Haptic Interactions through Touch-Screen Interfaces

In this paper ‘touch’ is discussed in relation to the questionable claims of interactivity within museum and gallery spaces. I examine audiences’ experiences when using touch sensitive interfaces and bodily contact with digital environments. With a tap, a slight slide or a soft hand touch interfaces are engaged with and allow access to a range of information, content and experience. The audience’s engagement with these types of digital ‘interactives’ seems to aspire to provide emotional, affective and personal experiences. The discussion will include an exposition of how audiences respond on their experience in relation to interactivity and touch within the museum environment. The findings from a qualitative research project conducted in the Modern Galleries of the Museum of London exposed touch as an important characteristic of these experiences

The interactive museum experience: investigating experiential tendencies and audience focus in the Galleries of Modern London and the High Arctic exhibition

Although there are many studies on interactivity in museums in terms of enhancing learning, achieving educational objectives, structuring and orchestrating visitor engagement, democratising knowledge, exploring social interaction and bringing more audiences in to the museum space, they often do not take the multifaceted nature and context-dependency of interactivity into account. Throughout the thesis, I argue that the practice of digital interactivity in museum spaces should not be fetishized, but it must be examined and understood, depending on the context and the setting it takes place in. The approach undertaken in this study brings philosophical and theoretical perspectives on physical, emotional and technological interactivity and its multiple threads into dialogue with ethnographic research in two exhibition spaces: the permanent Galleries of Modern London, at the Museum of London, and the temporary High Arctic exhibition, at the National Maritime Museum, London. The study extends existing literature in two respects. First, attention is paid to the concerns reflected in different approaches to the digital interactivity in museum spaces: I term factual and poetic interactivity as two techniques and forms directly related to the empirical examples. The analysis and this distinction offer a platform to theorise and discuss nuances and tendencies of digital interactivity in museum spaces. Second, it identifies the multiplicity of modes of interactivity as perceived by visitors and museum professionals in and around two museums, foregrounding not only the technological aspect, but also the content and the processes of interaction through sensorial and embodied means such as touch, play and immersion. Together, the findings foreground and engage with an approach to digital interactivity, which discusses how a complex assemblage of institutional practices, multisensory experiences, and affective and cognitive dimensions are at work and at play in digitally mediated environments. Keywords: museums, digital interactivity, experience, audience, visitor