Taking the paper out of news: A case study of Taloussanomat, Europe's first online-only newspaper

Using in-depth interviews, newsroom observation, and internal documents, this case study presents and analyses changes that have taken place at Finnish financial daily Taloussanomat since it stopped printing on 28 December 2007 to focus exclusively on digital delivery via the Web, email, and mobile. It reveals the savings that can be achieved when a newspaper no longer prints and distributes a physical product; but also the revenue lost from subscriptions and print advertising. The consequences of a newspaper's decision to go online-only are examined as they relate to its business model, website traffic, and editorial practice. The findings illustrate the extent to which the medium rather than the content it carries determines news consumption patterns, show the differing attention a newspaper and its online substitute command, and reveal the changes to working patterns journalists can expect in the online-only environment

UT Tyler Patriot Vol. 10 no. 7

The official newspaper for the University of Texas at Tyler from 1979 to 1993. Articles in this issue include: Holiday Greetings; Editorial; Noel; Viewpoints: Getting Printed; Poet Prints Book Urges Individualism; TV Program Passes Time; UT Tyler Choirs Help Usher in Holiday Season; News Briefs; HPE Plans Clinic; Art Personalities to Teach Courses; Who\u27s Who Names Students; Final Exam Schedule; Christmas Party; Hicks Promotes Civic, Educational Activities; Classifiedhttps://scholarworks.uttyler.edu/uttylerpatriot/1043/thumbnail.jp

Special Libraries, September 1954

Volume 45, Issue 7https://scholarworks.sjsu.edu/sla_sl_1954/1006/thumbnail.jp

Discovering Shakespeare’s Personal Style: Editing and Connoisseurship in the Eighteenth Century

This chapter examines the use of connoisseurial rhetoric by Shakespeare editors and critics over the course of the eighteenth century, beginning with Alexander Pope in 1723–5 and concluding with George Steevens in the 1780s and 1790s. Connoisseurship was originally developed by art critics as a discourse for authenticating paintings and drawings. Beginning with Pope, however, literary editors began to draw upon it as an analogy for representing authorial style. As I shall show through an examination of Steevens’s work in compiling the first chronological catalogue of William Hogarth’s prints and paintings, this convergence between art criticism and textual criticism involved more than a simple exchange of metaphors. Connoisseurship offered critics such as Steevens new ways of looking at artworks and assessing their genuineness, modes of vision that could be applied as readily to plays as to paintings. The eighteenth-century art market relied upon the expertise of the connoisseur, who could guarantee that a given painting stemmed from the hand of a particular master. Shakespeare publishing in the eighteenth century likewise came to depend on the expertise of the editor, who could reliably identify Shakespeare’s personal style and distinguish the genuine from the spurious

The Grizzly, October 4, 1985

Patterns for the Future Begin the Campaign • Rendell Enforces the Death Penalty • Ursinus: A Good Buy • Letters: Alpha Sigma Nu\u27s Pride Comes Through; WVOU Prints a Schedule • Editorial: How About a Little Help From Some Friends? • Homecoming 1957: Not so Different From Now • Alumni Search for Success: Holly Hayer • There was a Resume Workshop Seniors • Voices to be Performed at Ritter • Field Hockey Team: Leaving Teams in the Dust • Grizzlies Overcome a Ten Year Nemesis! • Cross Country Teams Survive Gloria • Homecoming Events Announced • Campus Security Noteshttps://digitalcommons.ursinus.edu/grizzlynews/1146/thumbnail.jp

William Mitchell Opinion – Volume 4, No. 2, May 1962

Selected Table of Contents Prof. Wattson\u27s Passing Noted With Sorrow Judge Goodrich to Address June Grads at Commencement Early Plan to Farm Results in Successful Practice for Kelley Comments on National Indemnity Co. v. Lead Supplies, Inc. / Kenneth J. Figge Some New Developments in the Law of Defamation / Russell L. Streefland Rare Books on Display in Library / Carolyn Meyer ASLA Prints Booklet on Federal Placement Federal Court Benches Now In Mitchell Moot Court Rooms / James Gibbs Editorial Board Wayne A. Vander Vort, Carol A. Paarhttps://open.mitchellhamline.edu/the-opinion/1006/thumbnail.jp

Ignite: Big Homecoming Issue

This alternative newspaper was published at the University of North Dakota in October 1968 and feature articles written at University, as well as re-prints from other national publications. The issue features the following articles: Editorial by Janelle Hongess; The Marijuana Story (reprinted from The Drummer, Stillwater, Oklahoma); Some Property Has No Right to Exist by Robert Branconnier; Cure for Virginity Claimed by Anonymous; Wallace in God\u27s Country by Ken Christianson; The Black View by Melvin Wade (reprinted from The Drummer, Stillwater, Oklahoma); and Scum Resurrected by Wanis Kouri.https://commons.und.edu/und-books/1070/thumbnail.jp

War’s Tragic Pawn

Students, faculty, and local art buffs packed Schmucker Art Gallery here at Gettysburg College on October 25th to hear CWI Director, Peter Carmichael talk about visual depictions of warfare. The talk was given as a part of the ongoing exhibition, “The Plains of Mars: European War Prints 1500-1815,” which features an array of war prints depicting a range of both heroic and tragic moments of warfare. This semester I have been closely studying and writing about 19th-century images of warfare to help curate a photography exhibit for this summer’s CWI Conference, so I was intrigued by what Dr. Carmichael had to say about the artwork of war. [excerpt