One-shot Detail Retouching with Patch Space Neural Field based Transformation Blending

Photo retouching is a difficult task for novice users as it requires expert knowledge and advanced tools. Photographers often spend a great deal of time generating high-quality retouched photos with intricate details. In this paper, we introduce a one-shot learning based technique to automatically retouch details of an input image based on just a single pair of before and after example images. Our approach provides accurate and generalizable detail edit transfer to new images. We achieve these by proposing a new representation for image to image maps. Specifically, we propose neural field based transformation blending in the patch space for defining patch to patch transformations for each frequency band. This parametrization of the map with anchor transformations and associated weights, and spatio-spectral localized patches, allows us to capture details well while staying generalizable. We evaluate our technique both on known ground truth filtes and artist retouching edits. Our method accurately transfers complex detail retouching edits

On the Importance of Visual Context for Data Augmentation in Scene Understanding

Performing data augmentation for learning deep neural networks is known to be important for training visual recognition systems. By artificially increasing the number of training examples, it helps reducing overfitting and improves generalization. While simple image transformations can already improve predictive performance in most vision tasks, larger gains can be obtained by leveraging task-specific prior knowledge. In this work, we consider object detection, semantic and instance segmentation and augment the training images by blending objects in existing scenes, using instance segmentation annotations. We observe that randomly pasting objects on images hurts the performance, unless the object is placed in the right context. To resolve this issue, we propose an explicit context model by using a convolutional neural network, which predicts whether an image region is suitable for placing a given object or not. In our experiments, we show that our approach is able to improve object detection, semantic and instance segmentation on the PASCAL VOC12 and COCO datasets, with significant gains in a limited annotation scenario, i.e. when only one category is annotated. We also show that the method is not limited to datasets that come with expensive pixel-wise instance annotations and can be used when only bounding boxes are available, by employing weakly-supervised learning for instance masks approximation.Comment: Updated the experimental section. arXiv admin note: substantial text overlap with arXiv:1807.0742

PaletteNeRF: Palette-based Color Editing for NeRFs

Neural Radiance Field (NeRF) is a powerful tool to faithfully generate novel views for scenes with only sparse captured images. Despite its strong capability for representing 3D scenes and their appearance, its editing ability is very limited. In this paper, we propose a simple but effective extension of vanilla NeRF, named PaletteNeRF, to enable efficient color editing on NeRF-represented scenes. Motivated by recent palette-based image decomposition works, we approximate each pixel color as a sum of palette colors modulated by additive weights. Instead of predicting pixel colors as in vanilla NeRFs, our method predicts additive weights. The underlying NeRF backbone could also be replaced with more recent NeRF models such as KiloNeRF to achieve real-time editing. Experimental results demonstrate that our method achieves efficient, view-consistent, and artifact-free color editing on a wide range of NeRF-represented scenes.Comment: 12 pages, 10 figure

Decomposing Single Images for Layered Photo Retouching

Photographers routinely compose multiple manipulated photos of the same scene into a single image, producing a fidelity difficult to achieve using any individual photo. Alternately, 3D artists set up rendering systems to produce layered images to isolate individual aspects of the light transport, which are composed into the final result in post-production. Regrettably, these approaches either take considerable time and effort to capture, or remain limited to synthetic scenes. In this paper, we suggest a method to decompose a single image into multiple layers that approximates effects such as shadow, diffuse illumination, albedo, and specular shading. To this end, we extend the idea of intrinsic images along two axes: first, by complementing shading and reflectance with specularity and occlusion, and second, by introducing directional dependence. We do so by training a convolutional neural network (CNN) with synthetic data. Such decompositions can then be manipulated in any off-the-shelf image manipulation software and composited back. We demonstrate the effectiveness of our decomposition on synthetic (i. e., rendered) and real data (i. e., photographs), and use them for photo manipulations, which are otherwise impossible to perform based on single images. We provide comparisons with state-of-the-art methods and also evaluate the quality of our decompositions via a user study measuring the effectiveness of the resultant photo retouching setup. Supplementary material and code are available for research use at geometry.cs.ucl.ac.uk/projects/2017/layered-retouching