Choreographic Performance, Generations And The Art Of Life In Post-colonial Dakar

This article looks at three generations of choreographic performers in urban Senegal to examine the creative ways in which people develop their bodily skills, not only for the pleasure of innovation, but also to ‘make their way into the world’. In so doing, they produce new social spaces and engage with a multiplicity of existing ones. I suggest that this multiple engagement characterizes contemporary urban Africa, where social mobility is conceived of as multiplying the possibilities of building a decent life in spite of economic hardship. In West Africa, this is in continuity with a long history of social mobility achieved through travel and the acquisition of new skills. Through a multiple engagement with different genres, performers also experiment with new ways of producing choreographic work. At every juncture, the social spaces thus produced either intensify or reduce the connections with global spaces already laid out by previous generations

Lives on Edge:everyday practices of people experiencing poverty in disadvantaged areas

Growing socio-spatial disparities in Western countries is a worrying trend which harms opportunities for a better future, particularly for people experiencing poverty. While the causes for growing socio-spatial inequalities are connected to global economic currents, the polarizing consequences are experienced in the context of everyday life, by ordinary people in cities, towns, and streets. 'Lives on Edge' aims to comprehend the ways in which people experiencing poverty are affected by increasing socio-spatial inequalities in the context of their everyday lives. Based on three ethnographic case studies in the city of Groningen (the Netherlands), the city of Calgary (Canada), and the rural region of the Groninger Veenkoloniën (the Netherlands), this thesis paints a detailed picture of the everyday practices of people experiencing poverty in these disadvantaged areas and how local socio-spatial developments relate to their experiences. The ethnographic evidence from these case studies demonstrates that participants feel that their everyday practices are increasingly marginalized and oppressed with respect to their social and spatial surroundings. An exacerbating factor in this marginalizing process is the tenacious focus of local socio-spatial developments on appearance, rather than focusing on achieving better prospects for vulnerable residents. As a result, the lives of people experiencing poverty are increasingly on edge

The Parental Milieu: Biosocial connections with nonhuman animals, technologies, and the Earth

This article develops the concept of the “parental milieu” as a theoretical tool for biosocial research in environmental education and the emerging field of critical life studies. Using the concept of milieu as a catalyst for theoretical inquiry, we map several movements and variations of the term through the 20th century works of von Uexkull, Simondon, and Deleuze and Guattari. This results in the development of four propositions that connect the parental milieu with the territorial milieu of the animal world; the technical milieu of ubiquitous digital networks; the metabolic milieu of consumption; and the trans-qualitative milieu of fluid relations and queer kinships. We conclude with a call for transgenerational research that addresses the ways that the parental milieu intersects with children's environmental learning and ­ethico-aesthetic sensibilities

A Patterning Approach to Complexity Thinking and Understanding for Students: A Case Study

Complexity thinking and understanding are vital skills for young people in these times of uncertainty and change. Such skills contribute to resilience and capacities for adaptivity and innovation. Within my teaching practice I have found students to be aware of complex dynamics, uncertainty and change, both in their lives and in the world. However, the current curriculum lacks language and process to conceptualise, articulate and develop complexity understanding. To address this problem, I developed and introduced a patterns-based design and process to a cohort of Australian secondary students. Comprising flowform patterning together with ecological metaphors, the design forms a conceptual language and practical process for thinking about, understanding and engaging with complex phenomena and change. Together these capacities are described here as complexity competence. Implemented initially to engage with time as a complex phenomenon, the design is described as the Patterns of Humantime (PHT), and the process of implementation as Complexity Patterning. Implementation during the development phase demonstrated the design’s capacity as a way to understand time as a complex phenomenon, as well as facilitating a relational and identity development approach to learning. In more recent research workshops with American undergraduate Liberal Studies students, the PHT design showed to be effective for understanding complexity and indicated the design’s capacity as a patterning process for engaging in collaborative projects in complex situations of diversity, change and uncertainty. Avenues to develop curriculum and evaluation materials, as well as professional development workshops, are being explored

Refining the Eden Community’s Pathways for Shaping Regenerative Christian Culture in the Apprenticeship for Regenerative Culture

This Doctor of Ministry thesis presents a project designed to meet a need of the Eden Community, an intentional Christian community, regarding the pathways it uses to shape regenerative Christian culture among college students in its apprenticeship program, ARC. In this thesis, I connect the pragmatic aims of the Eden Community to theological foundations regarding the importance of ecclesial diversity and creative contextualization, features that empower the church to embody a variety of life-giving “alternative stories” with the capacity to present the gospel as truly good news to the entire world. In this project, a team of nine stakeholders met together virtually for a series of eight sessions, designed according to the principles of Appreciative Inquiry. The team refined the ARC Pathways so that they more fully reflect and transmit elements of the Eden Community’s own subculture, cultural components that manifest the community’s paradigm of regenerative Christian culture. At the conclusion of the project, these team members, as well as a focus group and two outside experts, supplied data that, along with the initial and refined ARC Pathways, I then analyzed to determine the degree to which the pathways reflect and successfully transmit the Eden Community’s subculture. The data indicated that some cultural components are strongly reflected in the ARC Pathways, while others need further strengthening for greater effectiveness. Areas for future growth notwithstanding, the team was successful at achieving its goal, and the process proved generative, joyous, and itself an effective form of cultural transmission

African American Gospel Piano Style In The 21St Century: A Collective Case Study

The purpose of this study was to examine the African American gospel piano style in the 21st century, further examining the role of musical enculturation, transmission, and preservation through the lived experiences and perspectives as reported by five gospel pianists throughout the United States. A collective case study design (Stake, 1995) was used to explore how the gospel piano style is being learned, developed, transformed, transmitted, and preserved. Research questions focused on participants’ beliefs about the stylistic transformation of gospel piano in the 21st century and factors that influences those beliefs such as past and present stylistic developments. The data generation method included semi-structured interviews, artifacts, biographies, and recordings. Findings revealed that gospel piano is: (1) primarily learned informally through aural acquisition and listening to other gospel pianists and genres; (2) developed through experiential learning through church performance with assistance from mentors and supportive networks; (3) experienced transformation in the 21st century through evolution, commercialism, infusion of new genres, virtuosic musicianship; and (4) is being transmitted and preserved through teaching, technology, notation, and scholarship. These findings provide valuable insights into the African American gospel piano style for novice and practicing gospel pianists as they continue to develop and become efficient in the genre and for music educators interested in understanding this genre and style of performance practices

Kimihia, rangahaua ngā tikanga heke iho. He taonga huahua e riro mai: Exploring whakapapa as a tool towards a kaupapa Māori assessment framework in early childhood education

This study explores whakapapa as a tool, which can be used as a kaupapa Māori assessment framework in early childhood education, positioning kaupapa Māori theory as a paradigm base underpinning a philosophical and theoretical discourse towards assessment for children's learning. This thesis represents the culmination of a personal and professional journey, derived from the writer's longstanding interest in and commitment to kaupapa Māori early childhood education, and more specifically, philosophies and practices for assessment in this context. The study has canvassed a vast terrain of kaupapa Māori philosophy in its search for a theoretical grounding for a kaupapa Māori assessment framework for early childhood education. Foundation to the study has been the premise that the notion of whakapapa serves as an overarching philosophical matrix, encompassing the interconnected realms of genealogy, spirituality, and knowledge that precede, surround, and embrace the Māori child. Throughout the thesis, diagrams are employed to demonstrate and model the whakapapa underpinning the conceptualisations being explored. After contextualising the study within a historical overview of the impact of colonisation of kaupapa Māori education and research, it is suggested that a re-examination of key concepts from tikanga Māori will illuminate transformative possibilities applicable to the study's focus on the development of a theoretical base for an assessment tool within kaupapa Māori early childhood settings. Drawing from the literature, the thesis re-positions the view of the Māori child to one of being nurtured within a philosophical construct underpinned and immersed in tikanga such as whakapapa, ira tangata, whanaungatanga, mana and tapu, and ako, providing a strongly Māori theoretical base for the envisioning of the assessment process. The outcome of this study is to propose an assessment framework, which embodies and reflects these core kaupapa Māori philosophies as praxis

“A lot of stories in my mind”: Perspectives of children and elders living with dementia on intergenerational collaboration in a participatory music project

Trends of music engagement include a shift towards presentational music culture, as well as inequitable access to participatory music-making for some populations. Meanwhile, trends of societal engagement include ageism and age-segregation. Especially for people living with dementia, stigma often prevents equitable access to creative participatory arts. This convergent, mixed-methods case study design explored participation in an intergenerational, participatory creative arts project. Participants included children from an elementary school and senior adults with dementia in a memory care neighborhood. The purpose was to explore the meaning of participation and interaction in the project from participants’ perspectives. Participants collaborated in eight sessions of original storytelling/ songwriting, as well as discussion and surveys about the sessions. I concluded participatory creative arts were valuable not only in making space for participants, but also in honoring diverse access routes to the creative process. Both senior adults with dementia and children perceived these utilities for participatory creative arts. While seniors’ perspectives remained relatively stable and positive throughout the program, children demonstrated increasing cross-generational connection. Data discrepancies likely indicated cognitive dissonance for some children in processing the experience, yet overall, more consistent program attendance corresponded with more positive experiences for children. There is a need for more research and advocacy to fully explore and highlight voices of senior adults living with dementia collaborating with children in creative, participatory arts settings

Conflicts, integration, hybridization of subcultures: An ecological approach to the case of queercore

This paper investigates the case study of queercore, providing a socio-historical analysis of its subcultural production, in the terms of what Michel Foucault has called archaeology of knowledge (1969). In particular, we will focus on: the self-definition of the movement; the conflicts between the two merged worlds of punk and queer culture; the \u201cinternal-subcultural\u201d conflicts between both queercore and punk, and between queercore and gay\lesbian music culture; the political aspects of differentiation. In the conclusion, we will offer an innovative theoretical proposal about the interpretation of subcultures in ecological and semiotic terms, combining the contribution of the American sociologist Andrew Abbot and of the Russian semiologist Jurij Michajlovi\u10d Lotma