InterMine: extensive web services for modern biology.

InterMine (www.intermine.org) is a biological data warehousing system providing extensive automatically generated and configurable RESTful web services that underpin the web interface and can be re-used in many other applications: to find and filter data; export it in a flexible and structured way; to upload, use, manipulate and analyze lists; to provide services for flexible retrieval of sequence segments, and for other statistical and analysis tools. Here we describe these features and discuss how they can be used separately or in combinations to support integrative and comparative analysis

Amergent Music: behavior and becoming in technoetic & media arts

Merged with duplicate records 10026.1/1082 and 10026.1/2612 on 15.02.2017 by CS (TIS)Technoetic and media arts are environments of mediated interaction and emergence, where meaning is negotiated by individuals through a personal examination and experience—or becoming—within the mediated space. This thesis examines these environments from a musical perspective and considers how sound functions as an analog to this becoming. Five distinct, original musical works explore the possibilities as to how the emergent dynamics of mediated, interactive exchange can be leveraged towards the construction of musical sound. In the context of this research, becoming can be understood relative to Henri Bergson’s description of the appearance of reality—something that is making or unmaking but is never made. Music conceived of a linear model is essentially fixed in time. It is unable to recognize or respond to the becoming of interactive exchange, which is marked by frequent and unpredictable transformation. This research abandons linear musical approaches and looks to generative music as a way to reconcile the dynamics of mediated interaction with a musical listening experience. The specifics of this relationship are conceptualized in the structaural coupling model, which borrows from Maturana & Varela’s “structural coupling.” The person interacting and the generative musical system are compared to autopoietic unities, with each responding to mutual perturbations while maintaining independence and autonomy. Musical autonomy is sustained through generative techniques and organized within a psychogeographical framework. In the way that cities invite use and communicate boundaries, the individual sounds of a musical work create an aural context that is legible to the listener, rendering the consequences or implications of any choice audible. This arrangement of sound, as it relates to human presence in a technoetic environment, challenges many existing assumptions, including the idea “the sound changes.” Change can be viewed as a movement predicated by behavior. Amergent music is brought forth through kinds of change or sonic movement more robustly explored as a dimension of musical behavior. Listeners hear change, but it is the result of behavior that arises from within an autonomous musical system relative to the perturbations sensed within its environment. Amergence propagates through the effects of emergent dynamics coupled to the affective experience of continuous sonic transformation.Rutland Port Authoritie

March 2014

News and Features The Way You Do Anything Is the Way You Do Everything (and Nine More “Tough Love” Truths for Business Owners) Suzanne Evans says that you, and you alone, are the source of your success or failure. She gives us 10 inconvenient but ironclad truths that all business owners should take to heart. . . . . . . . . . . . 9 Will Your Social Security Check Be in the Mail Come 2015? Economist Allen W. Smith says there is no trust fund, and a number of elected officials, including former President George W. Bush, have acknowledged that. . . . . . . . . . . . . . . . . . . . . . . . . . . 18 The Last –Minute First-Quarter Save: Five Tactics to Help You Snatch Record Profits From the Jaws of Defeat If your business’s first quarter numbers aren’t looking good, you may be tempted to throw in the towel. But Suzanne Evans says there’s still time to turn this ship around. Here, she shares five tactics that just might salvage your bottom line. . . . . . . . . . . . . . . . . . 24 Are You Talkin’ to Me? Understand and Adapt to Different Communication Styles Understanding the style of the person you are communicating with can make the difference between getting your message across and getting it across well. . . . . . . . . . . . . . . . . 26 Columns Real Estate Notes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Computer Column. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Sales. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Leadership in Business. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 The Lists: MBA/Executive Programs in the Inland Empire. . . . . . . 7 The Top HMOs and PPOs. . . . . . . . . . . . . . . . . . . . . . . . 11 Residential Real Estate Brokers. . . . . . . . . . . . . . . . . . . . 14 Women-Owned Businesses. . . . . . . . . . . . . . . . . . . . . . . 16 Communication. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Investments and Finance. . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Business Success. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Restaurant Review. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Management. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Manager’s Bookshelf. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Communication in Business. . . . . . . . . . . . . . . . . . . . . . . . . . 26 New Business Lists: County of San Bernardino. . . . . . . . . . . . . . . . . . . . . . . 35 County of Riverside. . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Executive Time Out. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

LMU Law Review Volume 4 Issue 1

Fall 2016\u27s Volume 4, Issue

Imperceptible Realities: An exhibition – and – Digitalisation: Re-imaging the real beyond notions of the original and the copy in contemporary printmaking: An exegesis

This PhD practice-led research project provides a broad overview of how newer print technologies can bring about enhanced understandings of the world whilst simultaneously questioning the value of such processes in contrast to traditional means of image making. My curiosity pivots on the worry that something essential about representation of the real might be lost if humanity were to embrace digital methods only. Through my creative project I address my concerns to re-image representations of the real beyond notions of the original and the copy through contemporary printmaking. The research culminated in the exhibition Imperceptible Realities and an exegesis. In examining Jean Baudrillard’s concept of simulacra this research argues for the continuing relevance of traditional etching techniques through a pivotal case study that scrutinised Rembrandt van Rijn’s etching The Shell (Conus marmoreus). In contrasting traditional etching techniques with newer methods of digital printmaking a significant copy, derived from a similar shell specimen that Rembrandt had observed, manifested itself in contemporary 3D print. The copying process focused the investigation into questioning the aesthetic value of this new shell in digitalised 3D form. In the contemporary printmaking field there is evidence for the continued integration of traditional and digital approaches to printmaking. New pathways were examined in printmaking to allow creative explorations of visual boundaries between contemporary images affected by digital erasure. The innovative use of photogrammetry software focused the investigation into the effects of digital capabilities on image making. The effect of examining the digital relationship in contemporary printmaking revealed that ignoring aesthetic differences between the original and copy brought about by digitised re-imaging are seemingly lost at the expense of disengagement with the physical world. As a result digital and traditional spaces that meet collaboratively through print are advantaged in the 3D printed copy itself and employed to create new understandings in creative practice. Viewing observed differences in the 2D and 3D printed copy itself became key in creating new images, beyond a hybridised printmaking process—such understandings that examined the divisive relationship between digital and traditional printmaking processes becomes invigorated with possibility. This research posits such a position by suggesting that if traditions in the printmaking field are ignored by the continued digitalisation of images through and within the employment of technologies, something is lost. Perceptual experiences of the physical world are seemingly misplaced at the expense of replacing such immediate experience with simulacra and an inward bias toward the screen. Adopting a practice-led research methodology revealed the subtleties of the ongoing relationship of digital capabilities affecting the materiality of traditional printmaking. The applications of innovative interdisciplinary discoveries to my contemporary arts practice drew on strong partnerships and collaborative relationships developed with the fields of chemistry, engineering and science. I applied these discoveries to my contemporary arts practice to examine the effects of digital capabilities and the materiality of traditional printmaking. To embrace conceptual growth creative work the research drew on philosopher Gilles Deleuze and psychiatrist Félix Guattari’s notion of the rhizome. The presence of simulacra in the world has continued to expand as digital technologies proliferate. The application of traditional printmaking and digital printmaking through open thinking offers a different way to understand physical aspects of the world and create propositions that go beyond re-imaging the real

Growing up in Technoculture: The ontological and perceptual significance of media in the lives of infants and toddlers

It is well documented that young children understand media differently to older children and adults, yet despite years of debate surrounding the psycho-social impact that media may have on children and youth, very little remains known about how they intercede into infants’ and toddlers’ lived experiences. We cannot assume that media have no significance in the lives of infants and toddlers simply because they may not understand the content. The particularities of very young children’s experiences of, engagement with and understanding of media cannot be expected to necessarily relate solely, or even primarily, to the media content. As an alternative this thesis focuses on the relations between very young children and media in terms of their material and corporeal effects and in this respect how media interfaces, as part of infants’ and toddlers’ environments literally mediate very young children’s possibilities for perception and action within 21st century media saturated environments. By focusing on children from birth to three years of age and their contingent material, physical environments, this thesis presents a chronology of child-technology relations as mediated relations which is necessary to understand the effect of media (conventionally understood) on their lived experience. In adopting an interdisciplinary ecological approach which relies on Maurice Merleau-Ponty’s phenomenology (1962), Donald W. Winnicott’s psychoanalysis (1957, 1960) and Don Ihde’s post-phenomenology (1995), this thesis revolves around four central concepts: embodiment, transitional objects, holding spaces and both James Gibson’s (1982) and Donald Norman’s (1990) affordances to offer a complex understanding of the significance of media as material objects in the lives of infants and toddlers. In doing so, it argues that media effect infants and toddlers in ways that are specific to the media themselves, the particular time and place in which they emerge and are used, and to babies’ and toddlers’ situatedness and capacity to act within the world

2020 insurance benefits guide

This guide provides an overview of the insurance programs the South Carolina Public Employee Benefit Authority offers plus premiums and contact information