Exploiting Contextual Information for Prosodic Event Detection Using Auto-Context

Prosody and prosodic boundaries carry significant information regarding linguistics and paralinguistics and are important aspects of speech. In the field of prosodic event detection, many local acoustic features have been investigated; however, contextual information has not yet been thoroughly exploited. The most difficult aspect of this lies in learning the long-distance contextual dependencies effectively and efficiently. To address this problem, we introduce the use of an algorithm called auto-context. In this algorithm, a classifier is first trained based on a set of local acoustic features, after which the generated probabilities are used along with the local features as contextual information to train new classifiers. By iteratively using updated probabilities as the contextual information, the algorithm can accurately model contextual dependencies and improve classification ability. The advantages of this method include its flexible structure and the ability of capturing contextual relationships. When using the auto-context algorithm based on support vector machine, we can improve the detection accuracy by about 3% and F-score by more than 7% on both two-way and four-way pitch accent detections in combination with the acoustic context. For boundary detection, the accuracy improvement is about 1% and the F-score improvement reaches 12%. The new algorithm outperforms conditional random fields, especially on boundary detection in terms of F-score. It also outperforms an n-gram language model on the task of pitch accent detection

Improving Mandarin Prosodic Structure Prediction with Multi-level Contextual Information

For text-to-speech (TTS) synthesis, prosodic structure prediction (PSP) plays an important role in producing natural and intelligible speech. Although inter-utterance linguistic information can influence the speech interpretation of the target utterance, previous works on PSP mainly focus on utilizing intrautterance linguistic information of the current utterance only. This work proposes to use inter-utterance linguistic information to improve the performance of PSP. Multi-level contextual information, which includes both inter-utterance and intrautterance linguistic information, is extracted by a hierarchical encoder from character level, utterance level and discourse level of the input text. Then a multi-task learning (MTL) decoder predicts prosodic boundaries from multi-level contextual information. Objective evaluation results on two datasets show that our method achieves better F1 scores in predicting prosodic word (PW), prosodic phrase (PPH) and intonational phrase (IPH). It demonstrates the effectiveness of using multi-level contextual information for PSP. Subjective preference tests also indicate the naturalness of synthesized speeches are improved.Comment: Accepted by Interspeech202

Soundbite Detection in Broadcast News Domain

In this paper, we present results of a study designed to identify SOUNDBITES in Broadcast News. We describe a Conditional Random Field-based model for the detection of these included speech segments uttered by individuals who are interviewed or who are the subject of a news story. Our goal is to identify direct quotations in spoken corpora which can be directly attributable to particular individuals, as well as to associate these soundbites with their speakers. We frame soundbite detection as a binary classification problem in which each turn is categorized either as a soundbite or not. We use lexical, acoustic/prosodic and structural features on a turn level to train a CRF. We performed a 10-fold cross validation experiment in which we obtained an accuracy of 67.4 % and an F-measure of 0.566 which is 20.9 % and 38.6 % higher than a chance baseline. Index Terms: soundbite detection, speaker roles, speech summarization, information extraction

Soundbite Detection in Broadcast News Domain

In this paper, we present results of a study designed to identify SOUNDBITES in Broadcast News. We describe a Conditional Random Field-based model for the detection of these included speech segments uttered by individuals who are interviewed or who are the subject of a news story. Our goal is to identify direct quotations in spoken corpora which can be directly attributable to particular individuals, as well as to associate these soundbites with their speakers. We frame soundbite detection as a binary classification problem in which each turn is categorized either as a soundbite or not. We use lexical, acoustic/prosodic and structural features on a turn level to train a CRF. We performed a 10-fold cross validation experiment in which we obtained an accuracy of 67.4 % and an F-measure of 0.566 which is 20.9 % and 38.6 % higher than a chance baseline. Index Terms: soundbite detection, speaker roles, speech summarization, information extraction

Music Generation by Deep Learning - Challenges and Directions

In addition to traditional tasks such as prediction, classification and translation, deep learning is receiving growing attention as an approach for music generation, as witnessed by recent research groups such as Magenta at Google and CTRL (Creator Technology Research Lab) at Spotify. The motivation is in using the capacity of deep learning architectures and training techniques to automatically learn musical styles from arbitrary musical corpora and then to generate samples from the estimated distribution. However, a direct application of deep learning to generate content rapidly reaches limits as the generated content tends to mimic the training set without exhibiting true creativity. Moreover, deep learning architectures do not offer direct ways for controlling generation (e.g., imposing some tonality or other arbitrary constraints). Furthermore, deep learning architectures alone are autistic automata which generate music autonomously without human user interaction, far from the objective of interactively assisting musicians to compose and refine music. Issues such as: control, structure, creativity and interactivity are the focus of our analysis. In this paper, we select some limitations of a direct application of deep learning to music generation, analyze why the issues are not fulfilled and how to address them by possible approaches. Various examples of recent systems are cited as examples of promising directions.Comment: 17 pages. arXiv admin note: substantial text overlap with arXiv:1709.01620. Accepted for publication in Special Issue on Deep learning for music and audio, Neural Computing & Applications, Springer Nature, 201

Make-A-Voice: Unified Voice Synthesis With Discrete Representation

Various applications of voice synthesis have been developed independently despite the fact that they generate "voice" as output in common. In addition, the majority of voice synthesis models currently rely on annotated audio data, but it is crucial to scale them to self-supervised datasets in order to effectively capture the wide range of acoustic variations present in human voice, including speaker identity, emotion, and prosody. In this work, we propose Make-A-Voice, a unified framework for synthesizing and manipulating voice signals from discrete representations. Make-A-Voice leverages a "coarse-to-fine" approach to model the human voice, which involves three stages: 1) semantic stage: model high-level transformation between linguistic content and self-supervised semantic tokens, 2) acoustic stage: introduce varying control signals as acoustic conditions for semantic-to-acoustic modeling, and 3) generation stage: synthesize high-fidelity waveforms from acoustic tokens. Make-A-Voice offers notable benefits as a unified voice synthesis framework: 1) Data scalability: the major backbone (i.e., acoustic and generation stage) does not require any annotations, and thus the training data could be scaled up. 2) Controllability and conditioning flexibility: we investigate different conditioning mechanisms and effectively handle three voice synthesis applications, including text-to-speech (TTS), voice conversion (VC), and singing voice synthesis (SVS) by re-synthesizing the discrete voice representations with prompt guidance. Experimental results demonstrate that Make-A-Voice exhibits superior audio quality and style similarity compared with competitive baseline models. Audio samples are available at https://Make-A-Voice.github.i