4 research outputs found
Π’ΠΈΠ»Ρ Π±ΡΡΡ. ΠΠ·ΠΊΡΡΡΠ²ΠΎΡΠΎ Π² Π½ΠΎΠ²Π° ΠΏΠ΅ΡΡΠΏΠ΅ΠΊΡΠΈΠ²Π°
ΠΠ·Π°ΠΈΠΌΠΎΠΏΡΠΎΠ½ΠΈΠΊΠ²Π°Π½Π΅ΡΠΎ Π½Π° ΠΈΠ΄Π΅ΠΈ, ΠΊΡΠ»ΡΡΡΠ°, ΠΈΠΊΠΎΠ½ΠΎΠΌΠΈΠΊΠΈ, ΡΡΡΠΎΠ²ΠΈΠ½ΠΈ, ΠΏΠΎΠ»ΠΈΡΠΈΠΊΠΈ ΠΈ ΠΏΡ. Π²ΠΎΠ΄ΡΡ Π΄ΠΎ Π³Π»ΠΎΠ±Π°Π»ΠΈΠ·Π°ΡΠΈΡ Π² ΡΡΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΡΠΎ ΠΎΠ±ΡΠ΅ΡΡΠ²ΠΎ. Π’Π°Π·ΠΈ ΡΠ΅Π½Π΄Π΅Π½ΡΠΈΡ Π΅ ΠΏΠΎΠ΄ΠΏΠΎΠΌΠ°Π³Π°Π½Π° ΠΈ ΠΎΡ Π½Π°ΡΠ°ΡΡΠ²Π°ΡΠΈΡΠ΅ ΡΠ΅Ρ
Π½ΠΎΠ»ΠΎΠ³ΠΈΡΠ½ΠΈ ΠΈΠ½ΠΎΠ²Π°ΡΠΈΠΈ. ΠΠ±ΡΠ΅ΡΡΠ²ΠΎΡΠΎ Π²ΡΠ΅ ΠΏΠΎΠ²Π΅ΡΠ΅ ΡΠ΅ ΠΎΠ±ΡΡΡΠ° ΠΊΡΠΌ Π΄ΠΈΠ³ΠΈΡΠ°Π»Π½ΠΈΡΠ΅ ΡΡΠ΅Π΄ΡΡΠ²Π° ΠΏΡΠ΅Π΄ΠΎΡΡΠ°Π²ΡΡΠΈ Π±ΡΡΠ·ΠΈ ΠΊΠΎΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΠΈ, Π΄ΠΎΡΡΡΠΏ Π΄ΠΎ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡ ΠΈ ΡΡΠΎΠΊΠΈ ΠΏΡΠ΅Π· Π³Π»ΠΎΠ±Π°Π»Π½Π°ΡΠ° ΠΌΡΠ΅ΠΆΠ°, ΠΎΡΠΎΠ±Π΅Π½ΠΎ Π½Π΅ΠΎΠ±Ρ
ΠΎΠ΄ΠΈΠΌΠΈ Π² ΡΡΠ»ΠΎΠ²ΠΈΡΡΠ° Π½Π° ΠΏΠ°Π½Π΄Π΅ΠΌΠΈΡ. ΠΠΎ ΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΠ΅ Π½Π° ΠΈΠ·ΠΊΡΡΡΠ²ΠΎΡΠΎ ΡΠ΅Π·ΠΈ ΡΠ°ΠΊΡΠΎΡΠΈ Π΄ΠΎΠΏΡΠΈΠ½Π°ΡΡΡ Π·Π° ΠΈΠ·ΠΌΠ΅ΡΡΠ²Π°Π½Π΅ΡΠΎ Π½Π° ΠΎΠ±ΡΠ΅Π³Π° ΠΎΡ ΠΊΠ»Π°ΡΠΈΡΠ΅ΡΠΊΠΈΡΠ΅ ΠΈΠ·ΡΠ°Π·Π½ΠΈ ΡΡΠ΅Π΄ΡΡΠ²Π° ΠΊΡΠΌ ΡΡΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΈ ΡΠΎΡΠΌΠΈ Π½Π° ΠΈΠ·ΠΊΡΡΡΠ²ΠΎΡΠΎ ΡΠΎΠΊΡΡΠΈΡΠ°Π½ΠΈ Π²ΡΡΡ
Ρ Π΄ΠΈΠ³ΠΈΡΠ°Π»Π½ΠΈΡΠ΅ ΠΌΠ΅Π΄ΠΈΠΈ. Π ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈ ΠΏΠ»Π°Π½ ΠΎΡΠΊΡΠΈΠ²Π°Π½Π΅ΡΠΎ Π½Π° ΡΠΎΡΠΎΠ³ΡΠ°ΡΠΈΡΡΠ° ΠΏΡΠ΅Π· XIX Π²Π΅ΠΊ ΠΏΡΠΎΠΌΠ΅Π½Ρ ΡΠ°Π΄ΠΈΠΊΠ°Π»Π½ΠΎ ΠΈΠ·ΠΊΡΡΡΠ²ΠΎΡΠΎ. Π’ΠΎ ΡΠ΅ ΠΎΡΠ²ΠΎΠ±ΠΎΠΆΠ΄Π°Π²Π° ΠΎΡ ΡΡΠ½ΠΊΡΠΈΡΡΠ° Π΄Π° ΠΎΡΡΠ°Π·ΡΠ²Π° ΠΎΠ±Π΅ΠΊΡΠΈΠ²Π½Π°ΡΠ° ΡΠ΅Π°Π»Π½ΠΎΡΡ ΠΈ ΡΡΡΡΠΈ Π½ΠΎΠ²ΠΈ ΠΈΠ·ΡΠ°Π·Π½ΠΈ ΡΡΠ΅Π΄ΡΡΠ²Π° ΠΈ ΡΠΌΠΈΡΡΠ». ΠΡΠ΅Π· Π½Π°ΡΠ°Π»ΠΎΡΠΎ Π½Π° XX Π²Π΅ΠΊ Π½ΠΎΠ²ΠΈΡΠ΅ Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½ΠΈΡ ΡΠ°ΡΡ ΠΎΡ Π°Π²Π°Π½Π³Π°ΡΠ΄Π° Π² ΠΈΠ·ΠΊΡΡΡΠ²ΠΎΡΠΎ ΡΠ΅ ΡΡΡΠ΅ΠΌΡΡ Π΄Π° ΠΈΠ·ΠΎΠ±ΡΠ°Π·ΡΠ²Π°Ρ Π½Π΅ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π½ΠΈ Π½Π΅ΡΠ° Π΄Π°Π»Π΅Ρ ΠΎΡ Π²ΠΈΠ΄ΠΈΠΌΠ°ΡΠ° Π΄Π΅ΠΉΡΡΠ²ΠΈΡΠ΅Π»Π½ΠΎΡΡ ΠΊΠ°ΡΠΎ Π²ΡΡΡΠ΅ΡΠ½ΠΈΡ ΡΠ²ΡΡ Π½Π° Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ°, Π΅ΠΌΠΎΡΠΈΠΈ, ΡΠΈΠΌΠ²ΠΎΠ»ΠΈ, ΠΌΡΠ·ΠΈΠΊΠ°, Π²ΡΠ΅ΠΌΠ΅ ΠΈ Π΄Ρ. ΠΠ΄Π½ΠΎ ΠΎΡ Π½Π°ΠΉ-ΡΡΠΊΠΈΡΠ΅ Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½ΠΈΡ ΠΡΠ±ΠΈΠ·ΠΌΠ° Π΅ ΡΠΈΠΏΠΈΡΠ΅Π½ ΠΏΡΠΈΠΌΠ΅Ρ. Π’ΠΎΠΉ ΡΡΡΡΠΈ Π½Π°ΡΠΈΠ½ Π΄Π° ΠΏΠΎΠΊΠ°ΠΆΠ΅ ΠΎΠ±Π΅ΠΊΡΠΈΡΠ΅ ΡΠ°ΡΠΈΠΎΠ½Π°Π»Π½ΠΎ ΠΎΡ Π½ΡΠΊΠΎΠ»ΠΊΠΎ ΡΡΡΠ°Π½ΠΈ Π΅Π΄Π½ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎ - ΡΡΠΈΠΈΠ·ΠΌΠ΅ΡΠ½ΠΈ, Π½ΠΎ Π·Π° ΡΡΠΆΠ°Π»Π΅Π½ΠΈΠ΅ Π΅ ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½ ΠΎΡ ΠΈΠ·ΡΠ°Π·Π½ΠΈΡΠ΅ ΡΡΠ΅Π΄ΡΡΠ²Π° - Π΄Π²ΡΠΈΠ·ΠΌΠ΅ΡΠ½Π°ΡΠ° ΠΏΠΎΠ²ΡΡΡ
Π½ΠΎΡΡ Π½Π° ΠΏΠ»Π°ΡΠ½ΠΎΡΠΎ. ΠΠΈΠ³ΠΈΡΠ°Π»Π½ΠΈΡΠ΅ ΡΠ΅Ρ
Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ Π΄Π½Π΅Ρ ΠΈΠΌΠ°Ρ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π½Π° ΡΠΎΠ·ΠΈ ΠΏΡΠΎΠ±Π»Π΅ΠΌ. Π’Π΅ ΠΏΡΠ΅Π΄ΠΎΡΡΠ°Π²ΡΡ Π΄ΠΈΠ³ΠΈΡΠ°Π»Π½ΠΈ ΡΡΠ΅Π΄ΡΡΠ²Π°, ΠΊΠΎΠΈΡΠΎ Π½Π°ΠΏΡΠ»Π½ΠΎ ΠΏΡΠΎΠΌΠ΅Π½ΡΡ ΠΈΠ·ΠΊΡΡΡΠ²ΠΎΡΠΎ. ΠΠ»Π°ΡΠ½ΠΎΡΠΎ Π²Π΅ΡΠ΅ Π½Π΅ ΡΡΡΠ΅ΡΡΠ²ΡΠ²Π° ΠΏΠΎ ΠΏΠΎΠ·Π½Π°ΡΠΈΡ Π½ΠΈ Π½Π°ΡΠΈΠ½, Ρ ΠΊΠΎΠΈΡΠΎ ΡΠ°Π±ΠΎΡΠΈ Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΡΡ. Π’ΠΎ ΠΏΠΎΡΡΠ΅ΠΏΠ΅Π½Π½ΠΎ ΡΠ΅ ΠΏΡΠ΅Π²ΡΡΡΠ° Π² ΠΈΡΡΠΎΡΠΈΡ. Π‘ ΠΏΠΎΡΠ²Π°ΡΠ° Π½Π° VR- ΠΎΡΠΈΠ»Π°ΡΠ° Π³ΡΠ°Π½ΠΈΡΠΈΡΠ΅ Π½Π° Π²ΠΈΠ΄ΠΈΠΌΠ°ΡΠ° ΡΠ΅Π°Π»Π½ΠΎΡΡ ΠΈ Π²ΡΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ΡΠΎ Π² ΠΈΠ·ΠΊΡΡΡΠ²ΠΎΡΠΎ ΡΠ° ΠΏΡΠ΅ΠΌΠ°Ρ
Π½Π°ΡΠΈ Π·Π° Π΄Π° ΡΠ΅ Π²Π»Π΅Π·Π΅ Π² Π΅Π΄ΠΈΠ½ Π½ΠΎΠ² Π²ΠΈΡΡΡΠ°Π»Π΅Π½ ΡΠ²ΡΡ. Π’Π΅Ρ
Π½ΠΎΠ»ΠΎΠ³ΠΈΡΡΠ° Tilt Brush ΠΎΡΠΈΠ²Π° ΠΎΡΠ΅ Π΅Π΄Π½Π° ΡΡΡΠΏΠΊΠ° Π½Π°ΠΏΡΠ΅Π΄, ΠΏΡΠ΅Π΄ΠΎΡΡΠ°Π²ΡΠΉΠΊΠΈ Π²ΡΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡ Π½Π° Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ° Π΄Π° ΡΡΠ·Π΄Π°Π²Π° 3Π΄ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ Ρ ΡΠ΅ΡΠΊΠ° Π² ΡΡΠΊΠ° Π΄ΠΎ ΠΊΠ°ΡΠΎ ΡΠ΅ Π΄Π²ΠΈΠΆΠΈ Π²ΡΠ² Π²ΠΈΡΡΡΠ°Π»Π½ΠΈΡ ΡΠ²ΡΡ, ΠΊΠΎΠΈΡΠΎ ΡΡΠ·Π΄Π°Π²Π°. ΠΠ»Π°ΡΠ½ΠΎ Π½Π΅ ΡΡΡΠ΅ΡΡΠ²ΡΠ²Π°, ΡΠΎΠ²Π° Π΅ Π΅Π΄ΠΈΠ½ Π²ΠΈΡΡΡΠ°Π»Π΅Π½ Π΄ΠΈΠ³ΠΈΡΠ°Π»Π΅Π½ ΡΠ²ΡΡ ΡΡΠΈΠΈΠ·ΠΌΠ΅ΡΠ΅Π½ ΠΏΡΠΎΠΈΠ·Π»ΠΈΠ·Π°Ρ ΠΎΡ Π²ΡΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ΡΠΎ Π½Π° Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ° ΠΈ ΡΡΡΠ΅ΡΡΠ²ΡΠ²Π°Ρ Π΅Π΄ΠΈΠ½ΡΡΠ²Π΅Π½ΠΎ ΠΏΡΠ΅Π· ΠΏΠΎΠ³Π»Π΅Π΄Π° Π½Π° "ΡΠΎΠ·ΠΎΠ²ΠΈΡΠ΅" ΠΎΡΠΈΠ»Π° VR. Π’ΡΠΊ Π²ΡΠ·Π½ΠΈΠΊΠ²Π° Π²ΡΠΏΡΠΎΡΠ° ΡΠ΅ ΠΈΠ·ΠΌΠ΅ΡΡΡΡ Π»ΠΈ ΡΠ΅Ρ
Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈΡΠ΅ ΡΡΠΊΠ°ΡΠ° Π½Π° Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ°?Interpenetration of ideas, culture, economics, raw materials and etc. are causing globalization in our society. This trend is also assisted by the growing technological innovations. Society is increasingly turning to digital tools to provide fast communications, access to information and goods through the global network, especially needed during the pandemic. In terms of art, these factors contribute to shifting the range from classical means of expression to contemporary art forms focused on digital media. Historically, the discovery of photography in the 19th century radically changed art. Painting frees itself from the function of reflecting objective reality and seeks new means of expression and meaning. In the early 20th century, new trends in the avant-garde art seek to depict intangible things away from visible reality such as the inner world of the artist, emotions, symbols, music, time and more. One of the brightest trends - Cubism is a typical example. It seeks a way to show objects rationally from several sides simultaneously - three-dimensional, but unfortunately it is limited by the means of expression - the two-dimensional surface of the canvas. Digital technologies today have a solution to this problem. They provide digital tools that completely change painting. The canvas no longer exists in the familiar way in which the artist works. It is becoming history. With the invention of VR glasses, the boundaries of visible reality and imagination in art have been removed to enter a new virtual world. Tilt Brush technology goes one step further, giving the opportunity to the artist to create 3D images with a brush in hand while moving in the virtual world he creates. Canvas doesnβt exist, it is a virtual digital world three-dimensional arising from the imagination of the artist and existing only through the eyes of the pink VR glasses. Here comes the question, will technology displace the artist's hand
Explainable AI in medical imaging:An overview for clinical practitioners - Saliency-based XAI approaches
Since recent achievements of Artificial Intelligence (AI) have proven significant success and promising results throughout many fields of application during the last decade, AI has also become an essential part of medical research. The improving data availability, coupled with advances in high-performance computing and innovative algorithms, has increased AI's potential in various aspects. Because AI rapidly reshapes research and promotes the development of personalized clinical care, alongside its implementation arises an urgent need for a deep understanding of its inner workings, especially in high-stake domains. However, such systems can be highly complex and opaque, limiting the possibility of an immediate understanding of the system's decisions. Regarding the medical field, a high impact is attributed to these decisions as physicians and patients can only fully trust AI systems when reasonably communicating the origin of their results, simultaneously enabling the identification of errors and biases. Explainable AI (XAI), becoming an increasingly important field of research in recent years, promotes the formulation of explainability methods and provides a rationale allowing users to comprehend the results generated by AI systems. In this paper, we investigate the application of XAI in medical imaging, addressing a broad audience, especially healthcare professionals. The content focuses on definitions and taxonomies, standard methods and approaches, advantages, limitations, and examples representing the current state of research regarding XAI in medical imaging. This paper focuses on saliency-based XAI methods, where the explanation can be provided directly on the input data (image) and which naturally are of special importance in medical imaging.</p
ΠΠΈΠ·ΡΠ°Π»Π½ΠΈ ΠΈΠ·ΠΊΡΡΡΠ²Π° ΠΈ Π΄ΠΈΠ³ΠΈΡΠ°Π»Π½ΠΈ ΡΠ΅Ρ Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ
Π‘ ΠΏΠΎΡΠ²Π°ΡΠ° ΠΈ ΡΠ°Π·ΠΏΡΠΎΡΡΡΠ°Π½Π΅Π½ΠΈΠ΅ΡΠΎ Π½Π° Π΄ΠΈΠ³ΠΈΡΠ°Π»Π½ΠΈΡΠ΅ ΡΠ΅Ρ
Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ, ΡΡΡΡΠΎΠΉΡΡΠ²Π° ΠΈ ΡΡΠ΅Π΄ΡΡΠ²Π° Π² ΡΡΠ΅Π΄Π°ΡΠ° Π½Π° Π₯Π₯ Π²Π΅ΠΊ, Π½Π°ΡΡΡΠΏΠ²Π°Ρ Π΄ΡΠ°ΠΌΠ°ΡΠΈΡΠ½ΠΈ ΠΏΡΠΎΠΌΠ΅Π½ΠΈ Π²ΡΠ² Π²ΡΠΈΡΠΊΠΈ ΡΡΠ΅ΡΠΈ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ°. ΠΠ·ΠΌΠ΅Π½Ρ ΡΠ΅ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΎΠ½Π½ΠΎ ΠΊΠΎΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΠΎΠ½Π½Π°ΡΠ° ΡΡΠ΅Π΄Π° ΠΈ Π½Π°ΡΡΡΠΏΠ²Π° Π΅ΠΏΠΎΡ
Π°ΡΠ° Π½Π° Π½ΠΎΠ²ΠΈΡΠ΅ ΠΌΠ΅Π΄ΠΈΠΈ. ΠΠΈΠ³ΠΈΡΠ°Π»Π½ΠΈΡΠ΅ ΡΠ΅Ρ
Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ ΠΈ Π³Π»ΠΎΠ±Π°Π»Π½Π°ΡΠ° ΠΌΡΠ΅ΠΆΠ° ΠΎΠΊΠ°Π·Π²Π°Ρ ΡΡΠ½Π΄Π°ΠΌΠ΅Π½ΡΠ°Π»Π½ΠΎ Π²Π»ΠΈΡΠ½ΠΈΠ΅ Π²ΡΡΡ
Ρ ΠΊΡΠ»ΡΡΡΠ°ΡΠ°, ΡΡΠ°Π΄ΠΈΡΠΈΠΈΡΠ΅ ΠΈ ΠΈΠ·ΠΊΡΡΡΠ²ΠΎΡΠΎ.
Π ΡΠΎΠ·ΠΈ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡ ΠΏΠΎ ΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΠ΅ Π½Π° Π²ΠΈΠ·ΡΠ°Π»Π½ΠΎΡΠΎ ΠΈΠ·ΠΊΡΡΡΠ²ΠΎ Π΄ΠΈΠ³ΠΈΡΠ°Π»Π½ΠΈΡΠ΅ ΡΠ΅Ρ
Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ Π΄Π°Π²Π°Ρ Π²ΡΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡ Π·Π° ΠΏΠΎΡΠ²Π° Π½Π° Π½ΠΎΠ²ΠΈ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½ΠΈ ΠΏΡΠ°ΠΊΡΠΈΠΊΠΈ, ΠΊΠΎΠΈΡΠΎ Π·Π°Π΅ΠΌΠ°Ρ ΡΠ²ΠΎΠ΅ΡΠΎ ΠΌΡΡΡΠΎ Π΄ΠΎ ΠΊΠ»Π°ΡΠΈΡΠ΅ΡΠΊΠΈΡΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»Π½ΠΈ Π΄Π΅ΠΉΠ½ΠΎΡΡΠΈ. ΠΠΎΠ΄Π΅ΡΠ° ΡΡΠ°Π²Π° ΠΈΠ΄Π΅ΡΡΠ°, ΡΠ΅ Π΄ΠΈΠ³ΠΈΡΠ°Π»Π½Π°ΡΠ° ΡΠ΅Ρ
Π½ΠΎΠ»ΠΎΠ³ΠΈΡ Π½Π΅ Π΅ ΠΏΡΠΎΡΡΠΎ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½Ρ, Π° ΠΏΠΎ ΡΠΊΠΎΡΠΎ ΠΏΡΠΎΡΠ΅Ρ Π·Π° ΡΡΠ·Π΄Π°Π²Π°Π½Π΅. ΠΠΎ ΡΠΎΠ·ΠΈ Π½Π°ΡΠΈΠ½ ΡΠ΅ ΠΏΠΎΡΡΠ°Π²Ρ ΡΠΎΠΊΡΡ Π²ΡΡΡ
Ρ ΠΊΠΎΠ½ΡΠ΅ΠΏΡΠΈΡΡΠ° ΠΈΠ½ΡΠΏΠΈΡΠΈΡΠ°Π½Π° ΠΎΡ ΡΠΈΡΡΠΎΠ²ΠΈΡ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡ, Π° Π½Π΅ Π²ΡΡΡ
Ρ ΠΈΠ·ΡΠ°Π·Π½ΠΈΡΠ΅ ΡΡΠ΅Π΄ΡΡΠ²Π°. Π ΡΡΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΡΡΡΠ° Π²ΠΈΠ·ΡΠ°Π»Π½ΠΎΡΠΎ ΠΈΠ·ΠΊΡΡΡΠ²ΠΎ ΠΈ Π½Π°ΡΡΠ½ΠΈΡΠ΅ ΠΏΠΎΡΡΠΈΠΆΠ΅Π½ΠΈΡ ΠΆΠΈΠ²Π΅ΡΡ Π² Ρ
Π°ΡΠΌΠΎΠ½ΠΈΡ.With the advent and dissemination of digital technologies, devices and means in the middle of the twentieth century, dramatic changes occurred in all spheres of life. The data reporting environment is changing and the era of new media is approaching. Digital technologies and the global network have a fundamental impact on culture, traditions and art.
In this context, in terms of visual art, digital technologies allow for the emergence of new artistic practices that take their place next to classical art activities. Leading the way is the idea that digital technology is not just a tool, but rather a creation process, thus focusing on the concept inspired by the digital context rather than on the means expressed. In modernity, visual art and scientific achievements live in harmony