Texture based Image Splicing Forgery Recognition using a Passive Approach

With the growing usage of the internet in daily life along with the usage of dominant picture editing software tools in creating forged pictures effortlessly, make us lose trust in the authenticity of the images. For more than a decade, extensive research is going on in the Image forensic area that aims at restoring trustworthiness in images by bringing various tampering detection techniques. In the proposed method, identification of image splicing technique is introduced which depends on the picture texture analysis which characterizes the picture areas by the content of the texture. In this method, an image is characterized by the regions of their texture content. The experimental outcomes describe that the proposed method is effective to identify spliced picture forgery with an accuracy of 79.5%

Exposing image forgery by detecting traces of feather operation

Powerful digital image editing tools make it very easy to produce a perfect image forgery. The feather operation is necessary when tampering an image by copy–paste operation because it can help the boundary of pasted object to blend smoothly and unobtrusively with its surroundings. We propose a blind technique capable of detecting traces of feather operation to expose image forgeries. We model the feather operation, and the pixels of feather region will present similarity in their gradient phase angle and feather radius. An effectual scheme is designed to estimate each feather region pixel׳s gradient phase angle and feather radius, and the pixel׳s similarity to its neighbor pixels is defined and used to distinguish the feathered pixels from un-feathered pixels. The degree of image credibility is defined, and it is more acceptable to evaluate the reality of one image than just using a decision of YES or NO. Results of experiments on several forgeries demonstrate the effectiveness of the technique

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Peace-process infrastructure: constructing landscapes in-between Irelands

Over the course of 30 years ‘The Troubles’ in Northern Ireland led to the rupturing of physical sites from people’s everyday environment. In a post ‘Good Friday/Belfast Agreement’ era, this thesis considers the construction of common ground and the space of encounter as an instrument in peacemaking. I investigate how both the physical and the imagined landscape work together to form what I call peace-process infrastructure: landscapes that bolster a peaceprocess by being re-appropriated for civilian purposes and knit back into their surroundings. Under the practice strand of this study, I use movement as a tactic by choosing a series of traverses that were not possible to undertake as a civilian during the conflict: Divis Mountain next to Belfast City which changed hands from military zone to nature reserve; the now navigable Shannon-Erne Waterway; and the borderline hills between Ireland/European Union and Northern Ireland/United Kingdom where the watchtowers once stood. The garnered film footage works as testimony to a fragile peace-process, which in turn becomes an active archive that generates text. Specific tools that were used at each site to overcome topographical distance — limelight, lock and lens — are deployed once more to make what is considered remote and out of touch, close and tangible. At its heart, this project builds a multi-tiered rendering of particular landscapes — drawing on Hannah Arendt, Edmund Burke, amongst other political, landscape and feminism theorists — but it is motivated by the larger desire to contribute to a worldwide discussion about peace-process situations from a spatial perspective. People’s reactions to the constructed encounter in the world around them are a direct consequence to the architectural systems that command our surroundings. Landscapes hold the potential to deconstruct toxic territorial organisation leading to creative production. Revolutions are not just a protest but a creative process — a tool for remaking states and societies. In world terms the cultural Irish revolution preceded the political revolution galvanising world and Irish opinion towards independence for Ireland in 1916. About one hundred years later, this work creates a cultural milieu about the peace process that gathers strength for its advancement

Fantastical Flora: Cryptobotanical Imaginaries in Victorian Fin-de-Siècle Literature

This study examines instances of imaginary plant life, or ‘cryptobotany’, in the late- nineteenth and early twentieth-century. It draws on a diverse range of sources from Transatlantic literary and visual culture – including fictional and non-fictional prose, poetry, newspapers and periodical culture, drawing manuals, horticultural guides and advertisements – in order to examine the significant and pervasive way in which visions of new, fantastical vegetable kingdoms, containing a seemingly limitless variety of weird and wonderful plants, gripped late Victorian and Edwardian culture and society. By contextualising these visions with relation to contemporary aesthetic, economic, scientific and socio-political discourses, the thesis considers why and how such imaginative representations of plant-life proliferated, with a particular focus on the capacity of these representations to articulate and sustain expectations, hopes and fears concerning the ongoing planetary impact of industrializing, globalizing modernity. As such, the study contributes to the emergent strand of scholarship that recognises plants as worthy of critical attention, providing as it does so an ecologically- informed frame through which to re-examine speculative narratives of the late- Victorian period. The thesis is presented as six chapters arranged around three thematic concerns: cryptobotanical commodification, progress and aberration. The first two chapters concern plants that were imagined to have enormous social benefit to modern, metropolitan civilisation. Focusing on discourses of energy and hygiene, the chapters unpick how beneficial qualities of plants were used to address fears of entropy and contamination that proliferated at the fin-de-siècle. Chapters three and four are interested in the phenomena of ‘improving plants’; from aesthetics to horticulture, these chapters examine the various ways that plants were being transformed and idealised in the period, and the impact these new ideas had on conceptions of the natural world and the human subject. Finally, chapters five and six detail queer or otherwise deviant plant imaginaries. Drawing from Gothic fiction, imperial romance and decadent literature, the chapters explore how these entanglements with imagined plants were used to expand the limits of perception, from interrogating possible hybridity between flora and fauna, to the ability for plants to resist the systems of knowledge and control discussed in earlier chapters. Together, these case studies make manifest the imaginative plasticity of vegetable life in the period, offering insight into how plants were employed to confront issues as diverse as sustainability, evolutionary lineage and aesthetic self-expression

Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice

This thesis produces a critical and creative space for new forms of sound poetics. Through a reflective process combining theoretical research and poetic practice – performances, text-scores and installations – the thesis tests the contemporary terms of intermedial poetics and sound poetry, establishing a conceptual terminology for speech-matter. Beginning with a study of 1960s sound poet Henri Chopin and his relation to the tape machine, I argue that this technological mediation was based on a poetics of analogue sound hinged on bodily engagement. Social and physical properties of the tape machine contribute to a mode of practice that negotiates the body, machine, and effort. Exploring Michel Serres’s concept of parasitic noise and the relation of interference to lyric appeal, via the work of Denise Riley and Hannah Weiner, I understand sound poetics as a product of lyrically active noise. Through an analysis of radio address, a conceptual link is drawn between lyric poetry and technological mediation, which posits the radiophonic as a material effect of transmission and also a mode of hailing. This is tested through sound poems that are investigative of distortion and echo. Addressing the conceptual limits of Intermedia, a new critical model is established for a poetics of sound operating in present-day media technologies. This alternative model, based on a concept of milieu, is a means of negotiating a poem’s materiality and context, in order to posit a work’s multiple connections and transmissions. This model is tested through the text and installation work of Caroline Bergvall, and subsequently realised in my own gallery installation that investigates links between sound, milieu and archive. Through this research into mediated speech, new platforms for intermedial sound poetics are produced. This project offers a model for practice-based research that produces knowledge of speech-matter by way of the ‘black box’ of poetic practice

Psr1p interacts with SUN/sad1p and EB1/mal3p to establish the bipolar spindle

Regular Abstracts - Sunday Poster Presentations: no. 382During mitosis, interpolar microtubules from two spindle pole bodies (SPBs) interdigitate to create an antiparallel microtubule array for accommodating numerous regulatory proteins. Among these proteins, the kinesin-5 cut7p/Eg5 is the key player responsible for sliding apart antiparallel microtubules and thus helps in establishing the bipolar spindle. At the onset of mitosis, two SPBs are adjacent to one another with most microtubules running nearly parallel toward the nuclear envelope, creating an unfavorable microtubule configuration for the kinesin-5 kinesins. Therefore, how the cell organizes the antiparallel microtubule array in the first place at mitotic onset remains enigmatic. Here, we show that a novel protein psrp1p localizes to the SPB and plays a key role in organizing the antiparallel microtubule array. The absence of psr1+ leads to a transient monopolar spindle and massive chromosome loss. Further functional characterization demonstrates that psr1p is recruited to the SPB through interaction with the conserved SUN protein sad1p and that psr1p physically interacts with the conserved microtubule plus tip protein mal3p/EB1. These results suggest a model that psr1p serves as a linking protein between sad1p/SUN and mal3p/EB1 to allow microtubule plus ends to be coupled to the SPBs for organization of an antiparallel microtubule array. Thus, we conclude that psr1p is involved in organizing the antiparallel microtubule array in the first place at mitosis onset by interaction with SUN/sad1p and EB1/mal3p, thereby establishing the bipolar spindle.postprin

Removal of antagonistic spindle forces can rescue metaphase spindle length and reduce chromosome segregation defects

Regular Abstracts - Tuesday Poster Presentations: no. 1925Metaphase describes a phase of mitosis where chromosomes are attached and oriented on the bipolar spindle for subsequent segregation at anaphase. In diverse cell types, the metaphase spindle is maintained at a relatively constant length. Metaphase spindle length is proposed to be regulated by a balance of pushing and pulling forces generated by distinct sets of spindle microtubules and their interactions with motors and microtubule-associated proteins (MAPs). Spindle length appears important for chromosome segregation fidelity, as cells with shorter or longer than normal metaphase spindles, generated through deletion or inhibition of individual mitotic motors or MAPs, showed chromosome segregation defects. To test the force balance model of spindle length control and its effect on chromosome segregation, we applied fast microfluidic temperature-control with live-cell imaging to monitor the effect of switching off different combinations of antagonistic forces in the fission yeast metaphase spindle. We show that spindle midzone proteins kinesin-5 cut7p and microtubule bundler ase1p contribute to outward pushing forces, and spindle kinetochore proteins kinesin-8 klp5/6p and dam1p contribute to inward pulling forces. Removing these proteins individually led to aberrant metaphase spindle length and chromosome segregation defects. Removing these proteins in antagonistic combination rescued the defective spindle length and, in some combinations, also partially rescued chromosome segregation defects. Our results stress the importance of proper chromosome-to-microtubule attachment over spindle length regulation for proper chromosome segregation.postprin