MS-146: Lillian Mae Pittenturf Hollebaugh Albums

This collection of photograph albums encompasses parents, cousins, and friends of Lillian Mae Pittenturf Hollebaugh and several of her husband’s nieces, cousins, and an aunt and uncle. They are from the Beck, Booke, Brown, Bushman, Culp, Dougherty, Eckenrode, Gerlach, Hay, Hollebaugh, Ickes, Kitzmiller, Martin, Mechey, Milan, Mumper, Owens, Pittenturf, Plan, Ramer, Rodkey, Rouzer, Rupp, Schriver, Slaybaugh, Smith, Spangler, Speese, Tawney, Tinsley, Truxel, and Weikert families. Special Collections and College Archives Finding Aids are discovery tools used to describe and provide access to our holdings. Finding aids include historical and biographical information about each collection in addition to inventories of their content. More information about our collections can be found on our website http://www.gettysburg.edu/special_collections/collections/.https://cupola.gettysburg.edu/findingaidsall/1126/thumbnail.jp

Boston University Men's Chorus, Women's Chorale and Chamber Chorus, February 7, 2004

This is the concert program of the Boston University Men's Chorus, Women's Chorale and Chamber Chorus performance on Saturday, February 7, 2004 at 8:00 p.m., at the Boston University Concert Hall 855 Commonwealth Avenue. Works performed were Part-Songs for male chorus by Franz Schubert, Romanzen für Frauenstimmen, Op. 69 by Robert Schumann, Vier Gesänge, Op. 17 by Johannes Brahms, and Zigeunerlieder, Op. 103 by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Volume 3, Number 8, April 1926

Secretarial -- Normal Commercial Issu

Introduction: Crying over Little Nell

Do you ever find yourself coming over all sentimental? And if you do, do you like it, or do you feel embarrassed by your sentimental proclivities? Is sentimentality a pleasurable indulgence, a minor vice, or a lapse of aesthetic and moral taste? That Victorian culture is steeped in sentimentality is axiomatic. Its cast of pathetic children, fallen women, faithful animals, lachrymose deathbeds, hopeless sunsets and false dawns, fated quests, angelic mothers and innocents betrayed – to name only the most obvious topoi of literary and visual sentimentality – is familiar to the point of parody. (Or perhaps, thinking of Wilde's witticism on the death of Little Nell, it is beyond parody already.) The taste for Victorian culture's sentimentality, like the taste for Victorian culture more generally, has waxed and waned, yet whereas a fascination for kitsch or a delight in melodrama's excesses can sit happily with serious scholarly interests, it has rarely been respectable to stand up for sentimentality. Sentimentality is excessive feeling evoked by unworthy objects; it is falsely idealising; it simplifies and sanitises; it is vulgar; it leads to cynicism; it is feeling on the cheap; it's predictable; it's meretricious. In short, it's an emotional and aesthetic blot on the landscape

Faculty recital series: James Demler and Shiela Kibbe, January 27, 2009

This is the concert program of the faculty recital of James Demler and Shiela Kibbe on Tuesday, January 27, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Four Shakespeare Songs, Opus 30 by Roger Quilter, Larkin Songs by Daron Hagen, Five Street Songs and Pieces by Charles Ives, Four Songs by Samuel Barber, and Songs Before Sleep by Richard Rodney Bennett. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Ellalou Dimmock Honors Voice Recital, November 10, 2009

This is the concert program of the Ellalou Dimmock Honors Voice Recital performance on Tuesday, November 10, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Petit Cours de morale by Arthur Honegger, Cinq Mélodies populaires grecques by Maurice Ravel, Three Russian Songs by Sergei Rachmaninoff, From Mörike-Lieder by Hugo Wolf, From Childhood Fables for Grownups by Irving Fine, Four Italian Liriche by Ottorino Respighi and Pietro Cimara, Duet: Viens! Une flûte invisile by Camille Saint-Saëns, Four Lieder by Gustav Mahler, and La regata veneziana by Gioachino Rossini. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Ellalou Dimmock Honors Voice Recital, March 20, 2009

This is the concert program of the Ellalou Dimmock Honors Voice Recital performance on Friday, March 20, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were "L'amerò sarò costante" from Il Re Pastore by Wolfgang Amadé Mozart, Gott im Frühling, Rastlose Liebe vy Franz Schubert, Haï luli by Pauline Viardot, L'attente b Camille Saint-Saëns, Oh! Quand je dors and Enfant, si j'étais roi by Franz Liszt, Selections from Brettl-lieder by Arnold Schoenberg, The Shaman by Jake Heggie, Sure on this Shining Night by Samuel Barber, Daybreak in Alabama by Ricky Ian Gordon, and I am in Need of Music by Benjamin Moore. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Milestones 1914

1914 yearbook of Ward-Belmont College.https://repository.belmont.edu/wbyearbooks/1000/thumbnail.jp