Ridiculously Fast Shot Boundary Detection with Fully Convolutional Neural Networks

Shot boundary detection (SBD) is an important component of many video analysis tasks, such as action recognition, video indexing, summarization and editing. Previous work typically used a combination of low-level features like color histograms, in conjunction with simple models such as SVMs. Instead, we propose to learn shot detection end-to-end, from pixels to final shot boundaries. For training such a model, we rely on our insight that all shot boundaries are generated. Thus, we create a dataset with one million frames and automatically generated transitions such as cuts, dissolves and fades. In order to efficiently analyze hours of videos, we propose a Convolutional Neural Network (CNN) which is fully convolutional in time, thus allowing to use a large temporal context without the need to repeatedly processing frames. With this architecture our method obtains state-of-the-art results while running at an unprecedented speed of more than 120x real-time

Motion Deblurring in the Wild

The task of image deblurring is a very ill-posed problem as both the image and the blur are unknown. Moreover, when pictures are taken in the wild, this task becomes even more challenging due to the blur varying spatially and the occlusions between the object. Due to the complexity of the general image model we propose a novel convolutional network architecture which directly generates the sharp image.This network is built in three stages, and exploits the benefits of pyramid schemes often used in blind deconvolution. One of the main difficulties in training such a network is to design a suitable dataset. While useful data can be obtained by synthetically blurring a collection of images, more realistic data must be collected in the wild. To obtain such data we use a high frame rate video camera and keep one frame as the sharp image and frame average as the corresponding blurred image. We show that this realistic dataset is key in achieving state-of-the-art performance and dealing with occlusions