Detecting People in Artwork with CNNs

CNNs have massively improved performance in object detection in photographs. However research into object detection in artwork remains limited. We show state-of-the-art performance on a challenging dataset, People-Art, which contains people from photos, cartoons and 41 different artwork movements. We achieve this high performance by fine-tuning a CNN for this task, thus also demonstrating that training CNNs on photos results in overfitting for photos: only the first three or four layers transfer from photos to artwork. Although the CNN's performance is the highest yet, it remains less than 60\% AP, suggesting further work is needed for the cross-depiction problem. The final publication is available at Springer via http://dx.doi.org/10.1007/978-3-319-46604-0_57Comment: 14 pages, plus 3 pages of references; 7 figures in ECCV 2016 Workshop

Improving Performance of Object Detection using the Mechanisms of Visual Recognition in Humans

Object recognition systems are usually trained and evaluated on high resolution images. However, in real world applications, it is common that the images have low resolutions or have small sizes. In this study, we first track the performance of the state-of-the-art deep object recognition network, Faster- RCNN, as a function of image resolution. The results reveals negative effects of low resolution images on recognition performance. They also show that different spatial frequencies convey different information about the objects in recognition process. It means multi-resolution recognition system can provides better insight into optimal selection of features that results in better recognition of objects. This is similar to the mechanisms of the human visual systems that are able to implement multi-scale representation of a visual scene simultaneously. Then, we propose a multi-resolution object recognition framework rather than a single-resolution network. The proposed framework is evaluated on the PASCAL VOC2007 database. The experimental results show the performance of our adapted multi-resolution Faster-RCNN framework outperforms the single-resolution Faster-RCNN on input images with various resolutions with an increase in the mean Average Precision (mAP) of 9.14% across all resolutions and 1.2% on the full-spectrum images. Furthermore, the proposed model yields robustness of the performance over a wide range of spatial frequencies

Linking Art through Human Poses

We address the discovery of composition transfer in artworks based on their visual content. Automated analysis of large art collections, which are growing as a result of art digitization among museums and galleries, is an important tool for art history and assists cultural heritage preservation. Modern image retrieval systems offer good performance on visually similar artworks, but fail in the cases of more abstract composition transfer. The proposed approach links artworks through a pose similarity of human figures depicted in images. Human figures are the subject of a large fraction of visual art from middle ages to modernity and their distinctive poses were often a source of inspiration among artists. The method consists of two steps -- fast pose matching and robust spatial verification. We experimentally show that explicit human pose matching is superior to standard content-based image retrieval methods on a manually annotated art composition transfer dataset

DEArt: Dataset of European Art

Large datasets that were made publicly available to the research community over the last 20 years have been a key enabling factor for the advances in deep learning algorithms for NLP or computer vision. These datasets are generally pairs of aligned image / manually annotated metadata, where images are photographs of everyday life. Scholarly and historical content, on the other hand, treat subjects that are not necessarily popular to a general audience, they may not always contain a large number of data points, and new data may be difficult or impossible to collect. Some exceptions do exist, for instance, scientific or health data, but this is not the case for cultural heritage (CH). The poor performance of the best models in computer vision - when tested over artworks - coupled with the lack of extensively annotated datasets for CH, and the fact that artwork images depict objects and actions not captured by photographs, indicate that a CH-specific dataset would be highly valuable for this community. We propose DEArt, at this point primarily an object detection and pose classification dataset meant to be a reference for paintings between the XIIth and the XVIIIth centuries. It contains more than 15000 images, about 80% non-iconic, aligned with manual annotations for the bounding boxes identifying all instances of 69 classes as well as 12 possible poses for boxes identifying human-like objects. Of these, more than 50 classes are CH-specific and thus do not appear in other datasets; these reflect imaginary beings, symbolic entities and other categories related to art. Additionally, existing datasets do not include pose annotations. Our results show that object detectors for the cultural heritage domain can achieve a level of precision comparable to state-of-art models for generic images via transfer learning.Comment: VISART VI. Workshop at the European Conference of Computer Vision (ECCV

Robustness of SAM: Segment Anything Under Corruptions and Beyond

Segment anything model (SAM), as the name suggests, is claimed to be capable of cutting out any object. SAM is a vision foundation model which demonstrates impressive zero-shot transfer performance with the guidance of a prompt. However, there is currently a lack of comprehensive evaluation of its robustness performance under various types of corruptions. Prior works show that SAM is biased towards texture (style) rather than shape, motivated by which we start by investigating SAM's robustness against style transfer, which is synthetic corruption. With the effect of corruptions interpreted as a style change, we further evaluate its robustness on 15 common corruptions with 5 severity levels for each real-world corruption. Beyond the corruptions, we further evaluate the SAM robustness on local occlusion and adversarial perturbations. Overall, this work provides a comprehensive empirical study on the robustness of the SAM under corruptions and beyond.Comment: 16page

An analysis of the transfer learning of convolutional neural networks for artistic images

Transfer learning from huge natural image datasets, fine-tuning of deep neural networks and the use of the corresponding pre-trained networks have become de facto the core of art analysis applications. Nevertheless, the effects of transfer learning are still poorly understood. In this paper, we first use techniques for visualizing the network internal representations in order to provide clues to the understanding of what the network has learned on artistic images. Then, we provide a quantitative analysis of the changes introduced by the learning process thanks to metrics in both the feature and parameter spaces, as well as metrics computed on the set of maximal activation images. These analyses are performed on several variations of the transfer learning procedure. In particular, we observed that the network could specialize some pre-trained filters to the new image modality and also that higher layers tend to concentrate classes. Finally, we have shown that a double fine-tuning involving a medium-size artistic dataset can improve the classification on smaller datasets, even when the task changes.Comment: Accepted at Workshop on Fine Art Pattern Extraction and Recognition (FAPER), ICPR, 202

A Data Set and a Convolutional Model for Iconography Classification in Paintings

Iconography in art is the discipline that studies the visual content of artworks to determine their motifs and themes andto characterize the way these are represented. It is a subject of active research for a variety of purposes, including the interpretation of meaning, the investigation of the origin and diffusion in time and space of representations, and the study of influences across artists and art works. With the proliferation of digital archives of art images, the possibility arises of applying Computer Vision techniques to the analysis of art images at an unprecedented scale, which may support iconography research and education. In this paper we introduce a novel paintings data set for iconography classification and present the quantitativeand qualitative results of applying a Convolutional Neural Network (CNN) classifier to the recognition of the iconography of artworks. The proposed classifier achieves good performances (71.17% Precision, 70.89% Recall, 70.25% F1-Score and 72.73% Average Precision) in the task of identifying saints in Christian religious paintings, a task made difficult by the presence of classes with very similar visual features. Qualitative analysis of the results shows that the CNN focuses on the traditional iconic motifs that characterize the representation of each saint and exploits such hints to attain correct identification. The ultimate goal of our work is to enable the automatic extraction, decomposition, and comparison of iconography elements to support iconographic studies and automatic art work annotation.Comment: Published at ACM Journal on Computing and Cultural Heritage (JOCCH) https://doi.org/10.1145/345888