Content-Based Video Description for Automatic Video Genre Categorization

International audienceIn this paper, we propose an audio-visual approach to video genre categorization. Audio information is extracted at block-level, which has the advantage of capturing local temporal information. At temporal structural level, we asses action contents with respect to human perception. Further, color perception is quantified with statistics of color distribution, elementary hues, color properties and relationship of color. The last category of descriptors determines statistics of contour geometry. An extensive evaluation of this multi-modal approach based on more than 91 hours of video footage is presented. We obtain average precision and recall ratios within [87% − 100%] and [77% − 100%], respectively,nwhile average correct classification is up to 97%. Additionally, movies displayed according to feature-based coordinates in a virtual 3D browsing environment tend to regroup with respect to genre, which has potential application with real content-based browsing systems

Short user-generated videos classification using accompanied audio categories

This paper investigates the classification of short user-generated videos (UGVs) using the accompanied audio data since short UGVs accounts for a great proportion of the Internet UGVs and many short UGVs are accompanied by singlecategory soundtracks. We define seven types of UGVs corresponding to seven audio categories respectively. We also investigate three modeling approaches for audio feature representation, namely, single Gaussian (1G), Gaussian mixture (GMM) and Bag-of-Audio-Word (BoAW) models. Then using Support Vector Machine (SVM) with three different distance measurements corresponding to three feature representations, classifiers are trained to categorize the UGVs. The accompanying evaluation results show that these approaches are effective for categorizing the short UGVs based on their audio track. Experimental results show that a GMM representation with approximated Bhattacharyya distance (ABD) measurement produces the best performance, and BoAW representation with chi-square kernel also reports comparable results

Multimodal music information processing and retrieval: survey and future challenges

Towards improving the performance in various music information processing tasks, recent studies exploit different modalities able to capture diverse aspects of music. Such modalities include audio recordings, symbolic music scores, mid-level representations, motion, and gestural data, video recordings, editorial or cultural tags, lyrics and album cover arts. This paper critically reviews the various approaches adopted in Music Information Processing and Retrieval and highlights how multimodal algorithms can help Music Computing applications. First, we categorize the related literature based on the application they address. Subsequently, we analyze existing information fusion approaches, and we conclude with the set of challenges that Music Information Retrieval and Sound and Music Computing research communities should focus in the next years

Automatic tagging and geotagging in video collections and communities

Automatically generated tags and geotags hold great promise to improve access to video collections and online communi- ties. We overview three tasks offered in the MediaEval 2010 benchmarking initiative, for each, describing its use scenario, definition and the data set released. For each task, a reference algorithm is presented that was used within MediaEval 2010 and comments are included on lessons learned. The Tagging Task, Professional involves automatically matching episodes in a collection of Dutch television with subject labels drawn from the keyword thesaurus used by the archive staff. The Tagging Task, Wild Wild Web involves automatically predicting the tags that are assigned by users to their online videos. Finally, the Placing Task requires automatically assigning geo-coordinates to videos. The specification of each task admits the use of the full range of available information including user-generated metadata, speech recognition transcripts, audio, and visual features

Video genre categorization and representation using audio-visual information

International audienceWe propose an audio-visual approach to video genre classification using content descriptors that exploit audio, color, temporal, and contour information. Audio information is extracted at block-level, which has the advantage of capturing local temporal information. At the temporal structure level, we consider action content in relation to human perception. Color perception is quantified using statistics of color distribution, elementary hues, color properties, and relationships between colors. Further, we compute statistics of contour geometry and relationships. The main contribution of our work lies in harnessingn the descriptive power of the combination of these descriptors in genre classification. Validation was carried out on over 91 h of video footage encompassing 7 common video genres, yielding average precision and recall ratios of 87% to 100% and 77% to 100%, respectively, and an overall average correct classification of up to 97%. Also, experimental comparison as part of the MediaEval 2011 benchmarkingn campaign demonstrated the efficiency of the proposed audiovisual descriptors over other existing approaches. Finally, we discuss a 3-D video browsing platform that displays movies using efaturebased coordinates and thus regroups them according to genre

An in-depth evaluation of multimodal video genre categorization

International audienceIn this paper we propose an in-depth evaluation of the performance of video descriptors to multimodal video genre categorization. We discuss the perspective of designing appropriate late fusion techniques that would enable to attain very high categorization accuracy, close to the one achieved with user-based text information. Evaluation is carried out in the context of the 2012 Video Genre Tagging Task of the MediaEval Benchmarking Initiative for Multimedia Evaluation, using a data set of up to 15.000 videos (3,200 hours of footage) and 26 video genre categories specific to web media. Results show that the proposed approach significantly improves genre categorization performance, outperforming other existing approaches. The main contribution of this paper is in the experimental part, several valuable interesting findings are reported that motivate further research on video genre classification

An audio-visual approach to web video categorization

International audienceIn this paper we address the issue of automatic video genre categorization of web media using an audio-visual approach. To this end, we propose content descriptors which exploit audio, temporal structure and color information. The potential of our descriptors is experimentally validated both from the perspective of a classification system and as an information retrieval approach. Validation is carried out on a real scenario, namely on more than 288 hours of video footage and 26 video genres specific to blip.tv media platform. Additionally, to reduce semantic gap, we propose a new relevance feedback technique which is based on hierarchical clustering. Experimental tests prove that retrieval performance can be significantly increased in this case, becoming comparable to the one obtained with high level semantic textual descriptors

Pandora: Description of a Painting Database for Art Movement Recognition with Baselines and Perspectives

To facilitate computer analysis of visual art, in the form of paintings, we introduce Pandora (Paintings Dataset for Recognizing the Art movement) database, a collection of digitized paintings labelled with respect to the artistic movement. Noting that the set of databases available as benchmarks for evaluation is highly reduced and most existing ones are limited in variability and number of images, we propose a novel large scale dataset of digital paintings. The database consists of more than 7700 images from 12 art movements. Each genre is illustrated by a number of images varying from 250 to nearly 1000. We investigate how local and global features and classification systems are able to recognize the art movement. Our experimental results suggest that accurate recognition is achievable by a combination of various categories.To facilitate computer analysis of visual art, in the form of paintings, we introduce Pandora (Paintings Dataset for Recognizing the Art movement) database, a collection of digitized paintings labelled with respect to the artistic movement. Noting that the set of databases available as benchmarks for evaluation is highly reduced and most existing ones are limited in variability and number of images, we propose a novel large scale dataset of digital paintings. The database consists of more than 7700 images from 12 art movements. Each genre is illustrated by a number of images varying from 250 to nearly 1000. We investigate how local and global features and classification systems are able to recognize the art movement. Our experimental results suggest that accurate recognition is achievable by a combination of various categories.Comment: 11 pages, 1 figure, 6 table