Digital Theatre: A "Live" and Mediated Art Form Expanding Perceptions of Body, Place, and Community

This work discusses Digital Theatre, a type of performance which utilizes both "live" actors and co-present audiences along with digital media to create a hybrid art form revitalizing theatre for contemporary audiences. This work surveys a wide range of digital performances (with "live" and digital elements, limited interactivity/participation and spoken words) and identifies the group collectively as Digital Theatre, an art form with the flexibility and reach of digital data and the sense of community found in "live" theatre. I offer performance examples from Mark Reaney, David Saltz, Troika Ranch, Gertrude Stein Repertory Theatre, Flying Karamazov Brothers, Talking Birds, Yacov Sharir, Studio Z, George Coates Performance Group, and ArtGrid. (The technologies utilized in performances include: video-conferencing, media projection, MIDI control, motion capture, VR animation, and AI). Rather than looking at these productions as isolated events, I identify them as a movement and link the use of digital techniques to continuing theatrical tradition of utilizing new technologies on the stage. The work ties many of the aesthetic choices explored in theatrical past by the likes of Piscator, Svoboda, Craig, and in Bauhaus and Futurist movements. While it retains the essential qualities of public human connection and imaginative thought central to theatre, Digital Theatre can cause theatrical roles to merge as it extends the performer's body, expands our concept of place, and creates new models of global community

The Animator: The 26th Society for Animation Studies Annual Conference Toronto June 16 to 19, 2014

The 2014 Society for Animation Studies conference hosted by Sheridan College was from June 16 - 19, 2014. As Animation Studies continues to develop as a discipline, the dialogue that has opened up between more traditional academic research into the field and what we might call ‘industry-facing’ or applied research has become more important. The critical study of animation from within higher education institutions like Sheridan represents one of the many areas in which the industry can grow. Every SAS conference has its own distinct tone and flavour because we are truly international in our membership and we devolve conference organization annually to the host institution. This means that this year’s conference is strongly allied to Sheridan’s industry focus – not least with Corus warmly welcoming conference goers to their HQ for parts of the conference. SAS provides such a welcoming environment for new members, and a terrific forum to discuss animation from a multitude of perspectives. It is within this fertile and nurturing atmosphere that we decided to focus our conference on the animation artist. As a tribute to all artists whose efforts fuel our work, and in the spirit of the centenary of celebrated National Film Board of Canada animator, Norman McLaren, the 2014 SAS Conference is named “The Animator”. Keynote speakers included Scott Dyer, Executive Vice President, Strategic Planning and Chief Technology Officer, Corus Entertainment Charile Bonifacio, Animator, Arc Productions Ltd, Canada Professor Paul Wells, Director of the Animation Academy Loughborough University, UK Michael Fukushima, Executive Producer of NFB’s English Animation Studio National Film Board of Canada Panel Discussions McLaren Legacy Panel: The Centenary Year - Nichola Dobson, Terence Dobson, Kaj Pindal Stop Motion, From Local Community Members - Chris Walsh, Bret Long, Nora Keely, Mark Mayerson Conference Twitter account: @AnimatorSAS2014https://source.sheridancollege.ca/conferences_anim/1000/thumbnail.jp

Casco Bay Weekly : 20 January 1994

https://digitalcommons.portlandlibrary.com/cbw_1994/1003/thumbnail.jp

Animating Truth

Animating Truth examines the rise of animated documentary in the 21st century, and addresses how non-photorealistic animation is increasingly used to depict and shape reality

Producing the local: Javanese performance on Indonesian television

Producing the local: Javanese performance on Indonesian television explores how television represents Javaneseness, as a factor designed to catch and keep the attention of its putative audiences. Central is the question of how people make use of national, regional, local, public and private television in Indonesia – each in their own way and with their own goals – to represent the local and, in particular, how they construct images of Javaneseness through the production and dissemination of performance. Performance in Javanese has been used by the Indonesian television industry to achieve various purposes: to entertain and inform its audiences, to represent the local/the regional, to preserve and nurture the traditional and to build national culture, for persuasive (commercial or propaganda) aims, as a counter-voice of diversification towards global or Jakartan influences, and to express multiculturalism. These issues have been put into the framework of discursive practices about local, national and global cultures in the electronic audiovisual media in Indonesia. Three main themes structure the study: representing tradition, localizing persuasion and mediating the local. Above all, this dissertation is a plea for a more thorough study of the role of proximity in the production, dissemination and reception of local television programmes. Asian Studie

Striking Chords: Music in Ukiyo-e Prints (2021)

The book “Striking Chords: music in ukiyo-e prints” is a student version of a scholarly catalog that accompanies the RISD Museum’s ukiyo-e prints exhibition of the same title. ... This exhibition is a culmination of an ukiyo-e art history course taught at RISD in the fall of 2021. The project was generously accommodated by the RISD Museum. With the help of Wai Yee Chiong, Associate Curator of Asian Art, fifteen prints were selected from the collection of the RISD Museum. For the exhibition’s online component, which is still under construction, additional prints were chosen – two more from the RISD collection, four from the collection of the Pushkin Museum of Fine Arts in Moscow, Russia, and one from a private collection. All these works are included in the catalog. ... In the spirit of the exhibition topic, this project prompted the entire class to work in concordance as if an instrumental ensemble or even an orchestra. It is the students’ hope that their “Striking Chords” project does indeed strike a chord in the exhibition visitors. -- Foreword, Striking Chords: music in ukiyo-e prints Contributing Authors Joanne Ahn, Benjamin Anderson, Miranda Cancelosi, Yuanyuan Yuki Cao, Zhenrui Ray Cao, Naiqian Chen, Julia Chien, Lynn Cho, Yewon Chun, Zewei Feng, Jamie Gim, Nicholas Grassi, Tzu-Chun Hsu, Jessie Jing, Jackson Kneath, Yingshuet Celine Lam, Haoyu Li, Rilia Li, Jason Liao, Serene Lin, Yichen Ariel Pan, Lydia Pinkhassik, Xiaoqi Shen, Shuixin Wang, Jihyun Woo, Catherine Wu, Jack Wulf, Liu Yang, Yue Zi, Qi Caroline Zou.https://digitalcommons.risd.edu/thad_studentwork_ukiyo-e_prints_exhibitioncatalogs/1008/thumbnail.jp

Course Catalog 2010-2011

ACADEMIC CALENDAR 4 THE CSU SYSTEM 5 THE UNIVERSITY 8 ACADEMIC PROGRAM 13 STUDENT LIFE 23 ADMISSION 36 FEE SCHEDULE 43 ACADEMIC REGULATIONS 46 MINORS 58 CERTIFICATE PROGRAMS 60 EXTENDED LEARNING 62 UNDERGRADUATE DEGREE PROGRAMS 64 Academic Support Programs General Education Program Undergraduate Degree Programs GRADUATE STUDY 370 Graduate Degree Programs FACULTY 537 APPENDIX 558 INDEX 565https://scholarworks.lib.csusb.edu/csusb-catalog/1014/thumbnail.jp

Course Catalog 2007-2008

ACADEMIC CALENDAR 4 THE CSU SYSTEM 5 THE UNIVERSITY 8 ACADEMIC PROGRAM 13 STUDENT LIFE 23 ADMISSION 35 FEE SCHEDULE 41 ACADEMIC REGULATIONS 44 MINORS 55 CERTIFICATE PROGRAMS 57 EXTENDED LEARNING 59 UNDERGRADUATE DEGREE PROGRAMS 61 Academic Support Programs General Education Program Undergraduate Degree Programs GRADUATE STUDY 339 Graduate Degree Programs FACULTY 503 APPENDIX 523 INDEX 531https://scholarworks.lib.csusb.edu/csusb-catalog/1011/thumbnail.jp

Course Catalog 2011-2012

ACADEMIC CALENDAR 4 THE CSU SYSTEM 5 THE UNIVERSITY 8 ACADEMIC PROGRAM 13 STUDENT LIFE 23 ADMISSION 36 FEE SCHEDULE 43 ACADEMIC REGULATIONS 46 MINORS 58 CERTIFICATE PROGRAMS 60 EXTENDED LEARNING 62 UNDERGRADUATE DEGREE PROGRAMS 64 Academic Support Programs General Education Program Undergraduate Degree Programs GRADUATE STUDY 358 Graduate Degree Programs FACULTY 550 APPENDIX 571 INDEX 578https://scholarworks.lib.csusb.edu/csusb-catalog/1015/thumbnail.jp

Course Catalog 2009-2010

ACADEMIC CALENDAR 4 THE CSU SYSTEM 5 THE UNIVERSITY 8 ACADEMIC PROGRAM 13 STUDENT LIFE 23 ADMISSION 36 FEE SCHEDULE 43 ACADEMIC REGULATIONS 46 MINORS 57 CERTIFICATE PROGRAMS 59 EXTENDED LEARNING 61 UNDERGRADUATE DEGREE PROGRAMS 63 Academic Support Programs General Education Program Undergraduate Degree Programs GRADUATE STUDY 353 Graduate Degree Programs FACULTY 523 APPENDIX 545 INDEX 552https://scholarworks.lib.csusb.edu/csusb-catalog/1013/thumbnail.jp