcast transmission techniques

This paper is a survey of the transmission techniques used in digital television (TV) standards worldwide. With the increase in the demand for High-Definition (HD) TV, video-on-demand and mobile TV services, there was a real need for more bandwidth-efficient, flawless and crisp video quality, which motivated the migration from analogue to digital broadcasting. In this paper we present a brief history of the development of TV and then we survey the transmission technology used in different digital terrestrial, satellite, cable and mobile TV standards in different parts of the world. First, we present the Digital Video Broadcasting standards developed in Europe for terrestrial (DVB-T/T2), for satellite (DVB-S/S2), for cable (DVB-C) and for hand-held transmission (DVB-H). We then describe the Advanced Television System Committee standards developed in the USA both for terrestrial (ATSC) and for hand-held transmission (ATSC-M/H). We continue by describing the Integrated Services Digital Broadcasting standards developed in Japan for Terrestrial (ISDB-T) and Satellite (ISDB-S) transmission and then present the International System for Digital Television (ISDTV), which was developed in Brazil by adopteding the ISDB-T physical layer architecture. Following the ISDTV, we describe the Digital Terrestrial television Multimedia Broadcast (DTMB) standard developed in China. Finally, as a design example, we highlight the physical layer implementation of the DVB-T2 standar

Implementation of Video Compression Standards in Digital Television

In this paper, a video compression standard used in digital television systems is discussed. Basic concepts of video compression and principles of lossy and lossless compression are given. Techniques of video compression (intraframe and interframe compression), the type of frames and principles of the bit rate compression are discussed. Characteristics of standard-definition television (SDTV), high-definition television (HDTV) and ultra-high-definition television (UHDTV) are given. The principles of the MPEG-2, MPEG-4 and High Efficiency Video Coding (HEVC) compression standards are analyzed. Overview of basic standards of video compression and the impact of compression on the quality of TV images and the number of TV channels in the multiplexes of terrestrial and satellite digital TV transmission are shown. This work is divided into six sections

Advanced Telecommunications and Signal Processing Program

Contains an introduction and reports on eleven research projects.Advanced Telecommunications Research Progra

Advanced Telecommunications and Signal Processing Program

Contains an introduction and reports on twelve research projects.AT&T FellowshipAdvanced Telecommunications Research ProgramINTEL FellowshipU.S. Navy - Office of Naval Research NDSEG Graduate FellowshipMaryland Procurement Office Contract MDA904-93-C-418

Low-complexity motion estimation for the Scalable Video Coding extension of H.264/AVC

The recently standardized Scalable Video Coding(SVC) extension of H.264/AVC allows bitstream scalability with improved rate-distortion efficiency with respect to the classical Simulcasting approach, at the cost of an increased computational complexity of the encoding process. So one critical issue related to practical deployment of SVC is the complexity reduction, fundamental to use it in consumer applications. In this paper, we present a fully scalable fast motion estimation algorithm that enables an excellent complexity performance

Video Quality Model based on a spatiotemporal features extraction for H.264-coded HDTV sequences

International audienceAs a contribution to the design of an objective quality metric in the specific context of High Definition Television (HDTV), this paper proposes a video quality evaluation model. A spatio-temporal segmentation of sequences provide features used with the bitrate to predict the subjective evaluation of the H.264-distorted sequences. In addition, subjective tests have been conducted to provide the mean observer's quality appreciation and assess the model against reality. Existing video quality algorithms have been compared to our model. They are outperformed on every performance criterion