A Personal View of EVA London: Past, Present, Future

I first encountered EVA London in 1995 through my establishment of the Virtual Library museums pages (VLmp), part of the World Wide Web Virtual Library. In 2003, I was invited back as a keynote speaker on the subject of website accessibility for cultural heritage resources. Since then I have been involved with every EVA London conference either as an author or since 2007 as a proceedings editor. This paper summarises the developments of the EVA London conference over the past 25 years from a personal viewpoint and celebrates the 30th anniversary of EVA London and the whole family of international EVA conferences. The development of the community around EVA (Electronic Visualisation and the Arts) is evaluated in the context of a Community of Practice. The paper also considers possible future directions for EVA

TRANSFORMATIONS: New media art between communities and professional practice

Media Arts has long been regarded as a niche within the contemporary art discourse, secluded from the art market and from the public alike. As technology becomes more accessible, these former boundaries erode. While the art market slowly starts to embrace new media artists, local communities show a renewed interest in the power of technologically-facilitated art, due to its participatory nature. How do professional media artists make a living outside of the constraints of the contemporary art market? How can local communities and the public profit from media art

Art in Flux / Event Two Exhibition

ART IN FLUX London curated the exhibition ART IN FLUX at Event Two, a selection of pioneering media arts to celebrate the Computer Arts Society's 30 year anniversary. The exhibition took place at the Royal College of Art, the exact space where the very first exhibit of the Computer Arts Society had taken place 30 years earlier