Modelling talking human faces

This thesis investigates a number of new approaches for visual speech synthesis using data-driven methods to implement a talking face. The main contributions in this thesis are the following. The accuracy of shared Gaussian process latent variable model (SGPLVM) built using the active appearance model (AAM) and relative spectral transform-perceptual linear prediction (RASTAPLP) features is improved by employing a more accurate AAM. This is the first study to report that using a more accurate AAM improves the accuracy of SGPLVM. Objective evaluation via reconstruction error is performed to compare the proposed approach against previously existing methods. In addition, it is shown experimentally that the accuracy of AAM can be improved by using a larger number of landmarks and/or larger number of samples in the training data. The second research contribution is a new method for visual speech synthesis utilising a fully Bayesian method namely the manifold relevance determination (MRD) for modelling dynamical systems through probabilistic non-linear dimensionality reduction. This is the first time MRD was used in the context of generating talking faces from the input speech signal. The expressive power of this model is in the ability to consider non-linear mappings between audio and visual features within a Bayesian approach. An efficient latent space has been learnt iii Abstract iv using a fully Bayesian latent representation relying on conditional nonlinear independence framework. In the SGPLVM the structure of the latent space cannot be automatically estimated because of using a maximum likelihood formulation. In contrast to SGPLVM the Bayesian approaches allow the automatic determination of the dimensionality of the latent spaces. The proposed method compares favourably against several other state-of-the-art methods for visual speech generation, which is shown in quantitative and qualitative evaluation on two different datasets. Finally, the possibility of incremental learning of AAM for inclusion in the proposed MRD approach for visual speech generation is investigated. The quantitative results demonstrate that using MRD in conjunction with incremental AAMs produces only slightly less accurate results than using batch methods. These results support a way of training this kind of models on computers with limited resources, for example in mobile computing. Overall, this thesis proposes several improvements to the current state-of-the-art in generating talking faces from speech signal leading to perceptually more convincing results

New method for mathematical modelling of human visual speech

Audio-visual speech recognition and visual speech synthesisers are used as interfaces between humans and machines. Such interactions specifically rely on the analysis and synthesis of both audio and visual information, which humans use for face-to-face communication. Currently, there is no global standard to describe these interactions nor is there a standard mathematical tool to describe lip movements. Furthermore, the visual lip movement for each phoneme is considered in isolation rather than a continuation from one to another. Consequently, there is no globally accepted standard method for representing lip movement during articulation. This thesis addresses these issues by designing a transcribed group of words, by mathematical formulas, and so introducing the concept of a visual word, allocating signatures to visual words and finally building a visual speech vocabulary database. In addition, visual speech information has been analysed in a novel way by considering both lip movements and phonemic structure of the English language. In order to extract the visual data, three visual features on the lip have been chosen; these are on the outer upper, lower and corner of the lip. The extracted visual data during articulation is called the visual speech sample set. The final visual data is obtained after processing the visual speech sample sets to correct experimented artefacts such as head tilting, which happened during articulation and visual data extraction. The ‘Barycentric Lagrange Interpolation’ (BLI) formulates the visual speech sample sets into visual speech signals. The visual word is defined in this work and consists of the variation of three visual features. Further processing on relating the visual speech signals to the uttered word leads to the allocation of signatures that represent the visual word. This work suggests the visual word signature can be used either as a ‘visual word barcode’, a ‘digital visual word’ or a ‘2D/3D representations’. The 2D version of the visual word provides a unique signature that allows the identification of the words being uttered. In addition, identification of visual words has also been performed using a technique called ‘volumetric representations of the visual words’. Furthermore, the effect of altering the amplitudes and sampling rate for BLI has been evaluated. In addition, the performance of BLI in reconstructing the visual speech sample sets has been considered. Finally, BLI has been compared to signal reconstruction approach by RMSE and correlation coefficients. The results show that the BLI is the more reliable method for the purpose of this work according to Section 7.7

New method for mathematical modelling of human visual speech

Audio-visual speech recognition and visual speech synthesisers are used as interfaces between humans and machines. Such interactions specifically rely on the analysis and synthesis of both audio and visual information, which humans use for face-to-face communication. Currently, there is no global standard to describe these interactions nor is there a standard mathematical tool to describe lip movements. Furthermore, the visual lip movement for each phoneme is considered in isolation rather than a continuation from one to another. Consequently, there is no globally accepted standard method for representing lip movement during articulation. This thesis addresses these issues by designing a transcribed group of words, by mathematical formulas, and so introducing the concept of a visual word, allocating signatures to visual words and finally building a visual speech vocabulary database. In addition, visual speech information has been analysed in a novel way by considering both lip movements and phonemic structure of the English language. In order to extract the visual data, three visual features on the lip have been chosen; these are on the outer upper, lower and corner of the lip. The extracted visual data during articulation is called the visual speech sample set. The final visual data is obtained after processing the visual speech sample sets to correct experimented artefacts such as head tilting, which happened during articulation and visual data extraction. The ‘Barycentric Lagrange Interpolation’ (BLI) formulates the visual speech sample sets into visual speech signals. The visual word is defined in this work and consists of the variation of three visual features. Further processing on relating the visual speech signals to the uttered word leads to the allocation of signatures that represent the visual word. This work suggests the visual word signature can be used either as a ‘visual word barcode’, a ‘digital visual word’ or a ‘2D/3D representations’. The 2D version of the visual word provides a unique signature that allows the identification of the words being uttered. In addition, identification of visual words has also been performed using a technique called ‘volumetric representations of the visual words’. Furthermore, the effect of altering the amplitudes and sampling rate for BLI has been evaluated. In addition, the performance of BLI in reconstructing the visual speech sample sets has been considered. Finally, BLI has been compared to signal reconstruction approach by RMSE and correlation coefficients. The results show that the BLI is the more reliable method for the purpose of this work according to Section 7.7

Animating faces from speech

In this thesis we tackle the relationship between facial motion and speech. Generating realistic facial animations is a very challenging problem of computer graphics because humans are strongly specialised in interpreting faces, thus making them highly critical judges of the quality of the result. Conversely, the interpretation of human faces is crucial to improving computer interfaces.EThOS - Electronic Theses Online ServiceGBUnited Kingdo