Facial Expression Restoration Based on Improved Graph Convolutional Networks

Facial expression analysis in the wild is challenging when the facial image is with low resolution or partial occlusion. Considering the correlations among different facial local regions under different facial expressions, this paper proposes a novel facial expression restoration method based on generative adversarial network by integrating an improved graph convolutional network (IGCN) and region relation modeling block (RRMB). Unlike conventional graph convolutional networks taking vectors as input features, IGCN can use tensors of face patches as inputs. It is better to retain the structure information of face patches. The proposed RRMB is designed to address facial generative tasks including inpainting and super-resolution with facial action units detection, which aims to restore facial expression as the ground-truth. Extensive experiments conducted on BP4D and DISFA benchmarks demonstrate the effectiveness of our proposed method through quantitative and qualitative evaluations.Comment: Accepted by MMM202

Recent Progress in Image Deblurring

This paper comprehensively reviews the recent development of image deblurring, including non-blind/blind, spatially invariant/variant deblurring techniques. Indeed, these techniques share the same objective of inferring a latent sharp image from one or several corresponding blurry images, while the blind deblurring techniques are also required to derive an accurate blur kernel. Considering the critical role of image restoration in modern imaging systems to provide high-quality images under complex environments such as motion, undesirable lighting conditions, and imperfect system components, image deblurring has attracted growing attention in recent years. From the viewpoint of how to handle the ill-posedness which is a crucial issue in deblurring tasks, existing methods can be grouped into five categories: Bayesian inference framework, variational methods, sparse representation-based methods, homography-based modeling, and region-based methods. In spite of achieving a certain level of development, image deblurring, especially the blind case, is limited in its success by complex application conditions which make the blur kernel hard to obtain and be spatially variant. We provide a holistic understanding and deep insight into image deblurring in this review. An analysis of the empirical evidence for representative methods, practical issues, as well as a discussion of promising future directions are also presented.Comment: 53 pages, 17 figure

Learning Representations for Controllable Image Restoration

Deep Convolutional Neural Networks have sparked a renaissance in all the sub-fields of computer vision. Tremendous progress has been made in the area of image restoration. The research community has pushed the boundaries of image deblurring, super-resolution, and denoising. However, given a distorted image, most existing methods typically produce a single restored output. The tasks mentioned above are inherently ill-posed, leading to an infinite number of plausible solutions. This thesis focuses on designing image restoration techniques capable of producing multiple restored results and granting users more control over the restoration process. Towards this goal, we demonstrate how one could leverage the power of unsupervised representation learning. Image restoration is vital when applied to distorted images of human faces due to their social significance. Generative Adversarial Networks enable an unprecedented level of generated facial details combined with smooth latent space. We leverage the power of GANs towards the goal of learning controllable neural face representations. We demonstrate how to learn an inverse mapping from image space to these latent representations, tuning these representations towards a specific task, and finally manipulating latent codes in these spaces. For example, we show how GANs and their inverse mappings enable the restoration and editing of faces in the context of extreme face super-resolution and the generation of novel view sharp videos from a single motion-blurred image of a face. This thesis also addresses more general blind super-resolution, denoising, and scratch removal problems, where blur kernels and noise levels are unknown. We resort to contrastive representation learning and first learn the latent space of degradations. We demonstrate that the learned representation allows inference of ground-truth degradation parameters and can guide the restoration process. Moreover, it enables control over the amount of deblurring and denoising in the restoration via manipulation of latent degradation features

Artificial Intelligence in the Creative Industries: A Review

This paper reviews the current state of the art in Artificial Intelligence (AI) technologies and applications in the context of the creative industries. A brief background of AI, and specifically Machine Learning (ML) algorithms, is provided including Convolutional Neural Network (CNNs), Generative Adversarial Networks (GANs), Recurrent Neural Networks (RNNs) and Deep Reinforcement Learning (DRL). We categorise creative applications into five groups related to how AI technologies are used: i) content creation, ii) information analysis, iii) content enhancement and post production workflows, iv) information extraction and enhancement, and v) data compression. We critically examine the successes and limitations of this rapidly advancing technology in each of these areas. We further differentiate between the use of AI as a creative tool and its potential as a creator in its own right. We foresee that, in the near future, machine learning-based AI will be adopted widely as a tool or collaborative assistant for creativity. In contrast, we observe that the successes of machine learning in domains with fewer constraints, where AI is the `creator', remain modest. The potential of AI (or its developers) to win awards for its original creations in competition with human creatives is also limited, based on contemporary technologies. We therefore conclude that, in the context of creative industries, maximum benefit from AI will be derived where its focus is human centric -- where it is designed to augment, rather than replace, human creativity