Introducing SPAIN (SParse Audio INpainter)

A novel sparsity-based algorithm for audio inpainting is proposed. It is an adaptation of the SPADE algorithm by Kiti\'c et al., originally developed for audio declipping, to the task of audio inpainting. The new SPAIN (SParse Audio INpainter) comes in synthesis and analysis variants. Experiments show that both A-SPAIN and S-SPAIN outperform other sparsity-based inpainting algorithms. Moreover, A-SPAIN performs on a par with the state-of-the-art method based on linear prediction in terms of the SNR, and, for larger gaps, SPAIN is even slightly better in terms of the PEMO-Q psychoacoustic criterion

Deep speech inpainting of time-frequency masks

Transient loud intrusions, often occurring in noisy environments, can completely overpower speech signal and lead to an inevitable loss of information. While existing algorithms for noise suppression can yield impressive results, their efficacy remains limited for very low signal-to-noise ratios or when parts of the signal are missing. To address these limitations, here we propose an end-to-end framework for speech inpainting, the context-based retrieval of missing or severely distorted parts of time-frequency representation of speech. The framework is based on a convolutional U-Net trained via deep feature losses, obtained using speechVGG, a deep speech feature extractor pre-trained on an auxiliary word classification task. Our evaluation results demonstrate that the proposed framework can recover large portions of missing or distorted time-frequency representation of speech, up to 400 ms and 3.2 kHz in bandwidth. In particular, our approach provided a substantial increase in STOI & PESQ objective metrics of the initially corrupted speech samples. Notably, using deep feature losses to train the framework led to the best results, as compared to conventional approaches.Comment: Accepted to InterSpeech202

ARMAS: Active Reconstruction of Missing Audio Segments

Digital audio signal reconstruction of a lost or corrupt segment using deep learning algorithms has been explored intensively in recent years. Nevertheless, prior traditional methods with linear interpolation, phase coding and tone insertion techniques are still in vogue. However, we found no research work on reconstructing audio signals with the fusion of dithering, steganography, and machine learning regressors. Therefore, this paper proposes the combination of steganography, halftoning (dithering), and state-of-the-art shallow (RF- Random Forest regression) and deep learning (LSTM- Long Short-Term Memory) methods. The results (including comparing the SPAIN, Autoregressive, deep learning-based, graph-based, and other methods) are evaluated with three different metrics. The observations from the results show that the proposed solution is effective and can enhance the reconstruction of audio signals performed by the side information (e.g., Latent representation and learning for audio inpainting) steganography provides. Moreover, this paper proposes a novel framework for reconstruction from heavily compressed embedded audio data using halftoning (i.e., dithering) and machine learning, which we termed the HCR (halftone-based compression and reconstruction). This work may trigger interest in optimising this approach and/or transferring it to different domains (i.e., image reconstruction). Compared to existing methods, we show improvement in the inpainting performance in terms of signal-to-noise (SNR), the objective difference grade (ODG) and the Hansen's audio quality metric.Comment: 9 pages, 2 Tables, 8 Figure

Audio-Visual Speech Inpainting with Deep Learning

In this paper, we present a deep-learning-based framework for audio-visual speech inpainting, i.e., the task of restoring the missing parts of an acoustic speech signal from reliable audio context and uncorrupted visual information. Recent work focuses solely on audio-only methods and generally aims at inpainting music signals, which show highly different structure than speech. Instead, we inpaint speech signals with gaps ranging from 100 ms to 1600 ms to investigate the contribution that vision can provide for gaps of different duration. We also experiment with a multi-task learning approach where a phone recognition task is learned together with speech inpainting. Results show that the performance of audio-only speech inpainting approaches degrades rapidly when gaps get large, while the proposed audio-visual approach is able to plausibly restore missing information. In addition, we show that multi-task learning is effective, although the largest contribution to performance comes from vision