Frames for the solution of operator equations in Hilbert spaces with fixed dual pairing

For the solution of operator equations, Stevenson introduced a definition of frames, where a Hilbert space and its dual are {\em not} identified. This means that the Riesz isomorphism is not used as an identification, which, for example, does not make sense for the Sobolev spaces $H_0^1(\Omega)$ and $H^{-1}(\Omega)$. In this article, we are going to revisit the concept of Stevenson frames and introduce it for Banach spaces. This is equivalent to $\ell^2$-Banach frames. It is known that, if such a system exists, by defining a new inner product and using the Riesz isomorphism, the Banach space is isomorphic to a Hilbert space. In this article, we deal with the contrasting setting, where $\mathcal H$ and $\mathcal H'$ are not identified, and equivalent norms are distinguished, and show that in this setting the investigation of $\ell^2$-Banach frames make sense.Comment: 23 pages; accepted for publication in 'Numerical Functional Analysis and Optimization

THE ERBLET TRANSFORM: AN AUDITORY-BASED TIME-FREQUENCY REPRESENTATION WITH PERFECT RECONSTRUCTION

ABSTRACT This paper describes a method for obtaining a perceptually motivated and perfectly invertible time-frequency representation of a sound signal. Based on frame theory and the recent non-stationary Gabor transform, a linear representation with resolution evolving across frequency is formulated and implemented as a non-uniform filterbank. To match the human auditory time-frequency resolution, the transform uses Gaussian windows equidistantly spaced on the psychoacoustic "ERB" frequency scale. Additionally, the transform features adaptable resolution and redundancy. Simulations showed that perfect reconstruction can be achieved using fast iterative methods and preconditioning even using one filter per ERB and a very low redundancy (1.08). Comparison with a linear gammatone filterbank showed that the ERBlet approximates well the auditory time-frequency resolution

Frame Theory for Signal Processing in Psychoacoustics

This review chapter aims to strengthen the link between frame theory and signal processing tasks in psychoacoustics. On the one side, the basic concepts of frame theory are presented and some proofs are provided to explain those concepts in some detail. The goal is to reveal to hearing scientists how this mathematical theory could be relevant for their research. In particular, we focus on frame theory in a filter bank approach, which is probably the most relevant view-point for audio signal processing. On the other side, basic psychoacoustic concepts are presented to stimulate mathematicians to apply their knowledge in this field