Location Selection Query in Google Maps using Voronoi-based Spatial Skyline (VS2) Algorithm

Google Maps is one of the popular location selection systems. One of the popular features of Google Maps is nearby search. For example, someone who wants to find the closest restaurants to his location can use the nearby search feature. This feature only considers one specific location in providing the desired place choice. In a real-world situation, there may be a need to consider more than one location in selecting the desired place. Assume someone would like to choose a hotel close to the conference hall, the museum, beach, and souvenir store. In this situation, nearby search feature in Google Maps may not be able to suggest a list of hotels that are interesting for him based on the distance from each destination places. In this paper, we have successfully developed a web-based application of Google Maps search using Voronoi-based Spatial Skyline (VS2) algorithm to choose some Point Of Interest (POI) from Google Maps as their considered locations to select desired place. We used Google Maps API to provide POI information for our web-based application. The experiment result showed that the execution time increases while the number of considered location increases

Bowdoin Orient v.103, no.1-23 (1973-1974)

https://digitalcommons.bowdoin.edu/bowdoinorient-1970s/1004/thumbnail.jp

Bowdoin Orient v.58, no.1-29 (1928-1929)

https://digitalcommons.bowdoin.edu/bowdoinorient-1920s/1010/thumbnail.jp

Maritime expressions:a corpus based exploration of maritime metaphors

This study uses a purpose-built corpus to explore the linguistic legacy of Britain’s maritime history found in the form of hundreds of specialised ‘Maritime Expressions’ (MEs), such as TAKEN ABACK, ANCHOR and ALOOF, that permeate modern English. Selecting just those expressions commencing with ’A’, it analyses 61 MEs in detail and describes the processes by which these technical expressions, from a highly specialised occupational discourse community, have made their way into modern English. The Maritime Text Corpus (MTC) comprises 8.8 million words, encompassing a range of text types and registers, selected to provide a cross-section of ‘maritime’ writing. It is analysed using WordSmith analytical software (Scott, 2010), with the 100 million-word British National Corpus (BNC) as a reference corpus. Using the MTC, a list of keywords of specific salience within the maritime discourse has been compiled and, using frequency data, concordances and collocations, these MEs are described in detail and their use and form in the MTC and the BNC is compared. The study examines the transformation from ME to figurative use in the general discourse, in terms of form and metaphoricity. MEs are classified according to their metaphorical strength and their transference from maritime usage into new registers and domains such as those of business, politics, sports and reportage etc. A revised model of metaphoricity is developed and a new category of figurative expression, the ‘resonator’, is proposed. Additionally, developing the work of Lakov and Johnson, Kovesces and others on Conceptual Metaphor Theory (CMT), a number of Maritime Conceptual Metaphors are identified and their cultural significance is discussed

The Music Sound

A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music