Lenore Engdahl, piano, March 31, 1983

This is the concert program of Lenore Engdahl, piano performance on Thursday, March 31, 1983 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Variationen, F minor (Hoboken XVII: 6) by Franz Joseph Haydn, Sonata in C-sharp minor, Op. 27, No. 2 by Ludwig van Beethoven, Mazurka, Op. 41 No. 1 by Frederic Chopin, Mazurka, Op. 17, No. 4 by F. Chopin, Scherzo, Op. 20 by F. Chopin, and Sonata in F minor, Op. 5 by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Faculty recital: Benjamin Pasternack, piano, February 15, 1987

This is the concert program of the Faculty Recital: Benjamin Pasternack, piano on Sunday, February 15, 1987 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Sonata in F# minor, Op. 26 No. 2 by Muzio Clementi, Variations and fugue on a Theme by Handel, Op. 24 by Johannes Brahms, Mazurka in C minor, Op. 56 No. 3 by Frederic Chopin, Mazurka in Ab major, Op. 59 No. 2 by F. Chopin, Mazurka in C# minor, Op. 50 No. 3 by F. Chopin, Two Preludes by Frank Martin, Au bord d'une source by Franz Liszt, and Valse de l'opera Faust by F. Liszt. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Faculty recital series: Jonathan Bass, January 29

This is the concert program of the faculty recital of Jonathan Bass on Monday, January 29, 2007 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Partita No. 2 in C minor by Johann Sebastian Bach, Ballade No. 2, op. 38 by Frédéric Chopin, Mazuraks, op. 24 by Chopin, Ballade No. 4 in F minor, Op. 52 by Chopin, Excursion, Op. 20 by Samuel Barber, Etude in B-flat minor, Op. 8, No. 11 by Alexander Scriabin, Sonata No. 4, Op. 30 by Scriabin, Etude in F-sharp Major, Op. 42, No.4 by Scriabin, and Sonata No. 5, Op. 53 by Scriabin. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Faculty concert: Tong-Il Han, piano, November 12, 1996

This is the concert program of the Faculty Concert performance on Thursday, November 12, 1996 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Polonaise-Fantaisie in A-flat major, Op. 61 by Frederyck Chopin, Sonata No. 3 in B minor, Op. 58 by Frederyck Chopin, and Fantasie in C major, Op. 17 by Robert Schumann. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Volume 44, Number 02 (February 1926)

Chopin: A Eulogy Upon the Greatest of Polish Musicians Chopin\u27s Estimate of Other Musicians Six Don’t\u27s for Young Students Chopin Pilgrimage in the Mediterranean What the Piano Teacher Must Know Interesting Class Lessons Vary the Position Present-Day Significance of Chopin Inspirational Moments Climaxes in Chopin\u27s Art Character Study of Chopin Chopin Reflections Episodes on the Life of Chopin: Milestones, Musical and Otherwise, in the Career of the Most Famous Master of Piano Music First Lesson on the Keyboard Can You Discriminate? Genius of Chopin Chopin Character Lines Chopin and Schumann Play Quits Chopin Chronology That New Composition Advice on the Interpretation of Chopin Chopin\u27s Sombre Moments Competent Chopin Commentaries Master Composer\u27s Portrait of Chopin Importance of Sight Reading Chopin\u27s Famous E Minor Prelude: A Lesson Analysis Keys in Rhyme Master Lesson on Chopin\u27s Military Polonaise in A Major Chopin Reflections What Great Men of Art Said About Chopin Form and Construction of a Famous Nocturne, Chopin\u27s Opus 15, No. 3https://digitalcommons.gardner-webb.edu/etude/1730/thumbnail.jp

Piano Recital, May 4, 1995

This is the concert program of the Piano Recital performance on Thursday, May 4, 1995 at 6:00 p.m., at the Marshall Room, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were from Pictures at an Exhibition: Promenade, Gnomus by Modest Mussorgsky, Sonata Op. 26, No. 3, Movement 1 by Muzio Clementi, Valse brilliante Op. 34 No. 2 by Frederic Chopin, Sonata Quasi una Fantasia Op. 27 No. 2, Movement 1 by Ludwig van Beethoven, Sonata K545 in C major, movement 1 by Wolfgang Amadeus Mozart, Two Valses: Op. 64 No. 3 and Op. 70 No. 1 by Frederic Chopin, From the French Clavier Suite in c minor, Courante by Johann Sebastian Bach, Two Preludes: Op. 32 No. 5 in G major, Op. 3 No. 2 in c sharp minor by Sergei Rachmaninov, Traumerei by Robert Schumann, and Nocturne Op. 48 No. 1 in c minor by Frederic Chopin. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

On the equivalence between standard and sequentially ordered hidden Markov models

Chopin (2007) introduced a sequentially ordered hidden Markov model, for which states are ordered according to their order of appearance, and claimed that such a model is a re-parametrisation of a standard Markov model. This note gives a formal proof that this equivalence holds in Bayesian terms, as both formulations generate equivalent posterior distributions, but does not hold in Frequentist terms, as both formulations generate incompatible likelihood functions. Perhaps surprisingly, this shows that Bayesian re-parametrisation and Frequentist re-parametrisation are not identical concepts

Volume 23, Number 01 (January 1905)

Fréderic François Chopin (Biographical Sketch) Appreciation of Chopin: His Works Embody All Technical Forms Chopin the Revolutionaire Chopin the Teacher Chopin the Man Chopin the Poet of the Pianoforte True Genius of Pianoforte Music: Exemplified in Chopin\u27s Works Making up a Chopin Program Quality of Chopin\u27s Genius Musical Rhythm and Rhythmic Playinghttps://digitalcommons.gardner-webb.edu/etude/1498/thumbnail.jp

Benjamin Pasternack, October 25, 1988

This is the concert program of the Benjamin Pasternack performance on Tuesday, October 25, 1988 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata in c minor, Op. 13 Pathetique by Ludwig van Beethoven, Three Mazurkas by Frédéric Chopin, Ten Variations on a Chopin prelude by Ferruccio Busoni, Two Preludes by Frank Martin, and Funerailles, Au bord d'une Source, and Valse de l'opera Faust by Franz Liszt. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund